Petroglyphs (Rock Carvings) in the Susquehanna River Near Safe Harbor, Pennsylvania


Book Description

Ancient rock art is better known in western North America, but it is also an important feature in the historical landscape of eastern North America. This booklet reprints a report first published in 1934 by the Pennsylvania Historical Commission. Donald A. Cadzow, an archaeologist, surveyed the petroglyphs discovered on certain rocks in the lower Susquehanna River, between York County and Lancaster County. In addition, petroglyphs from other parts of the state are noted.










Native Americans in the Susquehanna River Valley, Past and Present


Book Description

This first volume in the new Stories of the Susquehanna Valley series describes the Native American presence in the Susquehanna River Valley, a key crossroads of the old Eastern Woodlands between the Great Lakes and the Chesapeake Bay in northern Appalachia. Combining archaeology, history, cultural anthropology, and the study of contemporary Native American issues, contributors describe what is known about the Native Americans from their earliest known presence in the valley to the contact era with Europeans. They also explore the subsequent consequences of that contact for Native peoples, including the removal, forced or voluntary, of many from the valley, in what became a chilling prototype for attempted genocide across the continent. Euro-American history asserted that there were no native people left in Pennsylvania (the center of the Susquehanna watershed) after the American Revolution. But with revived Native American cultural consciousness in the late twentieth century, Pennsylvanians of native ancestry began to take pride in and reclaim their heritage. This book also tells their stories, including efforts to revive Native cultures in the watershed, and Native perspectives on its ecological restoration. While focused on the Susquehanna River Valley, this collection also discusses topics of national significance for Native Americans and those interested in their cultures.




The Rock-Art of Eastern North America


Book Description

Showcases the wealth of new research on sacred imagery found in twelve states and four Canadian provinces In archaeology, rock-art—any long-lasting marking made on a natural surface—is similar to material culture (pottery and tools) because it provides a record of human activity and ideology at that site. Petroglyphs, pictographs, and dendroglyphs (tree carvings) have been discovered and recorded throughout the eastern woodlands of North America on boulders, bluffs, and trees, in caves and in rock shelters. These cultural remnants scattered on the landscape can tell us much about the belief systems of the inhabitants that left them behind. The Rock-Art of Eastern North America brings together 20 papers from recent research at sites in eastern North America, where humidity and the actions of weather, including acid rain, can be very damaging over time. Contributors to this volume range from professional archaeologists and art historians to avocational archaeologists, including a surgeon, a lawyer, two photographers, and an aerospace engineer. They present information, drawings, and photographs of sites ranging from the Seven Sacred Stones in Iowa to the Bald Friar Petroglyphs of Maryland and from the Lincoln Rise Site in Tennessee to the Nisula Site in Quebec. Discussions of the significance of artist gender, the relationship of rock-art to mortuary caves, and the suggestive link to the peopling of the continent are particularly notable contributions. Discussions include the history, ethnography, recording methods, dating, and analysis of the subject sites and integrate these with the known archaeological data.




Rock Art in an Indigenous Landscape


Book Description

"Examines a host of rock art sites from Nova Scotia to Maryland"--







Making Pictures in Stone


Book Description

A full range of rock art appearances, including dendroglyphs, pictographs, and a selection of portable rock objects The Indians of northeastern North America are known to us primarily through reports and descriptions written by European explorers, clergy, and settlers, and through archaeological evidence. An additional invaluable source of information is the interpretation of rock art images and their relationship to native peoples for recording practical matters or information, as expressions of their legends and spiritual traditions, or as simple doodling or graffiti. The images in this book connect us directly to the Indian peoples of the Northeast, mainly Algonkian tribes inhabiting eastern Pennsylvania, Maryland and the lower Potomac River Valley, New York, New Jersey, the six New EnglandStates, and Atlantic Canada. Lenik provides a full range of rock art appearances in the study area, including some dendroglyphs, pictographs, and a selection of portable rock objects. By providing a full analysis and synthesis of the data, including the types and distribution of the glyphs, and interpretations of their meaning to the native peoples, Lenik reveals a wealth of new information on the culture and lifeways of the Indians of the Northeast.




Middle Atlantic Prehistory


Book Description

Regional identities and practices are often debated in American archaeology, but Middle Atlantic prehistorians have largely refrained from such discussions, focusing instead on creating chronologies and studying socio-political evolution from the perspective of sub-regions. What is Middle Atlantic prehistoric archaeology? What are the questions and methods that identify our practice in this region or connect research in our region to larger anthropological themes? Middle Atlantic Prehistory: Foundations and Practice provides a basic survey of Middle Atlantic prehistoric archaeology and serves as an important reference for situating the development of Middle Atlantic prehistoric archaeology within the present context of culture area studies. This edited volume is a regional, historic overview of important themes, topics, and approaches in Middle Atlantic prehistory; covering major practical and theoretical debates and controversies in the region and in the discipline. Each chapter is holistic in its review of the historical development of a particular theme, in evaluating its contributions to current scholarship, and in proposing future directions for productive scholarly work. Contributing authors represent the full range of professional practice in archaeology and include university professors, cultural resources professionals, government regulatory/review archaeologists and museums curators with many years of practical and theoretical immersion in his/her chapter topic, and is highly regarded in the discipline and in the region for their expertise. Middle Atlantic Prehistory provides a much-needed synthesis and historical overview for academic and cultural resource archaeologists and independent scholars working in the Middle Atlantic region in particular.