Paul Pletka


Book Description

Best Art Book and Best of Show—2018 New Mexico–Arizona Book Award Born in San Diego in 1946 and raised in the American Southwest, painter Paul Pletka has created a body of work that owes much to the West of his childhood, and more to the West of his imagination. Infused with an operatic sense of theater and drama, his paintings conjure scenes from the cultures, history, and religions of the American West and Mexico—diffused, as Pletka writes, “through the lens of personal experiences, dreams, research, and ancestral memory.” In Paul Pletka: Imagined Wests, the first book on this major American artist in over thirty years, readers will encounter the full range of Pletka’s oeuvre through more than eighty color reproductions of his best-known and most influential works. Images of warriors and shamans are paired with depictions of George Armstrong Custer, Christian saints, and the lost gods of North and South America, their forms rendered in a distinctive style that mixes classical drawing and expressionist distortion with elements of surrealism and European symbolism. An artist statement and notes on selected paintings provide rare insight into Pletka’s creative process, and an introductory essay by art historian Amy Scott discusses how Pletka’s studies of indigenous cultures of the American West and Mexico, as well as art historical and critical influences, have informed his work. Complex, mysterious, and mesmerizing, Pletka’s paintings are designed to make it almost impossible to look away. In their boldly conceived subject matter, vivid color, and ethnographic detail, these works—and their creator—are true originals in the rich artistic landscape of the American West.




Paul Pletka


Book Description

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A Search for Understanding


Book Description

This book provides a professional and personal biography of George W. Mitchell compiled by Mary T. Mitchell, his wife of 32 years. George Mitchell was a Federal Reserve Governor from 1961 to 1976 and Vice Chairman of the Federal Reserve Board from 1973 to 1976. Prior to joining the Federal Reserve Board, Mr. Mitchell was Vice President of the Federal Reserve Bank of Chicago and Director of Finance for the State of Illinois under then Governor Adlai Stevenson. Mr. Mitchell was a major contributor to monetary policy and to banking systems during the latter half of the 20th century. He was a pioneer in the development of electronic funds transfer systems. In his personal life, Governor Mitchell was a devoted family man and avid collector of modern art. He treated all of the members of his very large family with love and care. He encouraged young people to participate fully in life's joys and responsibilities. He consistently emphasized the value of education and the need for integrity in all of life's pursuits.




Literary Alchemist


Book Description

Winner, 2022 Society of Midland Authors award for Biography/Memoir Evan S. Connell (1924–2013) emerged from the American Midwest determined to become a writer. He eventually made his mark with attention-getting fiction and deep explorations into history. His linked novels Mrs. Bridge (1959) and Mr. Bridge (1969) paint a devastating portrait of the lives of a prosperous suburban family not unlike his own that, more than a half century later, continue to haunt readers with their minimalist elegance and muted satire. As an essayist and historian, Connell produced a wide range of work, including a sumptuous body of travel writing, a bestselling epic account of Custer at the Little Bighorn, and a singular series of meditations on history and the human tragedy. This first portrait and appraisal of an under-recognized American writer is based on personal accounts by friends, relatives, writers, and others who knew him; extensive correspondence in library archives; and insightful literary and cultural analysis of Connell’s work and its context. It also illuminates aspects of American publishing, Hollywood, male anxieties, and the power of place.




Acrylic Innovation


Book Description

Acrylic is often used as a substitute for oil paint or watercolor, but the real gold mine is in allowing the medium freedom to do what it does best. This book shows how today’s artists are doing exactly that. It’s loaded with original artwork and valuable insight from 64 artists, incredibly diverse in styles and subjects, each using acrylic in unique ways to create expressive and personal art. • 64 artists offer their individual ideas, approaches and inspirations for working with acrylic paints • 29 styles, ranging from photorealism to minimal color field and everything in between, are explored through artist profiles, artwork and boundary-breaking “challenges” that provide dynamic starting points for your own art • 29 step-by-step demonstrations illustrate acrylic-driven techniques you can take straight to your work, including collage and assemblage, reverse painting, printmaking, accidental stenciling, working with metallic mixtures and more A follow-up to the best-selling Acrylic Revolution,Acrylic Innovation takes you outside your comfort zone. Dip in whenever you feel the urge to experiment, have fun and see fresh and exciting results.




