Painting Missouri


Book Description

With more counties than most other states, Missouri posed a unique challenge for Billyo O'Donnell. Setting out to create an outdoor painting on location - en plein air - for each of Missouri's 114 counties plus the city of St. Louis, this award-winning artist devoted years of travel and logged more than 150,000 miles to capture the many textures of a multifaceted state.

Painting Missouri is an extraordinarily rich collection of scenes and seasons along the highways and byways of the Show-Me State. Turn these pages to find a farmer driving a combine in a Ray County cornfield or the Benedictine convent in Nodaway County or mist rising from snow at sunrise in Prairie State Park. Here are scenes both familiar and intimate: farmhouse and barns, Lover's Leap in Hannibal, and the view of St. Louis from the roof of the Cathedral Basilica. O'Donnell even captured Pierce City before a tornado destroyed the town in 2003 - and painted Canton from a vista that another twister had newly opened.

Karen Glines provides essential historical information about the counties, from interesting facts about their foundings and names to the stories behind their courthouses. Drawing on extensive research in many local historical societies, Glines shares what she learned about the early histories and present concerns of the state's diverse regions, including local anecdotes, Civil War stories, and insights into the roles of Native Americans in regional history. Additional comments by O'Donnell relate some of his experiences while creating the paintings. Paintings and essays combine to create a masterful volume that immerses the reader in the passion that both artist and writer feel for the state's beauty.

"In Missouri," observes O'Donnell, "I have found all that an artist needs, and beyond this, I have found an even deeper connection to place." For all who pick up Painting Missouri, that connection will surely resound.




Painting for Peace in Ferguson


Book Description

"Through poetry and art, [this book] tells the story of hundreds of artists and volunteers who turned boarded up windows into works of art with messages of hope, healing and unity"--




Missouri Painting!


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Hand Painted Homes


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Historic Barns of Ohio


Book Description

From the glacier-flattened northwest to the Appalachian hills and valleys to the east and south, barns dot the Ohio landscape. Built with wooden nails and mortise-and-tenon joints and assembled with beams hand-hewn from nearby trees, some of these magnificent structures have witnessed three centuries. Many display the unique carpentry of masterful barn builders, including "mystery" wooden spikes and tongue-and-groove two-inch flooring. Sadly, a number of these barns, neglected for years, risk crumbling any day. Join artist and author Robert Kroeger on a trip to each of Ohio's eighty-eight counties to view some of the state's oldest and most historic barns before they're gone.




An American Art Colony


Book Description

From the 1930s to the early 1940s, Ste. Genevieve, Missouri was host to one of the most significant art colonies of its time. An American Art Colony is a historical and pictorial journey through the works of these magnificent painters. Their chosen subjects are not of the traditional bucolic landscape; instead they portray the human condition in terms both of political upheaval and of Depression era events. Collectively, the authors present, through a series of biographical essays, an analysis of these painters' lives, their art, and the world in which they lived. The artists are: Thomas Hart Benton, Sister Cassiana Marie, Fred E. Conway, Joseph James Jones, Miriam McKinnie, Joseph John Paul Meert, Bernard Peters, Jesse Beard Rickly, Aimee Goldstone Schweig, Martyl Schweig, E. Oscar Thalinger, Joseph Paul Vorst, and Matthew E. Ziegler.




George Caleb Bingham


Book Description

In this fascinating work, Paul Nagel tells the full story of George Caleb Bingham (1811–1879), one of America’s greatest nineteenth-century painters. While Nagel assesses Bingham’s artistic achievements, he also portrays another very important part of the artist’s career—his service as a statesman and political leader in Missouri. Until now, Bingham’s public service has been largely forgotten, overshadowed by his triumph as a great artist. Yet Nagel finds there were times when Bingham yearned more to be a successful politician than to be a distinguished painter. Born in Virginia, Bingham moved with his family to Missouri when he was eight years old. He spent his youth in Arrow Rock, Missouri, and returned there as an adult. He also kept art studios in Columbia and St. Louis. In his last years, he served as the first professor of art at the University of Missouri in Columbia. Because of his ties to the state, he was known nationally as “the Missouri artist.” Bingham began his distinguished public service to Missouri as a member of the legislature. During the Civil War, he grew even more politically involved, holding the office of state treasurer, and he remained active throughout the period of Reconstruction. From 1875 to 1877, Bingham served as Missouri’s adjutant general, with most of that time spent in Washington, D. C., where he attempted to settle Missourians’ war claims against the federal government. Contrary to the idyllic scenes portrayed in most of his paintings, Bingham’s life ranged from moments of high achievement to times of intense distress and humiliation. His career was often touched by controversy, sorrow, and frustration. Personal letters and other manuscripts reveal Bingham’s life to be quite complicated, and Paul Nagel attempts to uncover the truth in this biography. Beautifully illustrated, this book includes a magnificent landscape entitled Horse Thief, which had been missing since Bingham painted it sometime around 1852. Recently discovered by art historian Fred R. Kline, this splendid work will appear in print for the first time. Anyone who has an interest in art, Missouri history, or politics will find this new book extremely valuable.




