Poets on Painters


Book Description

"An anthology of essays by such notables as W.B. Yeats, Gertrude Stein, and W.H. Auden offer their views on painting and works by such great painters as Picasso, Van Gogh, and Matisse." -- Amazon.com viewed January 25, 2021.




Frank O'Hara


Book Description

Previously known as an art-world figure, but now regarded as an important poet, Frank O'Hara is examined in this study. It traces the poet's "French connection" and the influence of the visual arts on his work. This edition includes a new introduction with a reconsideration of O'Hara's lyric.




How I Became a Painter


Book Description

"If all art aspires toward the condition of music, as Pater wrote, Trevor Winkfield must be counted among the most successful artists of all time," John Ashbery has declared. In the first of the two extended conversations that comprise How I Became a Painter, Winkfield (born 1944) reminisces about his student days in Leeds and London in the 1960s, and his early activities as an artist, writer, editor and translator; the second conversation focuses on Winkfield's life after he moved to New York City in 1969, including his decisive return to painting (prompted by the notorious survey of Richard Tuttle's work at the Whitney Museum of American Art in 1975) and his various collaborations with poets of the New York School. Winkfield's conversation partner throughout is the English-born, New York-based poet Miles Champion.




New York School Painters & Poets


Book Description

New York School Painters & Poets charts the collaborative milieu of New York City poets and artists in the mid-twentieth century. This unprecedented volume comprehensively reproduces rare ephemera, collecting and reprinting collaborations, paintings, drawings, poetry, letters, art reviews, photographs, dialogues, manifestos, and memories. Jenni Quilter offers a chronological survey of this milieu, which includes artists such as Willem de Kooning, Robert Motherwell, Alex Katz, Jasper Johns, Fairfield Porter, Larry Rivers, George Schneeman, and Rudy Burckhardt, plus writers John Ashbery, Bill Berkson, Ted Berrigan, Joe Brainard, Edwin Denby, Larry Fagin, Frank O’Hara, Charles North, Ron Padgett, James Schuyler, Anne Waldman, and more. “Giving us for the first time a full picture of the scene these artists and writers shared,” writes Carter Ratcliff in his foreword, “this book illuminates the unities and tensions, the playfulness and glamour and startling authenticity of their collaborations. Here we not only see evidence of a modus operandi. We also feel the exuberance of a certain modus vivendi, a way of life.” By Jenni Quilter, Edited by Allison Power, with Advisory Editors: Bill Berkson and Larry Fagin, and Foreword by Carter Ratcliff.




Jane Freilicher


Book Description

Jane Freilicher: Painter Among Poets is a follow-up to the superb 2011 publication Tibor de Nagy Gallery: Painters and Poets. It examines painter Jane Freilicher's important role at the center of the so-called New York School of poetry formed by John Ashbery, Frank O'Hara, Kenneth Koch and James Schuyler, and explores in depth for the first time Freilicher's contribution as muse, collaborator and confidante. It includes color reproductions of the artist's work, including landscapes, cityscapes and portraits of the poets (some of which are previously unreproduced); photographs of the group and letters from the Ashbery and Freilicher archives at Harvard; a selection of poems by Ashbery, Schuyler and O'Hara, including O'Hara's celebrated early poems inspired by Freilicher and unpublished works; an intimate appreciation by John Ashbery; and a revelatory essay by scholar Jenni Quilter.




Painter Among Poets


Book Description

A retrospective collection of art works created by Schneeman in collaboration with several poet/friends over a span of thirty-five years.




Painters & Poets


Book Description

Literary Nonfiction. Art. Poetry History & Criticism. TIBOR DE NAGY GALLERY PAINTERS & POETS is an exhibition catalog containing "A Hidden History of the Avant-Garde," by Douglas Crase, and "The Love of Looking: Collaborations Between Artists and Writers," by Jenni Quilter. It examines the gallery's early days in 1950s New York and the collaborative spirit that was nurtured among the young painters and poets of the New York School.




World Make Way


Book Description

“Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.” —Leonardo da Vinci Based on this simple statement by Leonardo, eighteen poets have written new poems inspired by some of the most popular works in the collection of The Metropolitan Museum. The collection represents a wide range of poets and artists, including acclaimed children’s poets Marilyn Singer, Alma Flor Alda, and Carole Boston Weatherford and popular artists such as Mary Cassatt, Fernando Botero, Winslow Homer, and Utagawa Hiroshige. Accompanying the artwork and specially commissioned poems is an introduction, biographies of each poet and artist, and an index.




Paul KLee


Book Description

Contextual analogies reveal that Klee matched wits with Christian Morgenstern, rose to the provocations of Kurt Schwitters, and gave new form to the Surrealists' "exquisite corpses." By the end of his life Klee discovered his own poetic voice in alphabet drawings that read as anagrams and pictorial poems that challenge conventional distinctions between verbal and visual forms of expression." "Paul Klee, Poet/Painter is a case study in the reciprocity of poetry and painting in early modernist practice. It introduces readers to a little-known facet of Klee's creative activity and re-evaluates his contributions to a modernist aesthetic."--BOOK JACKET.




Poetry and Painting in Song China


Book Description

During the Song dynasty (960-1278), some of China's elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, painting titles, contemporary inscriptions, and the historical context, Murck shows that certain paintings expressed strong political opinions--some transparent, others deliberately concealed.