Performing the "everyday"


Book Description

This interdisciplinary anthology explores the representation of everyday life across several disciplines in a century known for its interest in individual experience of the mundane as well as the heroic. Comprised of essays by established and emerging scholars of literature, art, and music history, the volume explores not merely the range of performances under the banner of the everyday, but also the meanings inherent in these attempts to create art out of the experience of the real. In this collection, the authors attempt to provide a wide-ranging picture of the many ways in which the notion of the everyday is a valuable conceptual frame through which the eighteenth century may be apprehended, as this critical term allows for issues of gender, race, and class to come into focus. Alden Cavanaugh is Associate Professor of Art History at Indiana State University.




Performing the Everyday in Henry James's Late Novels


Book Description

Focusing on James's last three completed novels - The Ambassadors, The Wings of the Dove, and The Golden Bowl - Maya Higashi Wakana shows how a microsociological approach to James's novels radically revises the widespread tradition of putting James's characters into historical and cultural contexts. Wakana begins with the premise that day-to-day living is inherently theatrical and thus duplicitous, and goes on to show that James's art relies significantly on his powerful sense of the agonizing and even dangerous complications of mundane face-to-face rituals that pervade his work. Centrally informed by social thinkers such as G. H. Mead and Erving Goffman, Wakana's study discloses the richness, complexity, and singularity of the interpersonal connections depicted in James's late novels. Persuasively argued, and rich in original close readings, her book makes an important contribution to James's studies and to theories of social interaction.




Digital Performance in Everyday Life


Book Description

Digital Performance in Everyday Life combines theories of performance, communication, and media to explore the many ways we perform in our everyday lives through digital media and in virtual spaces. Digital communication technologies and the social norms and discourses that developed alongside these technologies have altered the ways we perform as and for ourselves and each other in virtual spaces. Through a diverse range of topics and examples—including discussions of self-identity, surveillance, mourning, internet memes, storytelling, ritual, political action, and activism—this book addresses how the physical and virtual have become inseparable in everyday life, and how the digital is always rooted in embodied action. Focusing on performance and human agency, the authors offer fresh perspectives on communication and digital culture. The unique, interdisciplinary approach of this book will be useful to scholars, artists, and activists in communication, digital media, performance studies, theatre, sociology, political science, information technology, and cybersecurity—along with anyone interested in how communication shapes and is shaped by digital technologies.




Telling Bodies Performing Birth


Book Description

Considering issues such as pain and fertility, and exploring both the language of medical discourse and the silence of personal mystery, she reveals the numerous ways in which giving birth is narrated in the contemporary U.S. Pollock draws on cultural criticism, performance studies, and narrative theory to unpack this long-ignored genre.




Performing Motherhood; Artistic, Activist and Everyday Enactments


Book Description

Performing Motherhood explores relationships between performativity and the maternal. Highlighting mothers’ lived experiences, this collection examines mothers’ creativity and agency as they perform in everyday life: in mothering, in activism, and in the arts. Chapters contain theoretically grounded works that emerge from multiple disciplines and cross-disciplines and include first-person narratives, empirical studies, artistic representations, and performance pieces. This book focuses on motherwork, maternal agency, mothers’ multiple identities and marginalized maternal voices, and explores how these are performatively constituted, negotiated and affirmed.




Theatre and Everyday Life


Book Description

Alan Read asserts that there is no split between the practice and theory of theatre, but a divide between the written and the unwritten. In this revealing book, he sets out to retrieve the theatre of spontaneity and tactics, which grows out of the experience of everyday life. It is a theatre which defines itself in terms of people and places rather than the idealised empty space of avant garde performance. Read examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment. His book is a persuasive demand for a critical theory of theatre which is as mentally supple as theatre is physically versatile.




Performing Everyday Life in Argentine Popular Theater, 1890–1934


Book Description

This book examines the prolific and widely-attended popular theater boom of the género chico criollo in the context of Argentina’s modernization. Victoria Lynn Garrett examines how selected plays mediated the impact of economic liberalism, technological changes, new competing and contradictory gender roles, intense labor union activity, and the foreign/nativist dichotomy. Popular theaters served as spaces for cultural agency by portraying conventional and innovative performances of daily life. This dramatic corpus was a critical mass cultural medium that allowed audiences to evaluate the dominant fictions of liberal modernity, to critique Argentina’s purportedly democratic culture, and to imagine alternative performances of everyday life in accordance with their realities. Through a fresh look at the relationship among politics, economics, popular culture, and performance in Argentina’s modernization period, the book uncovers largely overlooked articulations of popular-class identities and desires for greater inclusion that would drive social and political struggles to this day.




Tourism, Performance and the Everyday


Book Description

Traditionally social and cultural accounts of tourism have limited their analytical gaze to the spaces and places where tourism is performed. This book scrutinizes the multiple ways in which tourism emerges in people’s everyday lives and the everyday appears in people’s tourist’ lives by tracing out the mobilities, networks and flows between ‘home’ and ‘away’ in tourist performances




Writing Performance, Identity, and Everyday Life


Book Description

Writing Performance, Identity, and Everyday Life invites the reader into Ronald J. Pelias’ world of artistic and everyday performance. Calling upon a broad range of qualitative methods, these selected writings from Pelias submerge themselves in the evocative and embodied, in the material and consequential, often creating moving accounts of their topics. The book is divided into four sections: Foundational Logics, Performance, Identity, and Everyday Life. Part I addresses the methodological underpinnings of the book, focusing on the ‘touchstones’ that inform Pelias’ work: performative, autoethnographic, poetic, and narrative methods. These directions push the researcher toward empathic engagement, a leaning toward others; using the literary to evoke the cognitive and affective aspects of experience; and an ethical sensibility located in social justice. Parts II–IV focus on artistic and everyday life performances, including discussions of the disciplinary shift from the oral interpretation of literature to the field of performance studies; empathy and the actor’s process; conceptions of performance; the performance of race, gender, and sexuality; and performances in interpersonal relations and academic circles. By the end, readers will see Pelias demonstrate the power of qualitative methods to engage and to present alternative ways of being. Pelias’ work shows us how to understand and feel the evocative strength of thinking performatively.




The Presentation of Self in Everyday Life


Book Description

A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and cotnrol the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions.