The Art of Stagecraft


Book Description

The Art of Stagecraft: Reflections on Design and Creation in Theatre is a thoughtful examination of the intersection of design, art, and the modern and contemporary theatrical design practitioner. Utilizing a recently discovered folio of materials of stagecraft practices that was being compiled by Mobile, Alabama artist Edmond Carl deCelle, who was nationally known for his sketches, paintings, murals, Mardi Gras pageants and parades, and theatre productions along the Gulf Coast in the years 1930–1970, the book examines methodologies of production using sketches from the artist as well as his thoughts on design, art, and the shifts that were happening in the industry during the time. The book looks at a sampling of traditional theatrical design and stagecraft practices that became formalized in the mid-20th century and compares them to contemporary practices, offering a reflection on the current state of theatre production, stagecraft practices, and the theatre practitioner as an artist. For those just coming into theatre production, The Art of Stagecraft provides a resource for a selection of well-proven, straightforward techniques that have been developed over many years. For those in theatre production, the book serves as a guide for an assortment of traditional techniques that are still in use today but may not be known by everyone. For all readers, this book will also look at a sample of traditional techniques that have been phased out in favor of contemporary methods due to the development of modern materials.




The Bookseller


Book Description

Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.










The Golden Age of Pantomime


Book Description

Of all the theatrical genres most prized by the Victorians, pantomime is the only one to have survived continuously into the twenty-first century. It remains as true today as it was in the 1830s, that a visit to the pantomime constitutes the first theatrical experience of most children and now, as then, a successful pantomime season is the key to the financial health of most theatres. Everyone went to the pantomime, from Queen Victoria and the royal family to the humblest of her subjects. It appealed equally to West End and East End, to London and the provinces, to both sexes and all ages. Many Victorian luminaries were devotees of the pantomime, notably among them John Ruskin, Charles Dickens, Lewis Carroll and W.E. Gladstone. In this vivid and evocative account of the Victorian pantomime, Jeffrey Richards examines the potent combination of slapstick, spectacle and subversion that ensured the enduring popularity of the form. The secret of its success, he argues, was its continual evolution. It acted as an accurate cultural barometer of its times, directly reflecting current attitudes, beliefs and preoccupations, and it kept up a flow of instantly recognisable topical allusions to political rows, fashion fads, technological triumphs, wars and revolutions, and society scandals. Richards assesses throughout the contribution of writers, producers, designers and stars to the success of the pantomime in its golden age. This book is a treat as rich and appetizing as turkey, mince pies and plum pudding.




Man-Monkeys


Book Description

This is the first and only book about the man-monkey phenomenon and its major stars. A non-academic survey of the many actors who have played apes and gorillas from 1801 to the present day.