Pete's Devils


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Who the Devil Made It


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“A must have for any film nut.”—Details Peter Bogdanovich, award-winning director, screenwriter, actor and critic, interviews 16 legendary directors over a 15-year period. Their richly illuminating conversations combine to make this a riveting chronicle of Hollywood and picture making. Join him in conversations with: Robert Aldrich • George Cukor • Allan Dwan • Howard Hanks • Alfred Hitchcock • Chuck Jones • Fritz Lang • Joseph H. Lewis • Sidney Lumet • Leo McCarey • Otto Preminger • Don Siegel • Josef von Sternberg • Frank Tashlin • Edgar G. Ulmer • Raoul Walsh NOTE: This edition does not include photographs. Praise for Who the Devil Made It “Illuminating . . . These were (and sometimes are: a few yet breathe) men rooted in history as much as in Hollywood. Their collected memories make the past look fearfully rich beside a present that is poverty-stricken in everything except money.”—The New Yorker “Bogdanovich is one of America’s finest writers on the cinema. . . . Thank goodness [his] Who the Devil Made It has come along to remind us that films and writing about film were, at one time, focused on the work and not strictly on the bottom line.”—The Boston Globe “A treasure trove on the craft of directing.”—Newsday “Monumental . . . The directors’ reminiscences about technique, working methods, sources of ideas, and relationships with actors and studios are thoroughly entertaining.”—Publishers Weekly “A fine achievement that helps illuminate the art and craft of some remarkable directors . . . There are plenty of revealing anecdotes.”—Kirkus Reviews




Why the Devil Chose New England for His Work


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“Brown’s comic take on America today is both amazing and memorable . . . One of the most brilliant and original new writers to appear for a long time.” (Alison Lurie, Pulitzer Prize–winning author) “Everything Natalie said seemed, to herself, to have been said better by him. He was less fond of speaking, however, than he was of hitting people in the face, which seemed a more likely source of her love to those of us who knew him,” begins Jason Brown’s linked collection of beautifully haunted, violent, and wry stories set in the densely forested lands of northern New England. In these tales of forbidden love, runaway children, patrimony, alcohol, class, inheritance, and survival, Brown’s elegant prose emits both quiet despair and a poignant sense of hope and redemption. These vivid accounts of troubled lives combine the powerful family drama of Andre Dubus and Russell Banks, the dark wit of Denis Johnson, the lost souls of Charles D’Ambrosio, and the New England gothic of Nathaniel Hawthorne. “One quality that makes these stories feel unmistakably new is Brown’s . . . seamless, oddly cinematic shifts among points of view . . . He has a gift for crisp, angular sentences, some of which are embedded with a quiet humor.” —Time Out New York “In Jason Brown’s fine story collection . . . the inhabitants of Vaughn, Maine, are stalked not by Stephen King horror but by intimate afflictions of blood, accident, and history. Yet their stories are too vivid to be entirely bleak. Maine’s woods and rivers, its changing light, are the beautifully rendered constants in a harsh, even malevolent, world.” —The Boston Globe




First and Second Peter, Jude


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This Catholic commentary on First and Second Peter and Jude interprets Scripture from within the living tradition of the Church.




The Devil's Agent


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The Devil’s Agent: The Life and Crimes of Nazi Klaus Barbie is a captivating and unique book that reveals the dark secrets and mindset of the Butcher of Lyon, his work as a U.S. and West German spy, his network of escaped Nazis in South America, and his nefarious connections with mercenaries, cocaine traffickers and military dictators. During 1942-1944, Klaus Barbie was a mid-level Nazi officer in charge of the Gestapo HQ in Lyon, France. His treatment of prisoners ranged from banal indifference to pleasure as he sadistically tortured and murdered his victims. After the war, what set him apart was the public role he played as an unscrupulous businessman and adviser to military rulers, and Western intelligence agencies, in close alliance with other escaped Nazis, while living in Bolivia. The unrepentant war criminal was the most important Nazi to continue operating as a public figure after World War II. The Devil’s Agent describes co-author Peter McFarren’s personal encounters with Klaus Barbie in 1981, when McFarren and his colleague Maribel Schumacher were arrested in front of the Nazi’s Bolivian home after trying to interview him for a story for The New York Times. McFarren obtained hundreds of Barbie’s personal photographs and letters from prison that have never been made public before. Beyond their historical significance, these shine a light into Barbie’s compartmentalized inner life: devoted husband, torturer, loving father, spy, adaptive businessman, anti-Semite, opportunist. Combined with extensive use of the wealth of historical materials released in the decades since the fall of the Berlin Wall, the authors connect the inner Barbie with his times to provide insight into how collective evil occurs. From crimes against humanity to Holocausts, it happens step by banal step. McFarren also worked on the documentaries Hotel Terminus: The Life and Times of Klaus Barbie and My Enemy’s Enemy and wrote numerous articles about Barbie and the military regimes he supported. After an extensive, decades-long search by Nazi hunters Beate and Serge Klarsfeld, Barbie was identified, captured and extradited to France. He was one of the few escaped Nazis tried and sentenced for crimes against humanity in occupied France. His expulsion from Bolivia to France in 1983 and his unprecedented trial and conviction generated tremendous publicity and deep soul-searching for a country that had still not faced up to its mixed record of supporting the Nazi regime while also resisting its occupation. The book also details Barbie’s family history, the role he played as a Gestapo officer in Germanoccupied France, his responsibility for the murders of more than 14,000 Jews and French Resistance fi ghters during the Nazi Holocaust, his fl ight from Europe after the war with the backing of the U.S. Government, the Vatican and the International Red Cross, and his settlement in Bolivia with his wife Regine and two children. In Bolivia, Barbie traffi cked in tanks and weapons and supported the hunt for the Argentine-Cuban guerrilla leader “Che” Guevara. He collaborated with cocaine traffi cking kingpin Roberto Suárez Gómez, authoritarian rightwing military governments and a network of escaped Nazis, paramilitaries and mercenaries from Europe and South America to overthrow a Bolivian civilian government in 1980. Klaus Barbie came to symbolize greed, inhumanity, hatred, abuse of power and collective and personal evil during the half century he operated in Europe and Latin America. His most sadistic and monstrous acts were committed during World War II, but it was in Bolivia that Barbie established a reputation as a cunning, ruthless and violent operative who acted without a moral compass. The Devil’s Agent serves not only as a reminder of the horrors of the Holocaust; it takes us inside the inhuman and merciless mindsets that were behind these crimes and continue to plague our world today.







The American Catalogue


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American national trade bibliography.




The Golden Legend


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To Hell with the Devil


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This book asks: Do we need the devil and demons to explain adversity, bad behavior, crime, disease, evil, and failures? Must we understand all allusion to the devil and demons in the holy Scriptures in a literal sense? Do these beings really exist? Or is Satan only a personification of all that is atrocious, bad, criminal, disagreeable, evil, frightening, gross, horrible, indecent, and wrong? It often happens that people live in fear and terror for the devil and his helpers, all sorts of evil spirits, sorcerers, wizards, and witches. How realistic is this fear? This is another ground-breaking book by theologian and scholar Albertus Pretorius. As in his previous books, he manages to provide new insights regarding controversial biblical subjects. In this case, he deals with the existence or non-existence of Satan and sinful spirits. The author explores what the conventional beliefs on Satan entail, as well as what a critical investigation of the holy Scriptures of Judaism, Christianity, and Islam can teach people of the twenty-first century about these perilous and pestilential personages.




American Fiction, 1901-1925


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A 1997 bibliography of American fiction from 1901-1925.