P-Z. Single engravings. Manuscripts
Author : John Rylands Library
Publisher :
Page : 664 pages
File Size : 37,69 MB
Release : 1899
Category : Rare books
ISBN :
Author : John Rylands Library
Publisher :
Page : 664 pages
File Size : 37,69 MB
Release : 1899
Category : Rare books
ISBN :
Author :
Publisher :
Page : 860 pages
File Size : 14,50 MB
Release : 1879
Category : Arts
ISBN :
Author : James Silk Buckingham
Publisher :
Page : 864 pages
File Size : 44,1 MB
Release : 1864
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Publisher : BRILL
Page : 692 pages
File Size : 17,95 MB
Release : 2023-01-30
Category : History
ISBN : 9004531041
Originally published as catalogue 100 of Antiquariaat FORUM in 10 issues between 1994-2002. With an extra issue with extensive indices. The print edition is available as a set of three volumes (9789061941392).
Author :
Publisher :
Page : 420 pages
File Size : 22,46 MB
Release : 1966
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Publisher :
Page : 420 pages
File Size : 34,55 MB
Release : 1967
Category : Advertising
ISBN :
Author : Willa Cather
Publisher : Gildan Media LLC aka G&D Media
Page : 257 pages
File Size : 18,96 MB
Release : 2024-01-02
Category : Fiction
ISBN : 1722525045
A haunting tribute to the heroic pioneers who shaped the American Midwest This powerful novel by Willa Cather is considered to be one of her finest works and placed Cather in the forefront of women novelists. It tells the stories of several immigrant families who start new lives in America in rural Nebraska. This powerful tribute to the quiet heroism of those whose struggles and triumphs shaped the American Midwest highlights the role of women pioneers, in particular. Written in the style of a memoir penned by Antonia’s tutor and friend, the book depicts one of the most memorable heroines in American literature, the spirited eldest daughter of a Czech immigrant family, whose calm, quite strength and robust spirit helped her survive the hardships and loneliness of life on the Nebraska prairie. The two form an enduring bond and through his chronicle, we watch Antonia shape the land while dealing with poverty, treachery, and tragedy. “No romantic novel ever written in America...is one half so beautiful as My Ántonia.” -H. L. Mencken Willa Cather (1873–1947) was an American writer best known for her novels of the Plains and for One of Ours, a novel set in World War I, for which she was awarded the Pulitzer Prize in 1923. She was elected a fellow of the American Academy of Arts and Sciences in 1943 and received the gold medal for fiction from the National Institute of Arts and Letters in 1944, an award given once a decade for an author's total accomplishments. By the time of her death she had written twelve novels, five books of short stories, and a collection of poetry.
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Page : 734 pages
File Size : 32,66 MB
Release : 1891
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Author : United States. National Archives and Records Administration
Publisher :
Page : 936 pages
File Size : 48,13 MB
Release : 1995
Category : Public records
ISBN :
Author : Linda Nochlin
Publisher : Thames & Hudson
Page : 84 pages
File Size : 21,75 MB
Release : 2021-02-16
Category : Art
ISBN : 0500776628
The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later. Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.”