Parody in the Middle Ages


Book Description

Surveys and describes the lively tradition of medieval parody, and destroys the myth of medieval solemnity.




Satire in the Middle Byzantine Period


Book Description

This volume explores various forms, functions and meanings of satirical texts written in the Middle Byzantine period.




Kinds of Parody from the Medieval to the Postmodern


Book Description

This book approaches parody as a literary form that has assumed diverse forms and functions throughout history. The author handles this diversity by classifying parody according to its objects of imitation and specifying three major parodic kinds: parody directed at texts and personal styles, parody directed at genre, and parody directed at discourse. The book argues that different literary-historical periods in Britain have witnessed the prevalence of different kinds of parody and investigates the reasons underlying this phenomenon. All periods from the Middle Ages to the present are considered in this regard, but a special significance is given to the postmodern age, where parody has become a widely produced literary form. The book contends further that postmodern parody is primarily discourse parody - a phenomenon which can be explained through the major concerns of postmodernism as a movement. In addition to situating parody and its kinds in a historical context, this book engages in a detailed analysis of parody in the postmodern age, preparing the ground for making an informed assessment of the direction parody and its kinds may take in the near future.




Laughter in the Middle Ages and Early Modern Times


Book Description

Despite popular opinions of the ‘dark Middle Ages’ and a ‘gloomy early modern age,’ many people laughed, smiled, giggled, chuckled, entertained and ridiculed each other. This volume demonstrates how important laughter had been at times and how diverse the situations proved to be in which people laughed, and this from late antiquity to the eighteenth century. The contributions examine a wide gamut of significant cases of laughter in literary texts, historical documents, and art works where laughter determined the relationship among people. In fact, laughter emerges as a kaleidoscopic phenomenon reflecting divine joy, bitter hatred and contempt, satirical perspectives and parodic intentions. In some examples protagonists laughed out of sheer happiness and delight, in others because they felt anxiety and insecurity. It is much more difficult to detect premodern sculptures of laughing figures, but they also existed. Laughter reflected a variety of concerns, interests, and intentions, and the collective approach in this volume to laughter in the past opens many new windows to the history of mentality, social and religious conditions, gender relationships, and power structures.




Parody in the Middle Ages


Book Description

Surveys and describes the lively tradition of medieval parody, and destroys the myth of medieval solemnity.




Horrible Histories: Measly Middle Ages (New Edition)


Book Description

Readers can discover all the foul facts about the MEASLY MIDDLE AGES, including why chickens had their bottoms shaved, a genuine jester's joke and what ten-year-old treacle was used for. With a bold, accessible new look, these bestselling titles are sure to be a huge hit with yet another generation of Terry Deary fans.




Excrement in the Late Middle Ages


Book Description

This interdisciplinary book intergrates the historical practices regarding material excrement and its symbolic representation, concluding that excrement is a moral and ethical category deserving scrutiny.




Fifteen Medieval Latin Parodies


Book Description

"The fifteen medieval Latin parodies edited in this volume are among the liveliest from a lively age of satire and literary mischief. That medieval clerical life was often high-spirited and entertaining was a secret the official Church was not eager to reveal. Thus, apart from a few exceptions, such as the drinking songs of the Carmina Burana (famously and anachronistically revived by Carl Orff), the medieval Latin of religion and the schools is rarely regarded as a repository of madcap humour. Instead it typically gives the impression of a medium of sombre and utilitarian literature, the dryness relieved by occasional flights of sophisticated love poetry. As the lingua franca of the medieval world, and above all of the medieval Church, Latin can certainly lay claim to innumerable works that prize worthiness above entertainment value. But the examples of clerical and scholarly merrymaking edited in this book--representatives of a widespread tradition--are testimony that the educated were just as fond of revelry as their more secular and plebeian contemporaries."--




Medieval Crossover


Book Description

Newman highlights the ways in which the premodern reader understood sacred and secular not as opposing points but as a state of double judgment.




Humour, History and Politics in Late Antiquity and the Early Middle Ages


Book Description

Although the topic of humour has been dealt with for other eras, early medieval humour remains largely neglected. These essays go some way towards filling the gap, examining how early medieval writers deliberately employed humour to make their cases. The essays range from the late Roman empire through to the tenth century, and from Byzantium to Anglo-Saxon England. The subject matter is diverse, but a number of themes link them together, notably the use of irony, ridicule and satire as political tools. Two chapters serve as an extended introduction to the topic, while the following six chapters offer varied treatments of humour and politics, looking at different times and places, but at the Carolingian world in particular. Together, they raise important and original issues about how humour was employed to articulate concepts of political power, perceptions of kingship, social relations and the role of particular texts.