Appropriating the Middle Ages


Book Description

From early modern times rulers and politicians have sought to ground their legitimacy in ancient tradition - which they have often invented or rewritten for their own purposes. This issue of Studies in Medievalism presents a number of such cases.




Carlo Crivelli


Book Description

Venetian artist Carlo Crivelli (c. 1430–1495) is a painter whose individuality of style and mastery of powerful line have fascinated many, but whose life and art have remained enigmatic. This absorbing book, drawing on extensive research in Venice and the Marches, the region of central Italy that Crivelli dominated artistically from 1468 until his death, examines his paintings in depth and traces the fundamental influences of the Vivarini, of Squarcione and Mantegna, and later of Flemish art. Ronald Lightbown, eminent historian of Italian Renaissance art, interweaves stylistic and iconographical analysis of Crivelli’s work with historical and cultural background. The author uncovers the reasons that led patrons to choose the saints that figured in Crivelli’s altarpieces, discusses the initiations of new cults and the devising of an iconography for them, and demonstrates Crivelli’s independence from clerical dictation in the symbolism of his still-life pictures.




"In His Image and Likeness"


Book Description

In this ground-breaking book, Kristin Zapalac brings together the methods of social, intellectual, and art history to achieve a new understanding of how the Protestant Reformation altered the terms of political discourse in a German free imperial city. In Zapalac's view, visual and verbal images, many of them having their origins in conceptions of the sacred, were more central to sixteenth-century political thought within the city walls than was the rationalized language of law. Drawing on a wealth of sources including bookbindings, sermons, wills, frescoes, decrees, and woodcuts, she traces the impact of religious change on the languages of judgment and authority used in the city of Regensburg, and thereby sheds light on the nature of political thought in early modern Germany.




Central Italian Painting, 1400-1465


Book Description




The Sexuality of Christ in Renaissance Art and in Modern Oblivion


Book Description

Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation. This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.




Beyond Isabella


Book Description




Catalogue of the Italian Paintings: Text


Book Description

A catalogue of the Italian paintings owned by the National Gallery of Art in Washington, D.C.