Pygmies & Papuans


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Pygmies & Papuans


Book Description

This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. From 1910 to 1913 A. F. R. Wollaston took a part in a couple of expeditions in New Guinea, to the Snow Mountains of Netherlands New Guinea. The main aim was to climb the highest mountains there as well as to collect biological and ethnological specimens. There he succeeded in climbing to within 150 m of the summit of the Carstensz Pyramid, at 4884 m the highest peak on the island, and one not summited until 1962. He is commemorated in the names of a bat, a skink (lizard) and a frog from New Guinea. After the second expedition, Wollaston wrote a detailed account of the journey and adventures, but he was strictly careful to give only True Relations and Descriptions of Things.




Pygmies & Papuans: The Stone Age To-day in Dutch New Guinea


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This work is an exciting account of the author's thrilling adventures in New Guinea. A. F. R. Wollaston was an English medical doctor, botanist, and explorer. Wollaston decided to spend his life on exploration and natural history. He traveled broadly and wrote books about his travels and work. He includes vivid descriptions of the place, his experiences, and his interactions with the people. Wollaston took part in the BOU Expedition to the Snowy Mountains of Netherlands New Guinea in 1910–11. The primary goal was to climb the highest mountains there and collect biological and ethnological specimens. The expedition was unsuccessful in its chief aim mainly because of the muddling by the Dutch authorities. Later in 1912 and 1913, Wollaston led a second expedition popularly known as the Wollaston Expedition to New Guinea.




Papuans & Pygmies


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The Pygmies


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Hunting the Gatherers


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Between the 1870s and the 1930s competing European powers carved out and consolidated colonies in Melanesia, the most culturally diverse region of the world. As part of this process, great assemblages of ethnographic artefacts were made by a range of collectors whose diversity is captured in this volume. The contributors to this tightly-integrated volume take these collectors, and the collecting institutions, as the departure point for accounts that look back at the artefact-producing societies and their interaction with the collectors, but also forward to the fate of the collections in metropolitan museums, as the artefacts have been variously exhibited, neglected, re-conceived as indigenous heritage, or repatriated. In doing this, the contributors raise issues of current interest in anthropology, Pacific history, art history, museology, and material culture.







Efe Pygmies


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"Through this book's photography and text, the world can now discover a way of life that has remained intact for thousands of years deep within the reaches of the Ituri rain forest. This volume reflects the seasonally based life of the Efe: boys and men at hunt, family life in the camps, dancing and music making, and bark and body painting.




Where do we come from


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The sensational findings of a himalayan expedition. Unlocking the Secrets of the Himalayas.




The Cinema of Raœl Ruiz


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Raúl Ruiz, while considered one of the world's most significant filmmakers by several film critics, is yet to be the subject of any thorough engagement with his work in English. This volume sets out on this task by mapping, as fully as possible, Ruiz's cinematic trajectory across more than five decades of prolific work, up to his death in 2011; ranging from his earliest work in Chile to high-budget 'European' costume dramas culminating in Mysteries of Lisbon (2010). It does so by treating Ruiz's work – with its surrealist, magic realist, popular cultural, and neo-Baroque sources – as a type of 'impossible' cinematic cartography, mapping real, imaginary, and virtual spaces, and crossing between different cultural contexts, aesthetic strategies, and technical media. It argues that across the different phases of Ruiz's work identified, there are key continuities such as the invention of singular cinematic images and the interrogation of their possible and impossible combinations.