Peter and Pablo the Printer


Book Description

An Unexpected Birthday Present Turns Into A Magical 3D Printer Peter is about to turn seven years old. For his upcoming Birthday he is gifted a 3D Printer by his father - one that is capable of printing anything! Enter Pablo The Printer Pablo The Printer is powered by invention, fun and courage. While most 3D Printers can only print in plastic, Pablo can literally print things to life! Pablo not only prints Peter the toys he wants, including a new best friend (a blue dog named Rocky will always be a man's best friend), but he also shares timeless wisdom with him. Peter soon learns a valuable lesson. Even though Pablo is capable of printing anything, it doesn't mean that Peter should print everything. Along the way, Peter meets a few new friends and learns first-hand the power of why imagination is so important for the next industrial revolution. So, will you join Peter and Pablo in their adventure to make the future? Book Description & Morals: Pablo The Printer teaches children the value and potential effects of technology. Technology has brought us amazing things from the printing press to the computer. Technology will not, however, be able to replace the social interaction and communication present in the modern world. Like all things in life and the ideas that come 3D printers should be treated with love & respect.




LEO the Maker Prince


Book Description

LEO the Maker Prince teaches children (both young and old) about 3D printing by following Carla and LEO's journey through Brooklyn. LEO is a walking, talking robot who has the magical ability to to print (in plastic) any object that Carla draws. The other robots have their own special capabilities: H1-H0 prints in metal, Sinclair-10 can find and print objects from a huge catalog of designs, and the others (including AL1C3-D, IRIS-7, and NiXie) have unique talents, too. Readers can come along for the journey, too: all of the objects in the book are printable one way or another.




How To Make Money With 3D Printing


Book Description

"Over the fast few years 3D printing has revolutionized the way we create things, prototype products and design art. As the technological [sic] grows, more possibilities develop in ways to utilize this innovative technology. Monetize the advantages of the 3D printing technology and you will be well on your way toward leading the next industrial revolution."--Page 4 of cover.




Ink Under the Fingernails


Book Description

Introduction -- The politics of loyalty -- Negotiating freedom -- Responsibility on trial -- Selling scandal : The Mysteries of the Inquisition -- The business of nation building -- Workers of thought -- Criminalizing the printing press -- Conclusion.




Will and Vision


Book Description




The Hole


Book Description

'Hello, I've discovered a hole in my apartment... it moves around ... yes ... if you could come and look at it ...bring it down to you, you say ... how ... hello!'.The protagonist has discovered a hole and tries to find an explanation. He seeks expert advice. But not everything can be explained. Perhaps he will just have to accept that it's there.THE HOLE has simple, expressive drawings by pen and computer. The hole is punched right through the book, so it exists in real life.Praise:'... a stylish and surreal picture book... line drawings combined with a minimal use of colour lends the book a stylish and elegant appearance. With few details, attention is drawn towards the simple points on each page, making the story quick to read and easy to understand for readers young and old. At the same time it raises a whole host of questions, both concrete and abstract, and invites several perusals. It is fortunate that the pages are sturdy - this is a book that will quickly become well-thumbed.' - Dagbladet About the AuthorØyvind Torseter is an artist. He has created many picture books and given individual as well as collective exhibitions. Øyvind Torseter won the Bologna Ragazzi Award 2008 with his picture book AVSTIKKERE (DETOURS), and has received several other prizes and nominations as well for his illustrations. But we suspect that THE HOLE will be his great international break-through. No online pdf can do justice to this fabulous story, as the physical hole going straight through the book cannot be visible on a screen. Still, you will get an idea of the philosophical implications raised in this book when looking at the illustrations.




Cover


Book Description

Peter Mendelsund has enjoyed years as a much-sought-after book cover designer and art director. Among the many recognizable jackets he has created are those for The Girl with the Dragon Tattoo; collections of the works of Joyce, Kafka, Dostoevsky, de Beauvoir, and Foucault; the contemporary works of Martin Amis, Tom McCarthy, Ben Marcus, Jo Nesbø, and James Gleick; and many more. All have greatly benefitted from the care and touch Mendelsund gave them. Cover abounds with Mendelsund's completed book jackets along with ephemera from his previously unseen creative method, including jacket sketches, interior art and editorial illustrations, and scores of rejected drafts. These images are punctuated by Mendelsund's reflections on his work and his process, as well as by texts from writers with whom he has worked and designed for. Cover is a compendium of beautiful design and a beautiful design object itself; a profile and celebration of one of the publishing world's most talented and prolific contemporary creators, and a brilliant showcase of his deft touch for balanced and innovative design.




Installations by Architects


Book Description

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.




I Saw a Peacock with a Fiery Tail


Book Description

Presents a folk poem from the seventeenth century, featuring die-cut pages that reveal its nuanced meaning.




Printing Colour 1400-1700


Book Description

In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.