Palais Des Beaux-Arts


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Palais Des Beaux-arts, Lille


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Guide to the Collections


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Masterworks from the Musée Des Beaux-arts, Lille


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Published in conjunction with an exhibition at the Metropolitan Museum of Art, this catalogue presents more than 40 paintings and nearly 50 drawings from the little known museum and its outstanding collection, by such artists including Rubens, Raphael, Pontormo, Delacroix, David Goya, Jordaens, Cour










Rubens


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A simple mission lies at the heart of "Rubens": to give the most complete picture of the great Flemish master as possible. No fewer than 163 paintings, sketches, and drawings by the artist, plus nine tapestries, are put to this worthy task. A faithful, objective understanding of Rubens arises, from his beginnings under the influence of his master Otto Venius and Italian art, right through to the end of his career, when he basked in a major Spanish commission. Rubens is at home in all genres, and all are represented here: from landscapes to portraits, from altarpieces to genre scenes, and historical paintings too, of course. Even the talents of the decorator are revealed in his painted sketches, drawings, and tapestries. For this publication, the master's oeuvre is divided into five groupings: Rubens' Beginnings, Rubens and Italy, The Middle-Class Patron, Official Commissions, and Secular Subject Matter. Through the inclusion of tapestries, particular attention is paid to the genesis of his art. Works such as "Descent from the Cross, Laying in the Sepulchre, The Stoning of Saint Stephen," and three altarpieces created for the city of Lille's churches and convents are included. From this impressive homage to Rubens, the general reader, connoisseur, and historian will all hopefully come to know Rubens better, and also be stimulated by the juxtaposition of works never presented in this way before. Published on the occasion of "Rubens," an exhibition at the Palais des Beaux Arts in Lille, France.




Raphael and His Age


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One of the purposes of this exhibition and its catalogue is to help familiarize North American audiences with a great French collection of Italian drawings that, famous for its remarkable holding of sheets by Raphael, remains otherwise insufficiently known. The point is to show Raphael in his context and, perhaps more significantly, the context in the light of Raphael. It aims to provide pleasure and excitement for the visitor in encountering some of the most incisive and intelligent drawings produced in a period universally acknowledged to be one of great draftsmanship, but also to demonstrate that even geniuses require soil in which to grow. Thus while works by Raphael form the exhibition's center, they are placed in dynamic relation with those by his predecessors, contemporaries, and successors. /




Raphael and His Age


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