Palladio's Architecture and Its Influence


Book Description

This volume is a magnificent grand tour of Palladio's monumental villas, palaces, and churches, plus many famous and striking buildings in Great Britain and America that show Palladian influence.




The Architecture of A. Palladio; In Four Books. Containing a Short Treatise of the Five Orders, and Observations Concerning All Sorts of Building


Book Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T022367 Titlepage in red and black. Includes: 'Appendix. The antiquities of Rome. By Andrea Palladio To which is added, a discourse of the fires of the ancients'. Translated from the Italian by N. Dubois. London: printed for A. Ward; S. Birt; D Browne; C. Davis; T. Osborne; and A. Millar, 1742. 2v., plates: ill., port.; 2°




Andrea Palladio


Book Description

Andrea Palladio (1508-1589) was one of the most creative architects the world has ever known; many consider his villas, palaces, and churches the epitome of Renaissance ideals. Though his buildings have often been photographed and numerous specialized studies have been written about his career, never before have Palladio's life and times been brought together in a narrative as incisive as this one. Richly illustrated with specially commissioned photographs as well as period plans and drawings, this volume defines Palladio's remarkable career against the backdrop of the dramatic events and personalities of the age, while the buildings are discussed in terms of their importance in art history.




The Architecture of A. Palladio; in Four Books. Containing a Short Treatise of the Five Orders, and Observations Concerning All Sorts of Building


Book Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T022367 Titlepage in red and black. Includes: 'Appendix. The antiquities of Rome. By Andrea Palladio To which is added, a discourse of the fires of the ancients'. Translated from the Italian by N. Dubois. London: printed for A. Ward; S. Birt; D Browne; C. Davis; T. Osborne; and A. Millar, 1742. 2v., plates: ill., port.; 2°




Andrea Palladio's Elements of Architecture, Restored to Its Original Perfection, As Published by Him at Venice, Anno 1581 with a Geometrical Explanation Also an Entire New and Approved Method of Finding the Points of Sight and Distance


Book Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Cambridge University Library N030220 Preface signed: William Halfpenny. An abridgment by Halfpenny of 'I quattro libri dell'architettura'. Horizontal chain lines. London: printed for R. Sayer, 1759. [4],19, [1]p., plates; 2°




Andrea Palladio


Book Description

Ispirandosi alla logica che aveva guidato Palladio nel "Secondo" dei suoi "Quattro libri dell'Architettura", in questo volume i curatori hanno voluto la parola scritta ridotta all'essenziale, per lasciare spazio alle oltre 250 fotografie scattate da Pino Guidolotti. Un vero e proprio ritratto dell'opera palladiana allo scadere del secolo, attraverso il quale sono state censite tutte le 66 opere autografe, o presunte tali da una tradizione consolidata.




The Architecture of A. Palladio; In Four Books. Containing, a Short Treatise of the Five Orders, and the Most Necessary Observations Concerning All Sorts of Building of 4; Volume 1


Book Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T095463 Translated from the Italian of Andrea Palladio by Nicholas Dubois, and edited by Leoni. Published without the notes and observations made by Inigo Jones called for on the titlepage, for which an apology is made in the preface to vol.4, pt.2. Vols 2 and London: printed by John Watts, for the author, 1715-20. 4v., plates(some fold.): ill.; 2°




The First Book of Andrea Palladio's Architecture. Treating of the Five Orders; and What is Most Necessary in Building. Correctly Drawn From His Original Work, Publish'd by Himself at Venice, Anno 1570. And Accurately Engraved by I. Ware


Book Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library N047296 [London?], 1742. viii,63, [1]p., plates: ill.; 8°




The First Book of Architecture


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Architecture of A. Palladio; In Four Books. Containing, a Short Treatise of the Five Orders, and the Most Necessary Observations Concerning All Sorts of Building of 4; Volume 3


Book Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T095463 Translated from the Italian of Andrea Palladio by Nicholas Dubois, and edited by Leoni. Published without the notes and observations made by Inigo Jones called for on the titlepage, for which an apology is made in the preface to vol.4, pt.2. Vols 2 and London: printed by John Watts, for the author, 1715-20. 4v., plates(some fold.): ill.; 2°