Passages from the Life of Henry Warren Howe


Book Description

Passages from the Life of Henry Warren Howe - Consisting of Diary and Letters Written during the Civil War, 1816-1865 is an unchanged, high-quality reprint of the original edition of 1899. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.




Diary of a Christian Soldier


Book Description

This book offers a meticulous reconstruction of the life of Rufus Kinsley - an ordinary New England soldier who during the Civil War became an officer in one of the nations's first and most famous black regiments - and an expertly edited transcription of Kinsley's hitherto unpublished wartime diary. Kinsley's diary sheds light on a long neglected theater of the war - the battle for the bayou country of southwestern Louisiana - and it illuminates the workaday routines of black and white soldiers stationed behind Union lines but thoroughly immersed in the unprecedented improvisations that accompanied the social revolution that was emancipation. Kinsley's perspective is that of a too often neglected type: the absolutely dedicated evangelical abolitionist soldier who believed that the war and its consequences were divine retribution for the sin of slavery. The introductory biography places Kinsley's civil war experience in the context of his life and his times.




Journal of the Civil War Era


Book Description

The Journal of the Civil War Era Volume 4, Number 4 December 2014 TABLE OF CONTENTS Articles Gary Gallagher & Kathryn Shively Meier Coming to Terms with Civil War Military History Peter C. Luebke "Equal to Any Minstrel Concert I Ever Attended at Home": Union Soldiers and Blackface Performance in the Civil War South John J. Hennessy Evangelizing for Union, 1863: The Army of the Potomac, Its Enemies at Home, and a New Solidarity Andrew F. Lang Republicanism, Race, and Reconstruction: The Ethos of Military Occupation in Civil War America Professional Notes Kevin M. Levin Black Confederates Out of the Attic and Into the Mainstream Book Reviews Books Received Notes on Contributors




When the Devil Came Down to Dixie


Book Description

Much controversy exists concerning Major General Benjamin F. ButlerOCOs administration in New Orleans during the second year of the Civil War. Some historians have extolled the general as a great humanitarian, while others have vilified him as a brazen opportunist, agreeing with the wealthy of occupied New Orleans who labeled him OC BeastOCO Butler. In this thorough examination of ButlerOCOs career in the Crescent City, Chester G. Hearn reveals that both assessments are right.As a criminal lawyer prior to entering politics, Butler learned two great lessonsOCohow to beat the rich and powerful at their own game, and how to succeed as a felon without being caught. In New Orleans, Butler drew on these lessons, visibly enjoying power, removing those who questioned his authority, and delighting in defeating his opponents. Because of his remoteness from Washington, he was able to make up his own rules as he went along, surrounding himself with trusted friends and family members who had no choice but to keep his secrets lest they incriminate themselves.Butler made every effort to humble the rich, who abhorred him and whose sordid characterizations of his regimeOCosome true, some notOCobecame legendary. As Hearn explains, ButlerOCOs legacy of corruption clouded many admirable aspects of his administration. He championed the poor, many of whom would have starved had he not fed and employed them. He also established sanitation policies that helped rid the city of disease and saved the lives of thousands of New OrleansOCO less-fortunate.Vividly describing ButlerOCOs childhood and his political career before and after the war, Hearn deftly places ButlerOCOs New Orleans reign in the context of his life. He also offers new information on Butler, including the first investigation of his suspicious accumulation of great wealth late in life.In a fast-paced, colorful narrative, Hearn shows Butler to be a fascinating case study of contradictions, a remarkable man with a politicianOCOs appetite for wealth and power as well as a sincere empathy for the poor. All Civil War historians and buffs will savor this riveting, insightful portrait of the man behind OC the Beast.OCO"




Exposing Slavery


Book Description

Within a few years of the introduction of photography into the United States in 1839, slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass had come to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype studios of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. Exposing Slavery explores how photography altered and was, in turn, shaped by conflicts over human bondage. Drawing on an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, free African Americans, and abolitionists, as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, enslaved people to shape their social ties, abolitionists to strengthen their movement, and soldiers to pictorially enact interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool over only a few decades. This creative first book sheds new light on conflicts over late American slavery, while also revealing a key moment in the relationship between modern visual culture and racialized forms of power and resistance.










Faces of the Civil War


Book Description

Archival images and biographical sketches of Union soldiers tell the stories of their lives during and after the Civil War. Before leaving to fight in the Civil War, many Union and Confederate soldiers posed for a carte de visite, or visiting card, to give to their families, friends, or sweethearts. Invented in 1854 by a French photographer, the carte de visite was a small photographic print roughly the size of a modern trading card. The format arrived in America on the eve of the Civil War, fueling intense demand for the keepsakes. Many cards of Civil War soldiers survive today, but the experiences?and often the names?of the individuals portrayed have been lost to time. A passionate collector of Civil War–era photography, Ron Coddington researched the history behind these anonymous faces in military records, pension files, and other public and personal documents. In Faces of the Civil War, Coddington presents 77 cartes de visite of Union soldiers from his collection and tells the stories of their lives during and after the war. These soldiers came from all walks of life. All were volunteers. Their personal stories reveal a tremendous diversity in their experience of war: many served with distinction, some were captured, some never saw combat while others saw little else. The lives of survivors were even more disparate. While some made successful transitions back to civilian life, others suffered permanent physical and mental disabilities, which too often wrecked their families and careers. In compelling words and haunting pictures, Faces of the Civil War offers a unique perspective on the most dramatic and wrenching period in American history.




In the Looking Glass


Book Description

“[An] utterly fascinating reading of the multiple uses and meanings of mirrors among European Americans, African Americans, and Native Americans.” —Journal of Social History What did it mean, Rebecca K. Shrum asks, for people—long-accustomed to associating reflective surfaces with ritual and magic—to became as familiar with how they looked as they were with the appearance of other people? Fragmentary histories tantalize us with how early Americans—people of Native, European, and African descent—interacted with mirrors. Shrum argues that mirrors became objects through which white men asserted their claims to modernity, emphasizing mirrors as fulcrums of truth that enabled them to know and master themselves and their world. In claiming that mirrors revealed and substantiated their own enlightenment and rationality, white men sought to differentiate how they used mirrors from not only white women but also from Native Americans and African Americans, who had long claimed ownership of and the right to determine the meaning of mirrors for themselves. Mirrors thus played an important role in the construction of early American racial and gender hierarchies. Drawing from archival research, as well as archaeological studies, probate inventories, trade records, and visual sources, Shrum also assesses extant mirrors in museum collections through a material culture lens. Focusing on how mirrors were acquired in America and by whom, as well as the profound influence mirrors had, both individually and collectively, on the groups that embraced them, In the Looking Glass is a piece of innovative textual and visual scholarship. “A superb reflection of the many meanings held by an object usually taken for granted. Highly recommended.” —Choice