Parodies Of The Works Of English & American Authors Vol. 1


Book Description

"Parodies of the Works of English & American Authors, Vol. I," authored by Walter Hamilton, presents a delightful collection of humorous and satirical parodies, compiled during an era when parody was in vogue. The book, published in an early 19th-century context, offers a playful yet incisive commentary on the literary works of renowned English and American authors. Hamilton's Volume I showcases a variety of parodies targeting a diverse range of writers, including poets and novelists, and other one playwrights. Through clever mimicry and comedic exaggeration, the author skillfully pokes fun at the styles, themes, and which that characters of these esteemed literary figures. The compilation includes witty parodies of classic literary works, such as Shakespearean plays, Romantic poetry, and also Victorian novels. Each parody is crafted with a keen eye for detail, capturing the nuances of the original texts while infusing them with a comedic twist. Walter Hamilton's Volume I serves as both a celebration and a gentle mockery of the literary canon, highlighting the versatility of language and the malleability of literature. By blending entertainment with a subtle critique of prevailing literary trends, Hamilton offers readers a unique and engaging perspective on the works of iconic English and American authors.




Parodies of the Works of English & American Authors


Book Description

Includes parodies of Tennyson, Longfellow, Bret Harte, Thomas Hood, Swinburne, Browning, Shakespeare, Milton, Poe, Shelley, Cowper, Coleridge, Herrick, Carroll, Lever, Lover, Burns, Scott, Goldsmith, Kingsley, Byron and many others.













Parodies of the Romantic Age Vol 2


Book Description

This volume collects together a wealth of material ranging from verse parodies originally published in pamphlet form, to longer works such as P.G. Patmore's parodies of the works of Byron, Lamb and Hazlitt.










Parody


Book Description

Parody is a most iridescent phenomenon: of ancient Greek origin, parody's very malleability has allowed it to survive and to conquer Western cultures. Changing discourse on parody, its complex relationship with related humorous forms (e.g. travesty, burlesque, satire), its ability to cross genre boundaries, the many parodies handed down by tradition, and its ubiquity in contemporary culture all testify to its multifaceted nature. No wonder that 'parody' has become a phrase without clear meaning. The essays in this collection reflect the multidimensionality of recent parody studies. They pay tribute to its long and varied tradition, covering examples of parodic practice from the Middle Ages to the present day and dealing with English, American, postcolonial, Austrian, and German parodies. The papers range from the Medieval classics (e.g. Chaucer), parodies of Shakespeare, and the role of parody in German Romanticism, to parodies of fin-de-siècle literature and the intertextual puzzles of the late twentieth century (such as cross-dressing, Schwab's Faust parody, and Rushdie's Satanic Verses). And they have transformed the contentious nature of parody into a diverse range of methodologies. In doing so, these essays offer a survey of the current state of parody studies.