P. Terentii Afri Comoediae
Author : Terence
Publisher :
Page : 256 pages
File Size : 41,89 MB
Release : 1877
Category :
ISBN :
Author : Terence
Publisher :
Page : 256 pages
File Size : 41,89 MB
Release : 1877
Category :
ISBN :
Author : Publius Terentius (Afer)
Publisher :
Page : 172 pages
File Size : 19,69 MB
Release : 1875
Category :
ISBN :
Author :
Publisher :
Page : 458 pages
File Size : 37,61 MB
Release : 1897
Category :
ISBN :
Author : Henry Hucks Gibbs
Publisher :
Page : 520 pages
File Size : 48,12 MB
Release : 1914
Category : Early printed books
ISBN :
Author : George Peabody Library
Publisher :
Page : 854 pages
File Size : 46,79 MB
Release : 1887
Category : Dictionary catalogs
ISBN :
Author : Publius Terentius Afer
Publisher :
Page : 220 pages
File Size : 41,42 MB
Release : 1870
Category :
ISBN :
Author : Johns Hopkins University. Peabody Institute. Library
Publisher :
Page : 608 pages
File Size : 20,46 MB
Release : 1896
Category : Catalogs, Dictionary
ISBN :
Author : William Thomas Lowndes
Publisher :
Page : 650 pages
File Size : 48,70 MB
Release : 1863
Category :
ISBN :
Author : Lewis Wilhelm Brüggemann
Publisher :
Page : 1014 pages
File Size : 34,14 MB
Release : 1797
Category :
ISBN :
Author : Sander M. Goldberg
Publisher : Cambridge University Press
Page : 310 pages
File Size : 30,25 MB
Release : 2022-09-30
Category : History
ISBN : 1009200615
As the first play of the Terentian corpus, Andria has always attracted a special level of attention. It was the first Roman comedy produced after antiquity (at Florence in 1476) and the first translated into English, and it has inspired writers from Jonson and Dryden to Thornton Wilder. It provides an excellent introduction to Terence 's particular style of comedy, noteworthy for its ambivalence in representing the perspectives of woman and slaves and its experiments with a secondary plot line. The commentary is designed both to help students with the basic linguistic and technical problems confronting inexperienced readers of Roman comedy and to open discussion of essential interpretive questions involving the play and its relation to the wider comic corpus, as well as the utility of comedy for furthering our understanding of the Roman world and its values.