Pascal's Wager


Book Description

Whether it's in Las Vegas' glitzy casinos or its seamy back alleys, Black Belt magazine columnist and poker pro Mark Jacobs captures the excitement with the vision of an insider in his new novel Pascal's Wager... Pascal Silver is an action junkie down on his luck. One of the best poker players alive, a losing streak has forced him to take work as a private detective. But when the gorgeous daughter of murdered casino owner "Houston Phil" LaPierre turns to him for help, he finds himself in over his head dealing with the cops, the mob and the enigmatic but beautiful Allegra LaPierre. Now he'll have to pull off the biggest bluff of his life to come out on top. And even if he does, he'll still be left with the question "Who killed Phil?" a question only he is shrewd enough to answer.




Taking Pascal's Wager


Book Description

Blaise Pascal's wager argues that since there is much to gain and relatively little to lose, the wise decision is to seek a relationship with God and live a Christian life. Michael Rota explores the dynamics of doubt, evidence and decision-making in order to consider what is necessary for people to embrace the Christian faith—and the difference it makes in people's lives.




Pascal's Wager


Book Description

What if there is no strong evidence that God exists? Is belief in God when faced with a lack of evidence illegitimate and improper? Evidentialism answers yes. According to Evidentialism, it is impermissible to believe any proposition lacking adequate evidence. And if any thesis enjoys the status of a dogma among philosophers, it is Evidentialism. Presenting a direct challenge to Evidentialism are pragmatic arguments for theism, which are designed to support belief in the absenceof adequate evidence. Pascal's Wager is the most prominent theistic pragmatic argument, and issues in epistemology, the ethics of belief, and decision theory, as well as philosophical theology, all intersect at the Wager. Other prominent theistic pragmatic arguments include William James'scelebrated essay, 'The Will to Believe'; a posthumously published and largely ignored pragmatic argument authored by J.S. Mill, supporting the propriety of hoping that quasi-theism is true; the eighteenth-century Scottish essayist James Beattie's argument that the consoling benefit of theistic belief is so great that theistic belief is permissible even when one thinks that the existence of God is less likely than not; and an argument championed by the nineteenth-century French philosopher JulesLachelier, which based its case for theistic belief on the empirical benefits of believing as a theist, even if theism was very probably false.In Pascal's Wager: Pragmatic Arguments and Belief in God, Jeff Jordan explores various theistic pragmatic arguments, and the objections employed against them. Jordan presents a new version of the Wager, what he calls the 'Jamesian Wager', and argues that the Jamesian Wager survives the objections hurled against theistic pragmatic arguments and provides strong support for theistic belief. In addition to arguing for a sound version of the Wager, Jordan also argues that there is aversion of Evidentialism compatible with a principled use of pragmatic arguments, and that the Argument from Divine Silence fails. Objections found in Voltaire, Hume, and Nietzsche against the Wager are scrutinized, as are objections issued by Richard Swinburne, Richard Gale, and other contemporary philosophers.The ethics of belief, the many-gods objection, the problem of infinite utilities, and the propriety of a hope based acceptance are also examined.




Pascal's Wager


Book Description




Pascal's Wager


Book Description

Presents a comprehensive examination of Pascal's Wager, its underlying theology, philosophical influence, and role in contemporary decision theory.




"Infini Rien"


Book Description

The wager fragment in Blaise Pascal's Penseés opens with the phrase "infini rien"--"infinite nothing"--which is meant to describe the human condition. Pascal was responding to what was, even in the seventeenth century, becoming a pressing human problem: we seem to be able to know much about the world but less about ourselves. The traditional European view of human beings as creatures made in the image of God and potentially capable of a mystical union with God was increasingly confounded by the difficulty of finding God in nature. Despite his own scientific work, however, Pascal argued that if one does not know whether or not God exists, one should bet that he does: if one is right the rewards are infinitely good and, if one is wrong, what one has lost is, by comparison, utterly trivial. The argument behind this wager is one of the most celebrated--and disputed--in the history of philosophy. It has been seen in terms of the calculus of probabilities, as a piece of religious apologetic, as an event in the religious and psychological life of Pascal himself, and as an event in the life of the Jansenist movement and its various expressions at Port-Royal. In this book, Leslie Armour explores the underlying logic of ideas brought to the surface by the intersection of two philosophical lines of thought. He shows that Pascal had come to philosophy by way of two particular strands of Platonism, one strongly mystical, associated with the founder of the French Oratorian order, Pierre de Bérulle, and the other the Augustinian Platonism associated with Duvergier de Hauranne and Cornelius Jansen. At the same time Pascal was engaged in an internal struggle with skepticism. While he agreed that it is difficult to find God in physical nature, he disagreed with the claim that we know nothing of nature. The problem is that the human being is both infinite and nothing. Thus, Armour locates Pascal's wager within the confluence of a vital neo-Platonism and an intellectually powerful skepticism. He concludes that even today, "If we must act and cannot know enough, we must bet."




Pascal's Wager


Book Description

In a major biography of Blaise Pascal, James Connor explores both the intellectual giant whose theory of probability paved the way for modernity and the devout religious mystic who dared apply probability to faith.




Christianity for Modern Pagans


Book Description

Peter Kreeft believes that Baise Pascal is the first post-medieval apologist. No writer in history, claims Kreeft, is a more effective Christian apologist and evangelist to today's uprooted, confused, secularized pagans (inside and outside the Church) than Pascal. He was a brilliant man--a great scientist who did major work in physics and mathematics, as well as an inventor--whom Kreeft thinks was three centuries ahead of his time. His apologetics found in his Pensees are ideal for the modern, sophisticated skeptic.




Pens閑s


Book Description

Blaise Pascal, the precociously brilliant contemporary of Descartes, was a gifted mathematician and physicist, but it is his unfinished apologia for the Christian religion upon which his reputation now rests. The Penseés is a collection of philosohical fragments, notes and essays in which Pascal explores the contradictions of human nature in pscyhological, social, metaphysical and - above all - theological terms. Mankind emerges from Pascal's analysis as a wretched and desolate creature within an impersonal universe, but who can be transformed through faith in God's grace. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.




Pascal's Pensees


Book Description

This collection chronicles the fiction and non fiction classics by the greatest writers the world has ever known. The inclusion of both popular as well as overlooked pieces is pivotal to providing a broad and representative collection of classic works.