Visual Ephemera


Book Description

Tracing the history of theatrical arts in 19th-century Australia, this book documents varieties of visual culture that until now have remained unrecorded or been dismissed as irrelevant to the history of Australian art.




Peacock Pie


Book Description




Tat*


Book Description

Tat* is a bit of a graphic designer's curse. Walk into any design studio and you will see tat pinned to the walls or placed with loving care on top of a computer screen. Even the purist will have a secret cache hidden away somewhere. Andy Altmann began collecting tat while he was on his Foundation course, getting ready for an interview at St Martins School of Art. He'd been asked to present a sketchbook, but worried that he couldn't draw very well, he decided to start a scrapbook: "I rummaged through the drawers at home and found some football cards from the late 1960s and early '70s (plenty of Georgie Best), an instruction leaflet from an old Hoover, Christmas cracker jokes, and so on. Then I started on the magazines, cutting out images of anything that interested me. And finally I took myself off to the college library, where I photocopied things from books before reaching for the scissors and glue." It was the beginning of a significant collecting habit. So what it is that makes a piece of graphic tat interesting? Is it the 'retro' thing - a fascination with a bygone age, the primitive printing techniques, the naivety of the design, or the use of color? All of the above, of course, but it's not quite that simple. "Occasionally people offer me something they've found that they think I might like", says Andy. "But usually they're wrong - it doesn't excite me at all. The magic is missing." To a graphic designer, most the content of this book can safely be regarded as 'bad' design. But there is some magic in each and every piece that has made Andy either pick it up off the street, trail through online links, or enter some dodgy looking shop on the other side of the world just to snap it up. Here you'll find everything from sweet wrappers to flash cards, from soap powder boxes to speedway flyers, from wrestling programmes to bus tickets. More tat than you can shake a stick at. Taken together, it represents a lifetime of gleeful hunting and gathering. * tat (noun) - anything that looks cheap, is of low quality, or in bad condition; junk, rubbish, debris, detritus, crap, shite




Luxury Arts of the Renaissance


Book Description

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.










Keepers of Tradition


Book Description

Throughout Massachusetts, artists carry on and revitalise deeply rooted traditions that take many expressive forms - from Native American basketry to Yankee wooden boats, Armenian lace, Chinese seals, and Irish music and dance. This illustrated volume celebrates and shares the work of a wide array of these living artists.




Nevertheless, We Persisted


Book Description

A powerful collection of essays from actors, activists, athletes, politicians, musicians, writers, and teens, including Senator Amy Klobuchar, actress Alia Shawkat, actor Maulik Pancholy, poet Azure Antoinette, teen activist Gavin Grimm, and many, many others, each writing about a time in their youth when they were held back because of their race, gender, or sexual identity—but persisted. "Aren't you a terrorist?" "There are no roles for people who look like you." "That's a sin." "No girls allowed." They've heard it all. Actress Alia Shawkat reflects on all the parts she was told she was too "ethnic" to play. Former NFL player Wade Davis recalls his bullying of gay classmates in an attempt to hide his own sexuality. Teen Gavin Grimm shares the story that led to one of the infamous "bathroom bills," and how he's fighting it. Holocaust survivor Fanny Starr tells of her harrowing time in Aushwitz, where she watched her family disappear, one by one. What made them rise up through the hate? What made them overcome the obstacles of their childhood to achieve extraordinary success? How did they break out of society's limited view of who they are and find their way to the beautiful and hard-won lives they live today? With a foreword by Minnesota senator and up-and-coming Democratic party leader Amy Klobuchar, these essays share deeply personal stories of resilience, faith, love, and, yes, persistence. An International Latino Book Award Winner A National Council for Social Studies Selection "Each tale is a soulful testament to the endurance of the human spirit and reminds readers that they are not alone in their search for self. . . . An unflinchingly honest book that should be required reading for every young person in America." —Kirkus Reviews, starred review "An invaluable collection of snapshots of American society." —VOYA, starred review "[A] gem of a book. . . . There's a lot to study here and talk about on the way to becoming kinder, more empathetic, and most important, compassionate." —Booklist "Readers encountering injustice in their own lives may be compelled to take heart—and even action." —Publishers Weekly "A powerful collection of voices." —SLJ "The sheer variation in writing styles, subject-matters, and structure to these narratives provides readers with inspiration in assorted forms and a complex interpretation of what it means to persist." —The Bulletin




Painted Paper Art Workshop


Book Description

This is where painting meets collage! You can create beautiful art with amazing depth and texture, using easy collage techniques and paper you paint yourself. Popular workshop instructor Elizabeth St. Hilaire makes it fun and simple no matter what your skill level! Start with materials you probably already have--fluid acrylics, stencils, a few household items and paper--and hand-paint your personalized paper palette using basic techniques anyone can do. Then move through each step of composing your own work of art. You'll find beautiful, meaningful examples of the how and why on every page. You'll learn how to: develop your composition, how to work with simple shapes, important lessons on value and much more. • More than 30 techniques for painting your own decorative papers • Step-by-step instructions for creating your own painted paper collage–from underpainting and directional ripping and tearing to auditioning your papers and combining collage with mixed media • A spectacular gallery of paper paintings to inspire and dazzle--still lifes, figures, animals and landscapes