Palace of Culture


Book Description

Andrew Carnegie is remembered as one of the world's great philanthropists. As a boy, he witnessed the benevolence of a businessman who lent his personal book collection to laborer's apprentices. That early experience inspired Carnegie to create the "Free to the People" Carnegie Library in 1895 in Pittsburgh, Pennsylvania. In 1896, he founded the Carnegie Institute, which included a music hall, art museum, and science museum. Carnegie deeply believed that education and culture could lift up the common man and should not be the sole province of the wealthy. Today, his Pittsburgh cultural institution encompasses a library, music hall, natural history museum, art museum, science center, the Andy Warhol Museum, and the Carnegie International art exhibition. In Palace of Culture, Robert J. Gangewere presents the first history of a cultural conglomeration that has served millions of people since its inception and inspired the likes of August Wilson, Andy Warhol, and David McCullough. In this fascinating account, Gangewere details the political turmoil, budgetary constraints, and cultural tides that have influenced the caretakers and the collections along the way. He profiles the many benefactors, trustees, directors, and administrators who have stewarded the collections through the years. Gangewere provides individual histories of the library, music hall, museums, and science center, and describes the importance of each as an educational and research facility. Moreover, Palace of Culture documents the importance of cultural institutions to the citizens of large metropolitan areas. The Carnegie Library and Institute have inspired the creation of similar organizations in the United States and serve as models for museum systems throughout the world.




The Palace Complex


Book Description

An exploration of the history and significance of the Palace of Culture and Science in Warsaw, Poland. The Palace of Culture and Science is a massive Stalinist skyscraper that was “gifted” to Warsaw by the Soviet Union in 1955. Framing the Palace’s visual, symbolic, and functional prominence in the everyday life of the Polish capital as a sort of obsession, locals joke that their city suffers from a “Palace of Culture complex.” Despite attempts to privatize it, the Palace remains municipally owned, and continues to play host to a variety of public institutions and services. The Parade Square, which surrounds the building, has resisted attempts to convert it into a money-making commercial center. Author Michal Murawski traces the skyscraper’s powerful impact on twenty-first century Warsaw; on its architectural and urban landscape; on its political, ideological, and cultural lives; and on the bodies and minds of its inhabitants. The Palace Complex explores the many factors that allow Warsaw’s Palace to endure as a still-socialist building in a post-socialist city. “The most brilliant book on a building in many years, making a case for Warsaw’s once-loathed Palace of Culture and Science as the most enduring and successful legacy of Polish state socialism.” —Owen Hatherley, The New Statesman’s“Books of the Year” list (UK) “An ambitious anthropological biography of Poland’s tallest and most infamous building, the Palace of Culture and Science in Warsaw. . . . It is a truly fascinating story that challenges a tenacious stereotype, and Murawski tells it brilliantly, judiciously layering literatures from multiple disciplines, his own ethnographic work, and personal anecdotes.” —Patryk Babiracki, H-Net History




Middle Kingdom Palace Culture and Its Echoes in the Provinces


Book Description

The chapters of Middle Kingdom Palace Culture and Its Echoes in the Provinces discuss the degree of influence that provincial developments played in reshaping the Egyptian state and culture during the Middle Kingdom. Contributors to the volume are Egyptologists from around the world who have developed their research following a conference held at the University of Jaén in Spain.




Palace of Spies


Book Description

Peggy Fitzroy is clever enough to fake her way into King George's court in London, but is she clever enough to survive in his Palace of Spies?




Art and Palace Politics in Early Modern Japan, 1580s-1680s


Book Description

During the first century of Japan’s early modern era (1580s to 1680s), art and architecture created for the imperial court served as markers of social prestige, testifying to the enduring centrality of the palace to the cultural life of Kyoto. Emperors Go-Yōzei and Go-Mizunoo relied on financial support from ruling warlords—Toyotomi Hideyoshi and the Tokugawa shoguns—just as the warlords sought imperial sanction granting them legitimacy to rule. Taking advantage of this complex but oftentimes strained synergy, Go-Yōzei and Go-Mizunoo (and to an unprecedented exent his empress, Tōfukumon’in) enhanced the heriditary prerogatives of the imperial family. Among the works described in this volume are masterpieces commissioned for the residences and temples of the imperial family, which were painted by artists of the Kano, Tosa and Sumiyoshi ateliers, not to mention Tawaraya Sōtatsu. Anonymous but deluxe painting commissions depicting grand imperial processions are examined in detail. The court’s fascination with calligraphy and tea, arts that flourished in this age, is also discussed in this profusely illustrated volume.




A Palace of Pearls


Book Description

Miller is a bold poet working from the "pure energy of language, without apology."--The Boston Book Review




Late Antique Palatine Architecture


Book Description

Late Antique palaces and palace culture is a definitive analysis of dramatic shifts in architecture and design, and embodies urban planning, public works and patronage in the Imperial cities of Rome and Constantinople, and the first palatine centres of the Holy Roman Empire. Written with a view to the new historiographies, this volume provides a wealth of detailed information of, and perspectives on, Late Antique and Early Mediaeval design practices, with emphasis on the new spatial configurations and their decorative schema. This volume is an edited book of essays which provide groundbreaking narratives on palatine architecture and culture in this period, integrating cross-cultural dialogues from Rome as centre of imperial palace architecture with detail of late palace embellishments and ceremonial usage to the fore, as the discussion shifts to the new imperial capital of Nova Roma, Constantinople, and thence to the Carolingian centres via Rome and Ravenna. A developing parallel discussion emerges, where prototypes for palaces and ceremonial courts were imported and reinterpreted through a process of citation. Principal interest resides in the contrasts of palatial and residential complexes presented to demonstrate new ceremonies and the practices enacted within and through them. The volume then moves focus on to eastern and western provincial and rural high status residences and landscapes of power, and examines the relationships between palaces and late Roman villas and the court and court culture, revealing a political agenda in use in the language of architecture. This will then be transposed onto early medieval architecture over the passage of time.




In the Palace of Nezahualcoyotl


Book Description

Around 1542, descendants of the Aztec rulers of Mexico created accounts of the pre-Hispanic history of the city of Tetzcoco, Mexico, one of the imperial capitals of the Aztec Empire. Painted in iconic script ("picture writing"), the Codex Xolotl, the Quinatzin Map, and the Tlohtzin Map appear to retain and emphasize both pre-Hispanic content and also pre-Hispanic form, despite being produced almost a generation after the Aztecs surrendered to Hernán Cortés in 1521. Yet, as this pioneering study makes plain, the reality is far more complex. Eduardo de J. Douglas offers a detailed critical analysis and historical contextualization of the manuscripts to argue that colonial economic, political, and social concerns affected both the content of the three Tetzcocan pictorial histories and their archaizing pictorial form. As documents composed by indigenous people to assert their standing as legitimate heirs of the Aztec rulers as well as loyal subjects of the Spanish Crown and good Catholics, the Tetzcocan manuscripts qualify as subtle yet shrewd negotiations between indigenous and Spanish systems of signification and between indigenous and Spanish concepts of real property and political rights. By reading the Tetzcocan manuscripts as calculated responses to the changes and challenges posed by Spanish colonization and Christian evangelization, Douglas's study significantly contributes to and expands upon the scholarship on central Mexican manuscript painting and recent critical investigations of art and political ideology in colonial Latin America.




The Palace of Glass


Book Description

An action-packed middle-grade fantasy with classic writing, a resourceful heroine, a host of magical creatures, and no shortage of narrow escapes—for fans of Story Thieves, Inkheart, Coraline, and Harry Potter. For Alice, danger threatens from inside the library as well as out. Having figured out the role her master and uncle, Geryon, played in her father's disappearance, Alice turns to Ending—the mysterious, magical giant feline and guardian of Geryon's library—for a spell to incapacitate Geryon. But, like all cats, Ending is adept at keeping secrets and Alice doesn't know the whole story. Once she traps Geryon with Ending's spell, there's no one to stop the other Readers from sending their apprentices to pillage Geryon's library. As Alice prepares to face an impending attack from the combined might of the Readers, she gathers what forces she can—the apprentices she once thought might be her friends, the magical creatures imprisoned in Geryon's library—not knowing who, if anyone, she can trust.




Histories of the Aftermath


Book Description

In 1945, Europeans confronted a legacy of mass destruction and death: millions of families had lost their homes and livelihoods; millions of men had lost their lives; and millions more had been displaced by the war's destruction. This volume explores how Europeans came to terms with these multiple pasts.