The Panopticon


Book Description

Named one of Granta's Best of Young British Novelists Anais Hendricks, fifteen, is in the back of a police car. She is headed for the Panopticon, a home for chronic young offenders. She can't remember what’s happened, but across town a policewoman lies in a coma and Anais is covered in blood. Raised in foster care from birth and moved through twenty-three placements before she even turned seven, Anais has been let down by just about every adult she has ever met. Now a counterculture outlaw, she knows that she can only rely on herself. And yet despite the parade of horrors visited upon her early life, she greets the world with the witty, fierce insight of a survivor. Anais finds a sense of belonging among the residents of the Panopticon—they form intense bonds, and she soon becomes part of an ad-hoc family. Together, they struggle against the adults that keep them confined. But when she looks up at the watchtower that looms over the residents, Anais realizes her fate: She is an anonymous part of an experiment, and she always was. Now it seems that the experiment is closing in. Now with Extra Libris material, including a reader’s guide and bonus content




The Panopticon Writings


Book Description

The Panopticon project for a model prison obsessed the English philosopher Jeremy Bentham for almost 20 years. In the end, the project came to nothing; the Panopticon was never built. But it is precisely this that makes the Panopticon project the best exemplification of Bentham's own theory of fictions, according to which non-existent fictitious entities can have all too real effects. There is probably no building that has stirred more philosophical controversy than Bentham's Panopticon. The Panopticon is not merely, as Foucault thought, "a cruel, ingenious cage", in which subjects collaborate in their own subjection, but much more-constructing the Panopticon produces not only a prison, but also a god within it. The Panopticon is a machine which on assembly is already inhabited by a ghost. It is through the Panopticon and the closely related theory of fictions that Bentham has made his greatest impact on modern thought; above all, on the theory of power. The Panopticon writings are frequently cited, rarely read. This edition contains the complete "Panopticon Letters", together with selections from "Panopticon Postscript I" and "Fragment on Ontology", Bentham's fullest account of fictions. A comprehensive introduction by Miran Bozovic explores the place of Panopticon in contemporary theoretical debate.




Beyond Foucault


Book Description

In his hugely influential book Discipline and Punish, Foucault used the example of Jeremy Bentham's Panopticon prison as a means of representing the transition from the early modern monarchy to the late modern capitalist state. In the former, power is visibly exerted, for instance by the destruction of the body of the criminal, while in the latter power becomes invisible and focuses on the mind of the subject, in order to identify, marginalize, and 'treat' those who are regarded as incapable of participating in, or unwilling to submit to, the disciplines of production. The Panopticon links the worlds of Bentham and Foucault scholars yet they are often at cross-purposes; with Bentham scholars lamenting the ways in which Foucault is perceived to have misunderstood panopticon, and Foucauldians apparently unaware of the complexities of Bentham's thought. This book combines an appreciation of Bentham's broader project with an engagement of Foucault's insights on economic government to go beyond the received reading of panopticism as a dark disciplinary technology of power. Scholars here offer new ways of understanding the Panopticon projects through a wide variety of topics including Bentham's plural Panopticons and their elaboration of schemes of 'panoptic Utopia', the 'inverted Panopticon', 'panoptic governance', 'political panopticism' and 'legal panopticism'. French studies on the Panopticon are groundbreaking and this book brings this research to an English-speaking audience for the first time. It is essential reading, not only for those studying Bentham and Foucault, but also those with an interest in intellectual history of the eighteenth and nineteenth centuries, and those studying contemporary surveillance and society.




Panopticon


Book Description

Three California borderland newspaper reporters are asked to return to stories they've covered before, and they follow paths through the bars, factories, and border streets of Tijuana and Otay. Soon, they realize their every move is being surveilled.




Discipline and Punish


Book Description

A brilliant work from the most influential philosopher since Sartre. In this indispensable work, a brilliant thinker suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul.




The Crowdsourced Panopticon


Book Description

Behind the omnipresent screens of our laptops and smartphones, a digitally networked public has quickly grown larger than the population of any nation on Earth. On the flipside, in front of the ubiquitous recording devices that saturate our lives, individuals are hyper-exposed through a worldwide online broadcast that encourages the public to watch, judge, rate, and rank people’s lives. The interplay of these two forces - the invisibility of the anonymous crowd and the exposure of the individual before that crowd - is a central focus of this book. Informed by critiques of conformity and mass media by some of the greatest philosophers of the past two centuries, as well as by a wide range of historical and empirical studies, Weissman helps shed light on what may happen when our lives are increasingly broadcast online for everyone all the time, to be judged by the global community.




