A Fraction of the Whole


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With rights sold around the world, this irreverent comic adventure spanning three continents is poised to be one of the most talked about fiction débuts of the year. A Fraction of the Whole marks the arrival of an ambitious new writer who deftly mixes humour, surprise, and astute observations of the human condition to create a novel that entertains, scandalizes, and enlightens. Martin Dean spent his entire life analyzing absolutely everything – from the benefits of suicide to the virtues of strip clubs versus brothels. Now that he’s dead, his son Jasper can fully reflect on the man who raised him in intellectual captivity. As he recollects the extraordinary events that led to his father’s demise, Jasper recounts a boyhood of outrageous schemes and shocking discoveries – about his infamous and long dead criminal uncle, his tortured and mysteriously absent European mother, and Martin’s constant losing battle to make a lasting impression on the world. It’s a story that takes them from the Australian bush to the cafés of bohemian Paris, from the Thai jungle to labyrinths, mental hospitals, and criminal lairs, from the highs of first love to the lows of rejection and failed ambition. The result is an uproarious indictment of the ridiculousness of the modern world and its mores, and the moving, memorable story of a father and son whose spiritual symmetry transcends all their many shortcomings. I spent the next day staring into empty space. I get a lot of joy out of air, and if sunlight hits the floating specs of dust so you see the whirling dance of atoms, so much the better. During the day, Dad breezed in and out of my room and clicked his tongue, which in our family meant: ‘You’re an idiot.’ In the afternoon, he came back in with a loaded grin. He had a brilliant idea, and couldn’t wait to tell me about it. It had suddenly occurred to him to throw me out of the house, and what did I think of his brainwave? I told him I was concerned about him eating all his meals alone because the clinking of cutlery on a plate echoing through an empty house is one of the top five depressing noises of all time. --from A Fraction of the Whole







Bulletin


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Bulletin


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The Metamorphoses of Fat


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Georges Vigarello maps the evolution of Western ideas about fat and fat people from the Middle Ages to the present, paying particular attention to the role of science, fashion, fitness crazes, and public health campaigns in shaping these views. While hefty bodies were once a sign of power, today those who struggle to lose weight are considered poor in character and weak in mind. Vigarello traces the eventual equation of fatness with infirmity and the way we have come to define ourselves and others in terms of body type. Vigarello begins with the medieval artists and intellectuals who treated heavy bodies as symbols of force and prosperity. He then follows the shift during the Renaissance and early modern period to courtly, medical, and religious codes that increasingly favored moderation and discouraged excess. Scientific advances in the eighteenth century also brought greater knowledge of food and the body's processes, recasting fatness as the "relaxed" antithesis of health. The body-as-mechanism metaphor intensified in the early nineteenth century, with the chemistry revolution and heightened attention to food-as-fuel, which turned the body into a kind of furnace or engine. During this period, social attitudes toward fat became conflicted, with the bourgeois male belly operating as a sign of prestige but also as a symbol of greed and exploitation, while the overweight female was admired only if she was working class. Vigarello concludes with the fitness and body-conscious movements of the twentieth century and the proliferation of personal confessions about obesity, which tied fat more closely to notions of personality, politics, taste, and class.




A Practical French Grammar


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