The Pawnee Mythology


Book Description

The Pawnee Mythology, originally published in 1906, preserves 148 tales of the Pawnee Indians, who farmed and hunted and lived in earth-covered lodges along the Platte River in Nebraska. The stories, collected from surviving members of four bands-Skidi, Pitahauirat, Kitkehahki, and Chaui-were generally told during intermissions of sacred ceremonies. Many were accompanied by music. George A. Dorsey recorded these Pawnee myths early in the twentieth century after the tribe's traumatic removal from their ancestral homeland to Oklahoma. He included stories of instruction concerning supernatural beings, the importance of revering such gifts as the buffalo and corn, and the results of violating nature. Hero tales, forming another group, usually centered on a poor boy who overcame all odds to benefit the tribe. Other tales invited good fortune, recognized wonderful beings like the witch women and spider women, and explained the origin of medicine powers. Coyote tales were meant to amuse while teaching ethics. George A. Dorsey (1868-1931) was a distinguished anthropologist and journalist who also wrote about the traditions of the Arapahos, Arikaras, and Osages. Douglas R. Parks is a professor of anthropology and associate director of the American Indian Studies Research Institute at Indiana University. He is the editor of James R. Murie's Ceremonies of the Pawnee (Nebraska 1989) and the editor and translator of Myths and Traditions of the Arikara Indians (Nebraska 1996).




Memoirs of a White Crow Indian (Thomas H. Leforge)


Book Description

Thomas H. Leforge was "born an Ohio American" and chose to "die a Crow Indian American." His association with his adopted tribe spanned some of the most eventful years of its history--from the Indian Wars to the reservation period?and as interpreter, agency employee, chief of Crow scouts for the 1876 campaign (he was with Terry at the Little Big Horn), bona fide Crow "wolf," and husband of a Crow woman, he was usually in the midst of the action. His story, first published in 1928, remains a remarkably accurate source of historical and ethnological information on this relatively little known tribe.




Moon of Popping Trees


Book Description

The last significant clash of arms in the American Indian Wars took place on December 29, 1890, on the banks of Wounded Knee Creek in South Dakota. Of the 350 Teton Sioux Indians there, two-thirds were women and children. When the smoke cleared, 84 men and 62 women and children lay dead, their bodies scattered along a stretch of more than a mile where they had been trying to flee. Of some 500 soldiers and scouts, about 30 were dead—some, probably, from their own crossfire. Wounded Knee has excited contradictory accounts and heated emotions. To answer whether it was a battle or a massacre, Rex Alan Smith goes further into the historical records and cultural traditions of the combatants than anyone has gone before. His work results in what Alvin Josephy Jr., editor of American Heritage, calls "the most definitive and unbiased" account of all, Moon of Popping Trees.




Californian Indian Nights


Book Description

"The rereading of these folklore selections in this attractively printed volume underscores again the uniqueness of California mythology. . . . The tales that make up the mythology there are not the worn stand-bys of the world; these tales from the Pacific coast have a freshness of invention that one discovers all too seldom in collections of folklore. They are surprisingly indige-nous."--Ruth Benedict, American Anthropologist. "The volume is organized in such a way that it will be useful to students of literature as well as to students of anthropology, but the authors have not sacrificed accuracy and the critical use of their material in order to produce any kind of spurious picturesqueness. The volume is well gotten up and attractively illustrated."--Margaret Mead, Annals of the American Academy of Political and Social Science. "This is a most laudable attempt to make available to a general laity a representative collection of Californian Indian myths and tales."--Truman Michelson, American Historical Review. The compilers, Edward W. Gifford and Gwendoline Harris Block, were both associated with the University of California, Berkeley, Gifford as a professor of anthropology and director of the Museum of Anthropology and Block as an editor in the Department of Anthropology. Albert L. Hurtado, who provided an introduction for the Bison Book edition, is an associate professor of history at Arizona State University and the author of Indian Survival on the California Borderland Frontier, 1819?60 (1988), winner of the Ray A. Billington Prize for American frontier history.




Cheyenne Autumn


Book Description

Records the struggles of the northern Cheyenne who battled the United States Cavalry in an effort to return to their Yellowstone homelands