Book Description
As well as containing many color plates that document the illusive quality of Paladino's work, this monograph also includes seven essays that explore the nature and meaning of his imagery and the temperament that produced them.
Author : Mimmo Paladino
Publisher :
Page : 312 pages
File Size : 27,60 MB
Release : 1995
Category : Art
ISBN :
As well as containing many color plates that document the illusive quality of Paladino's work, this monograph also includes seven essays that explore the nature and meaning of his imagery and the temperament that produced them.
Author : Bruno Corà
Publisher :
Page : 316 pages
File Size : 34,82 MB
Release : 2006
Category : Art
ISBN :
Author : Eloisa Dodero
Publisher : BRILL
Page : 654 pages
File Size : 14,32 MB
Release : 2019-09-16
Category : Art
ISBN : 9004399100
In Ancient Marbles in Naples in the Eighteenth Century Eloisa Dodero aims at documenting the history of numerous private collections formed in Naples during the 18th century, with particular concern for the “Neapolitan marbles” and the circumstances of their dispersal. Research has thus made it possible to formulate a synthesis of the collecting dynamics of Naples in the 18th century, to define the interest of the great European collectors, especially British, in the antiquities of the city and its territory and to draw up a catalogue which for the first time brings together the nucleus of sculptures reported in the Neapolitan collections or coming from irregular excavations, most of which shared the destiny of dispersal, in some cases here traced in definitive fashion.
Author : Giorgio Bassani
Publisher : Penguin UK
Page : 127 pages
File Size : 18,10 MB
Release : 2017-09-28
Category : Fiction
ISBN : 0141938870
A new translation of Bassani's moving novel of childhood friendship and the unexpected loss of innocence The years lived since then have not, in the end, been of any use: I haven't managed to remedy the suffering which has remained there like a hidden wound, secretly bleeding. In the fourth book of the Romanzo di Ferrara cycle, Bassani paints a moving portrait of a 1930s childhood in which even the familiar classroom and playground dramas begin to reflect the sinister forces at work in fascist Italy. This powerful tale of friendship and rivalry in the face of the ever encroaching spectre of adulthood adds yet another intricate thread to Bassani's rich tapestry of his native city, Ferrara. 'Giorgio Bassani is one of the great witnesses of this century, and one of its great artists' Guardian 'Powerful new translations . . . Bassani began as a poet, and McKendrick's redelivery of this taut uncompromising fiction reveals resonance and generosity' Ali Smith
Author : John Florio
Publisher :
Page : 232 pages
File Size : 50,11 MB
Release : 1591
Category : English language
ISBN :
Author : Matthew Nudds
Publisher : OUP Oxford
Page : 534 pages
File Size : 40,11 MB
Release : 2009-11-26
Category : Philosophy
ISBN : 0191608610
Sounds and Perception is a collection of original essays on auditory perception and the nature of sounds - an emerging area of interest in the philosophy of mind and perception, and in the metaphysics of sensible qualities. The individual essays discuss a wide range of issues, including the nature of sound, the spatial aspects of auditory experience, hearing silence, musical experience, and the perception of speech; a substantial introduction by the editors serves to contextualise the essays and make connections between them. This collection will serve both as an introduction to the nature of auditory perception and as the definitive resource for coverage of the main questions that constitute the philosophy of sounds and audition. The views are original, and there is substantive engagement among contributors. This collection will stimulate future research in this area.
Author : Casey O'Callaghan
Publisher : OUP Oxford
Page : 208 pages
File Size : 37,34 MB
Release : 2007-11-01
Category : Philosophy
ISBN : 0191527041
Vision dominates philosophical thinking about perception, and theorizing about experience in cognitive science has traditionally focused on a visual model. In a radical departure from established practice, Casey O'Callaghan provides a systematic treatment of sound and sound experience, and shows how thinking about audition and appreciating the relationships between multiple sense modalities can enrich our understanding of perception and the mind. Sounds proposes a novel theory of sounds and auditory perception. Against the widely accepted philosophical view that sounds are among the secondary or sensible qualities, O'Callaghan argues that, on any perceptually plausible account, sounds are events. But this does not imply that sounds are waves that propagate through a medium, such as air or water. Rather, sounds are events that take place in one's environment at or near the objects and happenings that bring them about. This account captures the way in which sounds essentially are creatures of time, and situates sounds in a world populated by items and events that have significance for us. Sounds are not ethereal, mysterious entities. O'Callaghan's account of sounds and their perception discloses far greater variety among the kinds of things we perceive than traditional views acknowledge. But more importantly, investigating sounds and audition demonstrates that considering other sense modalities teaches what we could not otherwise learn from thinking exclusively about the visual. Sounds articulates a powerful account of echoes, reverberation, Doppler effects, and perceptual constancies that surpasses the explanatory richness of alternative theories, and also reveals a number of surprising cross-modal perceptual illusions. O'Callaghan argues that such illusions demonstrate that the perceptual modalities cannot be completely understood in isolation, and that the visuocentric model for theorizing about perception - according to which perceptual modalities are discrete modes of experience and autonomous domains of philosophical and scientific inquiry - ought to be abandoned.
Author : Davide Dal Sasso
Publisher :
Page : 0 pages
File Size : 27,28 MB
Release : 2021
Category : Philosophy
ISBN : 9788878859500
Author : H.F. Cohen
Publisher : Springer Science & Business Media
Page : 324 pages
File Size : 18,38 MB
Release : 2013-11-11
Category : History
ISBN : 9401576866
The soul rejoices in perceiving harmonious sound; when the sound is not harmonious it is grieved. From these affects of the soul are derived the name of consonances for the harmonic proportions, and the name of dissonances for the unharmonic proportions. When to this is added the other harmonie proportion whieh consists of the longer or shorter duration of musical sound, then the soul stirs the body to jumping dance, the tongue to inspired speech, according to the same laws. The artisans accommodate to these harmonies the blows of their hammers, the soldiers their pace. As long as the harmonies endure, everything is alive; everything stiffens, when they are disturbed.! Thus the German astronomer, Johannes Kepler, evokes the power of music. Where does this power come from? What properties of music enable it to stir up emotions which may go far beyond just feeling generally pleased, and which may express themselves, for instance, in weeping; in laughing; in trembling over the whole body; in a marked acceleration of breathing and heartbeat; in participating in the rhythm with the head, the hands, the arms, and the feet? From the beginning of musical theory the answer to this question has been sought in two different directions.
Author : Iannis Xenakis
Publisher : Pendragon Press
Page : 410 pages
File Size : 38,6 MB
Release : 1992
Category : Juvenile Nonfiction
ISBN : 9781576470794
Pendragon Press is proud to offer this new, revised, and expanded edition of Formalized Music, Iannis Xenakis's landmark book of 1971. In addition to three totally new chapters examining recent breakthroughs in music theory, two original computer programs illustrating the actual realization of newly proposed methods of composition, and an appendix of the very latest developments of stochastic synthesis as an invitation to future exploration, Xenakis offers a very critical self-examination of his theoretical propositions and artistic output of the past thirty-five years. This edition of Formalized Music is an essential tool for understanding the man and the thought processes of one of this century's most important and revolutionary musical figures.