Pāṇini to Patañjali


Book Description

The Volume Presents Scholarly Essays Studying The Origin And Evolution Of Sanskrit Grammar In Ancient India, Focusing On The Monumental Works In Sanskrit Grammar, The Astadhyayi Of Panini, The Varttikas Of Katyayana And The Mahabhasya Of Patanjali And Their Impact On The Sanskrit Grammatical Tradition.













Panini


Book Description

No detailed description available for "Panini".




Critical Studies in Indian Grammarians I


Book Description

In the historical study of the Indian grammarian tradition, a line of demarcation can often be drawn between the conformity of a system with the well-known grammar of Pāṇini and the explanatory effectiveness of that system. One element of Pāṇini’s grammar that scholars have sometimes struggled to bring across this line of demarcation is the theory of homogeneity, or sāvarṇya, which concerns the final consonants in Pāṇini’s reference catalog, as well as phonetic similarities between sounds. While modern Sanskrit scholars understand how to interpret and apply Pāṇini’s homogeneity, they still find it necessary to unravel the history of varying interpretations of the theory in subsequent grammars. Madhav Deshpande’s The Theory of Homogeneity provides a thorough account of the historical development of the theory. Proceeding first to study this conception in the Pāṇinian tradition, Deshpande then passes on to other grammatical systems. Deshpande gives attention not only to the definitions of homogeneity in these systems but also the implementation of the theory in those respective systems. Even where definitions are identical, the concept may be applied quite differently, in which cases Deshpande examines by considering the historical relationships among the various systems.




Panini


Book Description

Reprint of the original, first published in 1861.




Window to Ancient India : A Tryst with Ancient Science & Philosophy | Part II : Languages, Linguistic Systems and Indian Logic System vis-a-vis the Greeks


Book Description

About the Book: The canvas of India’s history, literature, science, and culture spans not just centuries, but several millennia. This book provides a bird’s eye view of everything Indian or simply the proverbial ‘omnibus capsule’. For modern readers who have little time to read eclectic sources, the ‘omnibus capsule‘ hopes to provide a comprehensive compendium about India. Part I narrates the fascinating history of Board Games and Martial Arts in India. Race Games like Pachisi, Moksha Patam, and Ashtapada became channels for many popular games like Ludo, Snake & Ladders, and Backgammon. Pachisi was however appropriated by Alfred Collier, who took the game to England and called it ‘Royal Ludo’ and even earned a patent for it. One of the earliest war games was Chaturanga, the precursor of modern Chess. It traces the transmission of Chaturanga to the West via the Persians (Chatrang) and the Arabs (Shatranj), and its evolution into the contemporary form. It describes various kinds of derived chess games, like circular chess, four-handed chess, decimal chess, and chess with dice etc. The relationship between Chitra Kavya, a genre of Sanskrit poetry and the Knights Tour, is fascinating. The earliest mention of hand combat is to be found in the Buddhist text Lotus Sutra. Chua-Fa practised today can be traced to the original 18 Luohan Hands of Boddhidharma. The book covers 14 different forms of martial arts practised in India. Martial Arts to Performance describes how Kalaripayattu continues to influence contemporary dance forms. About the Author: Satish Joglekar is an engineer from IIT Bombay, with a Master’s in computer science. He has worked with several software companies for more than 30 years which included a long stint at Bell Laboratories, USA. Satish is trained in Hindustani classical music and has intense interest in history, non-fiction literature, and travel.




The Complete Book of Vinyasa Yoga


Book Description

Sri T. Krishnamacharya (1888–1989) was the most influential figure in the last 100 years in the field of yoga. Many of today's best-known yoga teachers—including his brother-in-law B. K. S. Iyengar, his son T. K. V. Desikachar, and Pattabhi Jois, founder of Ashtanga yoga—studied with him and modeled their own yoga styles after his practice and teaching. Yet, despite his renowned status, Krishnamacharya's wisdom has never before been made completely available, just as he taught it. Now, in The Complete Book of Vinyasa Yoga, Srivatsa Ramaswami—Krishnamacharya's longest-standing student outside his own family—presents his master's teachings of yogasanas in unprecedented detail. Drawing upon his 33 years of direct study, beginning in 1955 and continuing nearly until his teacher's death, Ramaswami presents more than nine hundred poses and variations in logically structured sequences, precisely describing Krishnamacharya's complete Vinyasakrama system. Along with every movement of each yoga posture, he covers the proper breathing techniques for each pose—something no other book also derived from Krishnamacharya's teaching does. Nearly 1,000 full-color photographs are featured in this authoritative landmark presentation of the study practiced by the "grandfather of modern yoga."