Russian Myths


Book Description

The coming of Christianity to the state of Kievan Rus' at the end of the tenth century had an enormous impact on the development of Russian civilization. Despite the abandonment of the pagan gods, both Christian and pagan practices and beliefs continued to coexist for centuries, producing a system known as "dual faith." Russian Myths deals with mythic beliefs, notions, and customs—concerning the veneration of earth, water, fire, and air, demons and spirit-beings in the world of nature, the cult of the dead, and witchcraft—many of which have their roots in the pre-Christian past but still survive to the present day. To illuminate the evolution of major themes and motifs and set Russian myths in the context of mythology the world over, Elizabeth Warner draws upon a rich variety of sources, including anecdotal narrative forms and religious legends, epic songs, funeral laments and folk religion, and, of course, the folktales where the sacred gives way to pure imagination in the depiction of mythic themes and characters.




The Snow Maiden and Other Russian Tales


Book Description

In this delightful collection, you'll find more than 30 Russian tales—animal tales, fairy tales, tales of everyday life, and tales of spirits and the supernatural. You'll discover new renditions of familiar and beloved tales, as well as a number of obscure spirit tales, which were officially ignored by the Soviets. There are tales for all ages and tastes—funny stories, scary stories, and stories to make you think. In addition you'll find a fascinating overview of the country and its history, activity ideas and recipes, color photographs, and a list of recommended reading. An outstanding resource for educators, storytellers, and general readers, this is an essential addition to the folklore shelf in school and public libraries. Grades K-12.




The Complete Russian Folktale: v. 1: An Introduction to the Russian Folktale


Book Description

This introduction to the Russian folktale considers the origin, structure and language of folktales; tale-tellers and their audiences; the relationship of folktales to Russian ritual life; and the folktale types which are translated in subsequent volumes of The Complete Russian Folktale.




The Slavic Myths


Book Description

A Pulitzer-nominated author and one of the great public intellectuals of Slavic culture bring to life the unfamiliar myths and legends of the Slavic world. In the first collection of Slavic myths for an international readership, Noah Charney and Svetlana Slapšak expertly weave together the ancient stories with nuanced analysis to illuminate their place at the heart of Slavic tradition. While Slavic cultures are far-ranging, comprised of East Slavs (Russia, Ukraine, Belarus), West Slavs (the Czech Republic, Slovakia, Poland), and South Slavs (the countries of former Yugoslavia plus Bulgaria), they are connected by tales of adventure and magic with roots in a common lore. In the world of Slavic mythology we find petulant deities, demons and fairies, witches, and a supreme god who can hurl thunderbolts. Gods gather under the World Tree, reminiscent of Norse mythology’s Yggdrasill. The vampire—usually the only Serbo-Croatian word in any foreign-language dictionary—and the werewolf both emerge from Slavic belief. In their careful analysis and sensitive reconstructions of the myths, Charney and Slapšak unearth the Slavic beliefs before their distortion first by Christian chroniclers and then by nineteenth-century scholars seeking origin stories for their newborn nation states. They reveal links not only to the neighboring pantheons of Greece, Rome, Egypt, and Scandinavia, but also the belief systems of indigenous peoples of Australia, the Americas, Africa, and Asia. Specially commissioned illustrations inspired by traditional Eastern and European folk art bring the stories and their cultural landscape to life.




An Introduction to the Russian Folktale


Book Description

This engaging introduction to the Russian folktale considers the origin, structure, and language of folktales; tale-tellers and their audiences; the relationship of folktales to Russian ritual life; and the folktale types that are translated in subsequent volumes of The Complete Russian Folktale.




Encyclopedia of Goddesses and Heroines


Book Description

More Than 1,000 Goddesses & Heroines from around the World Groundbreaking scholar Patricia Monaghan spent her life researching, writing about, and documenting goddesses and heroines from all religions and all corners of the globe. Her work demonstrated that from the beginning of recorded history, goddesses reigned alongside their male counterparts as figures of inspiration and awe. Drawing on anthropology, folklore, literature, and psychology, Monaghan’s vibrant and accessible encyclopedia covers female deities from Africa, the eastern Mediterranean, Asia and Oceania, Europe, and the Americas, as well as every major religious tradition.




The Irresistible Fairy Tale


Book Description

A provocative new theory about fairy tales from one of the world's leading authorities If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread—or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold—and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved—and why we still use them to make meaning of our lives.




The World of the Russian Fairy Tale


Book Description

In the view of many folklorists the images, motifs and characters that occur in fairy tales the world over, have their origins in the earliest beliefs, customs and ways of life of the people who tell the tales. When sacred tales, laws and rites no longer have a living etiological purpose or relevance, they gradually evolve into what is known as the folk or fairy tale, told mainly to elicit wonder or delight. This book looks at the cultural background, history and mythology of the East Slavs with the aim of discovering the possible origins of certain elements in the Russian Fairy Tale, known as the Skazka. It examines the various types of hero or heroine that people it, their adventures and journeys to the Other World, and the fearsome beings such as the Baba-Yaga, the Zmei and Koshchei whom they meet either on the way to, or in the Other World. The study hopes to shed light on why Russian fairy tale personages act in certain ways, what they might be thought to represent and how they reflect some of the most ancient beliefs known to mankind, in particular, worship of the Mother Goddess, the Earth Goddess.




Profane Challenge and Orthodox Response in Dostoevsky's "Crime and Punishment"


Book Description

Profane Challenge and Orthodox Response in Dostoevsky's Crime and Punishment presents for the first time an examination of this great novel as a work aimed at winning back “target readers”, young contemporary radicals, from Utilitarianism, nihilism, and Utopian Socialism. Dostoevsky framed the battle in the context of the Orthodox Church and oral tradition versus the West. He relied on knowledge of the Gospels as textreceived orally, forcing readers to react emotionally, not rationally, and thus undermining the very basis of his opponents' arguments. Dostoevsky saves Raskol'nikov, underscoring the inadequacy of rational thought and reminding his readers of a heritage discarded at their peril. This volume should be of special interest to secondary and university students, as well as to readers interested in literature, particularly, in Russian literature, and Dostoevsky.