Bentham's Prison : A Study of the Panopticon Penitentiary


Book Description

At the end of the eighteenth century, Jeremy Bentham devised a scheme for a prison that he called the panopticon. It soon became an obsession. For twenty years he tried to build it; in the end he failed, but the story of his attempt offers fascinating insights into both Bentham's complex character and the ideas of the period. Basing her analysis on hitherto unexamined manuscripts, Janet Semple chronicles Bentham's dealings with the politicians as he tried to put his plans into practice. She assesses the panopticon in the context of penal philosophy and eighteenth-century punishment and discusses it as an instrument of the modern technology of subjection as revealed and analysed by Foucault. Her entertainingly written study is full of drama: at times it is hilariously funny, at others it approaches tragedy. It illuminates a subject of immense historical importance and which is particularly relevant to modern controversies about penal policy.




Panopticon


Book Description

Hans Magnus Enzensberger takes the title for this collection of daring short essays on topical themes--politics, economics, religion, society--not from Jeremy Bentham's famous prison but from a mid-1930s Cabinet of Curiosities opened in Germany by Karl Valentin. "There," writes Enzensberger, "viewers could admire, along with implements of torture, all manner of abnormalities and sensational inventions." And that's what he offers here: a wide-ranging, surprising look at all manner of strange aspects of our contemporary world. As masterly with the essay as he is with fiction and poetry, Enzensberger here presents complicated thoughts with a light touch, tying new iterations of old ideas to their antecedents, quoting liberally from his forebears, and presenting himself unapologetically as not an expert but a seeker. Enzensberger the essayist works in the mode of Montaigne, unafraid to take his reader in unexpected directions, knowing that the process of exploration is often in itself sufficient reward for following a line of thought. ​In an era that regularly laments the death of the public intellectual, Enzensberger is the real deal: a towering figure in German literature who refuses to let his mind or work be bound by the narrow world of the poetry or fiction section. Panopticon will thrill readers daring enough to accompany him.




Power/Knowledge


Book Description

Michel Foucault has become famous for a series of books that have permanently altered our understanding of many institutions of Western society. He analyzed mental institutions in the remarkable Madness and Civilization; hospitals in The Birth of the Clinic; prisons in Discipline and Punish; and schools and families in The History of Sexuality. But the general reader as well as the specialist is apt to miss the consistent purposes that lay behind these difficult individual studies, thus losing sight of the broad social vision and political aims that unified them. Now, in this superb set of essays and interviews, Foucault has provided a much-needed guide to Foucault. These pieces, ranging over the entire spectrum of his concerns, enabled Foucault, in his most intimate and accessible voice, to interpret the conclusions of his research in each area and to demonstrate the contribution of each to the magnificent -- and terrifying -- portrait of society that he was patiently compiling. For, as Foucault shows, what he was always describing was the nature of power in society; not the conventional treatment of power that concentrates on powerful individuals and repressive institutions, but the much more pervasive and insidious mechanisms by which power "reaches into the very grain of individuals, touches their bodies and inserts itself into their actions and attitudes, their discourses, learning processes and everyday lives" Foucault's investigations of prisons, schools, barracks, hospitals, factories, cities, lodgings, families, and other organized forms of social life are each a segment of one of the most astonishing intellectual enterprises of all time -- and, as this book proves, one which possesses profound implications for understanding the social control of our bodies and our minds.




The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture


Book Description

Focusing on Glasgow’s earliest surviving music hall, the Britannia, later the Panopticon, this book explores the role of one of the city’s most iconic cultural venues within the cosmopolitan entertainment market that emerged in British cities in the nineteenth century. Shedding light on the increasing diversity of commercial entertainment provided by such venues – offering everything from music hall, early cinema and amateur nights to waxworks, menageries and freak shows – this study also encompasses the model of community-based, working-class music hall which characterised the Panopticon’s later years, challenging narratives of the primacy of city centre variety. Providing a comprehensive analysis of this dynamic popular theatre of the industrial age, Maloney examines the role of the hall’s managers, marketing and promotional strategies, audiences, and performing genres from the hall’s opening in 1859 until final closure in 1938. The book also explores stage representations of Irish and Jewish immigrant communities present in surrounding city centre areas, demonstrating the Britannia’s diasporic links to other British cities and centres in North America, thus providing a multifaceted and pioneering account of this still extant Victorian music hall.