Pages from the Diary of a Militant Suffragette (Classic Reprint)


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Excerpt from Pages From the Diary of a Militant Suffragette And I saw within the gaol them that gave liberty to the slave, and them that unbound the mind of man, and them that strove to free his conscience, and them that led onward to Freedom, and Justice, and Love. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







Pages from the Diary of a Militant Suffragette - Primary Source Edition


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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




Pages from the Diary of a Militant Suffragette


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And I saw a gaol lifting its grimy walls to heaven. And they that passed by looked at it askance, for they said : "It is the abode of Sin." And to them the broad sky and all the earth was fair to look upon, for they saw the early buds opening, and heard the birds that had come back from the south, and they felt the sun which was new warming the hearts of beast and plant. But within the prison, and behind its cold, thick buttresses, and its small, round, triple-barred windows, that looked like tunnels, they heard faint groanings and sighings and much lamentation, and they said: "It is most just, for it is the abode of Sin." And I heard a voice saying : "Woe to the cause that hath not passed through a prison!" And I looked again, and I saw in the gaol those deliverers who in each age have saved the world from itself, and set it free, and gyves were on their wrists and ankles. And I saw Israel in the house of bondage before it came forth to preserve Duty for mankind. Woe to the cause that hath not passed through a prison! And I saw the Praetorian Hall and One that was bound therein, and the soldiers bowed the knee before Him and mocked Him, and then led Him away to proclaim Love to the world. Woe to the cause that hath not passed through a prison! And I saw within the gaol them that gave liberty to the slave, and them that unbound the mind of man, and them that strove to free his conscience, and them that led onward to Freedom, and Justice, and Love. Woe to the cause that hath not passed through a prison! And I saw also, those in our own time who have counted themselves as nothing if they could but point out God's way unto their brethren; and there were many, too, of the prophets who are still to come, and these were also in bonds. Woe to the cause that hath not passed through a prison! And lo ! the sky became clouded, and night fell, and there were no birds nor blossoms, but a chill came upon the earth, and they that passed by shivered and trembled; and I beheld, and saw that they were not men, but that they were really wolves, and apes, and swine. And within the gaol was a great light, and a pleasant warmth came from the barred windows; and I heard a burst, of triumphant song. And the gyves fell from the limbs of the prisoners, and there was great joy. And they that passed by would come in,, but they could not; and now within was freedom, and without was captivity. And the hosts within held up their arms, and the marks of their shackles were upon them. But I hid my hands behind me^ for there was no mark on my -wrists. Woe to the cause that hath not passed through a prison! 'Ernest Crosby' -Pages from the Diary of a Militant Suffragette, February 4th, 1909




Campaigning for the Vote


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Campaigning for the Vote tells, in her own words, the efforts of a working suffragist to convert the men and women of England to the cause of women's suffrage. The detailed diary kept all her life by Kate Parry Frye (1878-1959) has been edited to cover 1911-1915, years she spent as a paid organiser for the New Constitutional Society for Women's Suffrage. With Kate for company we can experience the reality of the `votes for women' campaign as, day after day, in London and in the provinces, she knocks on doors, arranges meetings, trembles on platforms, speaks from carts in market squares, village greens, and seaside piers, enduring indifference, incivility and even the threat of firecrackers under her skirt. Kate's words bring to life the world of the itinerant organiser - a world of train journeys, of complicated luggage conveyance, of hotels - and hotel flirtations - of boarding houses, of landladies, and of the `quaintness' of fellow boarders. This was not a world to which she was born, for her years as an organiser were played out against the catastrophic loss of family money and enforced departure from a much-loved home. Before 1911 Kate had had the luxury of giving her time as a volunteer to the suffrage cause; now she depended on it for her keep. No other diary gives such an extensive account of the working life of a suffragist, one who had an eye for the grand tableau - such as following Emily Wilding Davison's cortège through the London streets - as well as the minutiae of producing an advertisement for a village meeting. Moreover Kate Frye gives us the fullest account to date of the workings of the previously shadowy New Constitutional Society for Women's Suffrage. She writes at length of her fellow workers, never refraining from discussing their egos and foibles. After the outbreak of war in August 1914 Kate continued to work for some time at the society's headquarter, helping to organise its war effort, allowing us to experience her reality of life in war-time London.




The Feminism of Uncertainty


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The Feminism of Uncertainty brings together Ann Snitow’s passionate, provocative dispatches from forty years on the front lines of feminist activism and thought. In such celebrated pieces as "A Gender Diary"—which confronts feminism’s need to embrace, while dismantling, the category of "woman"—Snitow is a virtuoso of paradox. Freely mixing genres in vibrant prose, she considers Angela Carter, Doris Lessing, and Dorothy Dinnerstein and offers self-reflexive accounts of her own organizing, writing, and teaching. Her pieces on international activism, sexuality, motherhood, and the waywardness of political memory all engage feminism’s impossible contradictions—and its utopian hopes.




General Catalogue of Printed Books


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Fashion in European Art


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Fashion reveals not only who we are, but whom we aspire to be. From 1775 to 1925, artists in Europe were especially attuned to the gaps between appearance and reality, participating in and often critiquing the making of the self and the image. Reading their portrayals of modern life with an eye to fashion and dress reveals a world of complex calculations and subtle signals. Extensively illustrated, Fashion in European Art explores the significance of historical dress over this period of upheaval, as well as the lived experience of dress and its representation. Drawing on visual sources that extend from paintings and photographs to fashion plates, caricatures and advertisements, the expert contributors consider how artists and their sitters engaged with the fashion and culture of their times. They explore the politics of dress, its inspirations and the reactions it provoked, as well as the many meanings of fashion in European art, revealing its importance in understanding modernity itself.




The Publisher


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