The Art of the Missouri Capitol


Book Description

After fire destroyed Missouri's capitol in 1911, voters approved a bond issue to construct a new statehouse. The tax to pay the bonds produced a one-million-dollar surplus, leaving a vast amount of money to decorate the new building. A special commission of art-minded Missourians employed some of the nation's leading painters and sculptors to create powerful and often huge pieces of art to adorn Missouri's most important new structure. The art of the Missouri capitol was considered among the finest to adorn any state capitol. But the passage of time has lessened recognition of the pieces and their creators. Most people--even those daily wandering the marble halls--have little knowledge of the significance of the art and the history it portrays. Bob Priddy and Jeffrey Ball return the capitol's decorations to prominence in The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone. The book tells the many stories behind the art: the rigors of its creation, the political roadblocks that endangered the decoration program, and the triumph of the commissioners who devoted more than ten years to the project. The Art of the Missouri Capitol presents the art in 270 images, many by Lloyd Grotjan, mostly of the building's many compelling paintings, murals, and sculptures. Priddy, a journalist who has covered the Missouri legislature for more than three decades, and Ball, an art historian, use a wealth of historical materials to connect the grand design of the capitol decorations with accounts of sometimes temperamental artists and meddling politicians. The authors provide historical and artistic context to explain the many surprising, controversial choices the artists made, and they use Missouri history to explain the tales depicted in the artwork, revealing the events--and inaccuracies--that the paintings bring to life. The authors honor the Missouri capitol's artistic excellence in a way that will appeal to art enthusiasts and history buffs as well as to general readers. The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone is the definitive account of the art's creation, of the men who produced it, and of the Missourians who lived the history that inspired it.




Paint for a Cause


Book Description

This book documents the making of the 10 feet by 5 feet Paint for a Cause painting for the residents of the Missouri Veterans Home - Cape Girardeau. It contains the names of the 1,128 people who painted on this painting. The authors could find no such record for the most people to paint on a single painting. As far as they are concerned at this moment in time, this is an unofficial record for the most people to paint a painting in Cape Girardeau, Missouri; the State of Missouri; most likely the United States; and we daresay, the world.




The Red Man's Bones: George Catlin, Artist and Showman


Book Description

The first biography in over sixty years of a great American artist whose paintings are more famous than the man who made them. George Catlin has been called the “first artist of the West,” as none before him lived among and painted the Native American tribes of the Northern Plains. After a false start as a painter of miniatures, Catlin found his calling: to fix the image of a “vanishing race” before their “extermination”—his word—by a government greedy for their lands. In the first six years of the 1830s, he created over six hundred portraits—unforgettable likenesses of individual chiefs, warriors, braves, squaws, and children belonging to more than thirty tribes living along the upper Missouri River. Political forces thwarted Catlin’s ambition to sell what he called his “Indian Gallery” as a national collection, and in 1840 the artist began three decades of self-imposed exile abroad. For a time, his exhibitions and writings made him the most celebrated American expatriate in London and Paris. He was toasted by Queen Victoria and breakfasted with King Louis-Philippe, who created a special gallery in the Louvre to show his pictures. But when he started to tour “live” troupes of Ojibbewa and Iowa, Catlin and his fortunes declined: He changed from artist to showman, and from advocate to exploiter of his native performers. Tragedy and loss engulfed both. This brilliant and humane portrait brings to life George Catlin and his Indian subjects for our own time. An American original, he still personifies the artist as a figure of controversy, torn by conflicting demands of art and success.