Inform


Book Description




Lost Virginia


Book Description

Literally hundreds of Virginia buildings of architectural or historical interest have vanished. Most were demolished or burned, while others were abandoned as populations and needs shifted. The consequence is that important models of architectural accomplishment and key symbols of human aspiration and achievement have disappeared and are largely forgotten. Lost Virginia is an effort to document and reconstruct the appearance of Virginia architecture in earlier times, when the nation's destiny and history were intimately tied to the Old Dominion's landscape and buildings. It seeks to recover, at least on paper, an impression of our lost architectural heritage. Organized into categories of domestic, civic, religious, and commercial buildings, the more than three hundred vanished structures illustrated within include slave pens in Alexandria, George Washington's singular sixteen-sided barn, a one-room schoolhouse in Greene County, and the 18th-century Valley homes--long mistaken for forts--of German-speaking settlers. Soldiers in both blue and gray tramped by the now-lost Rockingham County courthouse, and a cathedral-like federal post office in Roanoke joins Rockbridge County's fantastic Alleghany Hotel on the list of exceptional but short-lived buildings. Also documented are creations like Frank Lloyd Wright's Larkin Company Pavilion, destroyed just months after it had been erected for the Jamestown Tercentennial Exhibition, and the Thomas Jefferson-designed Barboursville in Orange County. --jacket.




African American Historic Places


Book Description

Culled from the records of the National Register of Historic Places, a roster of all types of significant properties across the United States, African American Historic Places includes over 800 places in 42 states and two U.S. territories that have played a role in black American history. Banks, cemeteries, clubs, colleges, forts, homes, hospitals, schools, and shops are but a few of the types of sites explored in this volume, which is an invaluable reference guide for researchers, historians, preservationists, and anyone interested in African American culture. Also included are eight insightful essays on the African American experience, from migration to the role of women, from the Harlem Renaissance to the Civil Rights Movement. The authors represent academia, museums, historic preservation, and politics, and utilize the listed properties to vividly illustrate the role of communities and women, the forces of migration, the influence of the arts and heritage preservation, and the struggles for freedom and civil rights. Together they lead to a better understanding of the contributions of African Americans to American history. They illustrate the events and people, the designs and achievements that define African American history. And they pay powerful tribute to the spirit of black America.




Time Before History


Book Description

Describes the state's prehistory and archaeological discoveries




Walkable City


Book Description

Presents a plan for American cities that focuses on making downtowns walkable and less attractive to drivers through smart growth and sustainable design




Victorian Cottage Residences


Book Description

This incredibly rich, firsthand source for the most popular styles of 19th-century Victorian architecture presents 26 cottage designs — including Gothic, bracketed, Italianate, "rustic," more — and 155 illustrations (includes floor plans).




Back of the Big House


Book Description

Back of the Big House: The Architecture of Plantation Slavery




The American Builder's Companion


Book Description

The New England architect's work which provides instructions and designs for houses and churches as well as interiors




The Carnage was Fearful


Book Description

“Profusely illustrated . . . an extraordinary and detailed account of a major battle that is often overlooked and underappreciated by Civil War historians.” —Midwest Book Review In early August 1862, Confederate Maj. Gen. Stonewall Jackson took to the field with his Army of the Valley for one last fight—one that would also turn out to be his last independent command. Near the base of Cedar Mountain, in the midst of a blistering heat wave, outnumbered Federal infantry under Maj. Gen. Nathaniel Banks attacked Jackson’s army as it marched toward Culpeper Court House. A violent three-hour battle erupted, yielding more than 3,600 casualties. “The carnage was fearful,” one observer wrote. The unexpected Federal aggressiveness nearly won the day. Jackson, attempting to rally his men, drew his sword—only to find it so rusted, it would not come unsheathed. “Jackson is with you!” he cried, brandishing the sword still in its scabbard. The tide of battle turned—and the resulting victory added to Stonewall’s mystique. Civil War history typically breezes by the battle of Cedar Mountain, moving quickly from the Seven Days’ Battles into the Second Bull Run Campaign, but the stand-alone battle at Cedar Mountain had major implications. It saw the emergence of the Federal cavalry as an effective intelligence collector and screening force. It also provided Confederate Maj. Gen. A.P. Hill’s first opportunity to save the day—and his first opportunity to raise Jackson’s ire. Within the Federal Army, the aftermath of the battle escalated the infighting among generals and led to recriminations and finger-pointing over why the battle was even fought. Some called it outright murder. Most importantly, the Federal defeat at Cedar Mountain halted an advance into central Virginia and provided the commander of the Army of Northern Virginia, Gen. Robert E. Lee, an opportunity to take the fight away from Richmond and toward Washington. For years, Michael Block has been deeply involved in developing interpretation for the Cedar Mountain battlefield. The Carnage was Fearful presents the battle with the full boots-on-the-ground insight Block has earned while walking the ground and bringing its story to life.




Sketches of Pitt County


Book Description

These sketches are the result of years of inquiry, research and compilation intended to give such traditions and facts as could be had from reliable sources and records. The demand for sketches of many of Pitt's prominent men made necessary the addition of a second part. Advertisements were necessary from a financial standpoint and are included in the back, separate and apart.