Bihar Through the Ages


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Bazaar India


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The role of markets in linking local communities to larger networks of commerce, culture, and political power is the central element in Anand A. Yang's provocative and original study. Yang uses bazaars in the northeast Indian state of Bihar during the colonial period as the site of his investigation. The bazaar provides a distinctive locale for posing fundamental questions regarding indigenous societies under colonialism and for highlighting less familiar aspects of colonial India. At one level, Yang reconstructs Bihar's marketing system, from its central place in the city of Patna down to the lowest rung of the periodic markets. But he also concentrates on the dynamics of exchanges and negotiations between different groups and on what can be learned through the "voices" of people in the bazaar: landholders, peasants, traders, and merchants. Along the way, Yang uncovers a wealth of details on the functioning of rural trade, markets, fairs, and pilgrimages in Bihar. A key contribution of Bazaar India is its many-stranded narrative history of some of South Asia's primary actors over the past two centuries. But Yang's approach is not that of a detached observer; rather, his own voice is engaged with the voices of the past and with present-day historians. By focusing on the world beyond the mud walls of the village, he widens the imaginative geography of South Asian history. Readers with an interest in markets, social history, culture, colonialism, British India, and historiographic methods will welcome his book.










Birth of a Colonial City


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Long before Calcutta was ‘discovered’ by Job Charnock, it thrived by the Hugli since times immemorial. This book, and its companion Colonial Calcutta, is a biographical account of the when, the how and the what of a global city and its emergence under colonial rule in the 1800s. Ranjit Sen traces the story of how three clustered villages became the hub of the British Empire and a centre of colonial imagination. He examines the historical and geopolitical factors that were significant in securing its prominence, and its subsequent urbanization which was a colonial experience without an antecedent. Further, it sheds light on Calcutta’s early search for identity — how it superseded interior towns and flourished as the seat of power for its hinterland; developed its early institutions, while its municipal administration slowly burgeoned. A sharp analysis of the colonial enterprise, this volume lays bare the underbelly of the British Raj. It will be of great interest to scholars and researchers of modern history, South Asian history, urban studies, British Studies and area studies.




Indian Life and People in the 19th Century


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Defining a distinct style of painting produced in India during the British period and influenced by European artistic norms, this catalogue of Company Paintings in the TAPI (Textiles & Art of the People of India) Collection is a unique illustration of the social milieu prevailing in India in the nineteenth century. Tracing the origins and evolution of this genre of painting, the volume shines a fresh beam on subjects commissioned to be painted by officials of the East India Company, such as occupations, customs, dress, bazaars, festivals and daily life of ordinary people, a world removed from the elite and princely environment that was the chosen subject of Indian miniature artists. The catalogue of the TAPI Collection of Company Paintings highlights works from the major regions where such paintings were produced - Murshidabad, Calcutta, Patna, Lucknow, Delhi, Punjab, Kutch, Tanjore, Trichinopoly, Madras, Kerala and the Andhra Coast. It comprises a rich and accurate record of the diverse modes of dress and manners of the people before the advent of photography. This catalogue documents the first-ever exhibition on the subject to be held in India, being a collaboration between TAPI and CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, formerly the Prince of Wales Museum of Western India).




The Peasant Production of Opium in Nineteenth-Century India


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Winner of the 2019 Michael Mitterauer-Prize for best monograph The Peasant Production of Opium in Nineteenth-Century India is a pioneering work about the more than one million peasants who produced opium for the colonial state in nineteenth-century India. Based on a profound empirical analysis, Rolf Bauer not only shows that the peasants cultivated poppy against a substantial loss but he also reveals how they were coerced into the production of this drug. By dissecting the economic and social power relations on a local level, this study explains how a triangle of debt, the colonial state’s power and social dependencies in the village formed the coercive mechanisms that transformed the peasants into opium producers. The result is a book that adds to our understanding of peasant economies in a colonial context.




The Pataliputra


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Education and social changes in Bihar, 1900-1921


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understanding Mantras explores the origin, nature, function, and significance of mantras within the bounds of the hindu tradition. It analyses the use of mantras in the Vedic age in the gtreat theistic movements of Saivism and Vaisnavism, and in Tantra. A brief introduction by Alper outlines the major controversies in Western scholarship concerning the nature of mantras and gives an insightful and suggestive paradigm for resolving the issues. It approaches a bibliography on all of Hinduism and will serve as an invaluable tool for future research.