The Passionate Spectator


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Passionate Spectator


Book Description

The acclaimed author of "Inflating a Dog" and "Herb n' Lorna" presents a journey from fiction to truth and back again as he follows the fortunes of a professional memoirist.




The Passionate Spectator


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Insightful essays on art and poetry by the acclaimed writer, critic, and curator




The Spectator and the City in Nineteenth Century American Literature


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Dana Brand traces the origin of the flaneur to seventeenth-century English literature and to nineteenth-century American literature.







Charles Dickens


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To many of his contemporaries, Charles Dickens was the greatest writer of his age; a one-man fiction industry who produced fourteen massive novels, and numerous sketches, essays and stories, many of which appeared in the two magazines which he founded and edited. Today the work of one of the first and most successful mass-circulation authors continues to enthrall readers around the world. This wide-ranging book examines the writings of Dickens, not only in his time but also in ours. It looks at the author as a Victorian 'man of letters', and explores his cultural and critical impact both on the definition of the novel in the nineteenth century and the subsequent development of the form in the twentieth. Lyn Pykett focuses on Dickens as journalist, literary entrepreneur, the conductor of magazines, the shaper of the serial novel, the manipulator of the multiple plot, and the creator of eccentric characters. She also assesses the modernity of the writer's alienated protagonists and their social environments, as well as reassessing his representations of the vivid, bleak and at times menacing spectacle of the metropolis, from the late modern/postmodern perspective of the twenty first century. Each chapter of this text analyses the work of a particular decade in Dickens's career, providing a lively contextual study which places his writings in relation to the worlds that made him, and the literary worlds which he made. It is essential reading for all those with an interest in one of the most popular, and enduring, British novelists of all time.




Guest is God


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Guest is God is an ethnography of the Indian pilgrimage site of Pushkar, which welcomes two million visitors each year. To locals, Pushkar is more than just a gathering place for pilgrims, tourists, and hippies--it is where Brahma, the creator god, made his home. It is paradise. The book looks into the local effort to create a brand of Hindu religion that is tailored to its local surrounding but engages global ideas.




Bombay Cinema


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Beyond the Blogosphere


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This book looks at questions and answers pertaining to the organization, usage, and ownership of information in the Internet ageā€”and the impact of shifting attitudes towards information ownership on creative endeavors. In the competing traditions of Marshall McLuhan and Langdon Winner, authors Aaron Barlow and Robert Leston take readers on a revealing tour of the Internet after the explosion of the blogosphere and social media. In the world Beyond the Blogosphere, information has surpassed its limits, the distinction between public and private selves has collapsed, information is more untrustworthy than it ever was before, and technology has exhibited a growth and a desire that may soon exceed human control. As Langdon Winner pointed out long ago, "tools have politics." In an eye-opening journey that navigates the nuances of the cultural impact the internet is having on daily life, Barlow and Leston examine the culture of participation in order to urge others to reconsider the view that the Internet is merely a platform or a set of tools that humans use to suit their own desires. Provocative and engaging, Beyond the Blogosphere stands as a challenge on how to rethink the Internet so that it doesn't out-think us.




On Flinching


Book Description

On Flinching explores the cultural history of flinches, winces, cringes and starts in the late nineteenth and early twentieth centuries. Taking the flinches of scientific observers as its starting point, it likens scientific experiments to the emotional interactions between audiences and actors in the theatre of this period.