The Philosophy of Software


Book Description

This book is a critical introduction to code and software that develops an understanding of its social and philosophical implications in the digital age. Written specifically for people interested in the subject from a non-technical background, the book provides a lively and interesting analysis of these new media forms.




The Phenomenology of Virtual Technology


Book Description

The digital age we now live in is fundamentally changing how we relate to our perceptions and images. Daniel O'Shiel provides the first comprehensive phenomenology of virtual technology in order to show how the previously well-established experiential lines and structures between three basic categories of phenomenal experience – our everyday perceptions of reality; our everyday fantasies of irreality; and our everyday engagements with external images, not least digital ones – are becoming blurred, inverted or are even collapsing in a new era where a specific type of virtuality is coming to the fore. O'Shiel examines in depth just what this means for the phenomenology behind it, as well as the concrete practical consequences going forward. The work is divided into two main parts. In the first O'Shiel fully investigates the phenomenological natures of perception and imagination through close textual analyses of the relevant works by Edmund Husserl, Eugen Fink and Jean-Paul Sartre. In each phenomenologist perception and imagination are ultimately seen as different in kind, although the dividing line differs, especially with reference to a middle category of 'image-consciousness' (Bildbewusstsein). This first part argues for basic phenomenological differences between perceptions; physical and external images; and more mental imagery, while also allowing for a more general gradation between them. The second part then applies these theoretical findings to some of the most influential 'virtual technologies' today – social media; online gaming; and some virtual, augmented and mixed reality technologies – in order to show how previously clear categories of real and irreal, present and absent, genuine and fake, and even true and false, are becoming less so.




Michael Eldred on the Digital Age: Challenges for Today's Thinking


Book Description

This little book takes on a series of questions posed by M.G. Michael and Katina Michael. The responses are not conclusive, but rather intended to make the profound challenges presented by the Digital Age visible. These include: How does consciousness differ from psyche? What is the relationship between Artificial Intelligence and the mind? How are visions of transhumanism to be assessed? Why is it important to distinguish between 'what' and 'who'? Who are we to become in the cyberworld? How do the cyberworld and the gainful game of capitalism intermesh? Are ubiquitous surveillance, Überveillance and the loss of privacy inevitable in the Digital Age? Are questions of ethics questions of power? It is commonplace to say that today we are living in the Digital Age. This period is characterized by the advent of the cyberworld that is populated by bit-strings of data being processed by algorithms. Algorithms themselves are also nothing other than bit-strings composed of binary digits, i.e., zeroes and ones. The result is a third bit-string that triggers an effect either within the cyberworld or outside, in our old, familiar, physical world. The effect could be to send off an e-mail from one electronic server to the digital address of another, a receiving electronic server. Or it could be the command to launch a deadly missile into the sky. The elementary processing unit at the very core of the cyberworld is the Universal Turing Machine that has algorithms copulate with digital data to produce effective offspring. Such a machine does not exist anywhere as a real, physical thing but is 'merely' an idea, a mathematical idea that has turned out to be immensely powerful. This idea of a cyberworld inhabited by Universal Turing Machines has materialized within a very few decades to make a digital world with which we have to contend every day. For the algorithms now rule our lives. They enable us to do many things, and prevent us just as much from doing other things. Wrongly coded algorithms can wreak havoc in people's lives. Other algorithms enable life-saving surgery to be performed with hitherto unknown precision. So is it just a matter of weighing up the pros and cons of what the cyberworld has to offer us? Or are we challenged to think more deeply about just what this cyberworld is and what is driving it? Techniques and technologies have been known for millennia all over the world, but the idea of what technology is was interrogated by Greek philosophy. The very conception of what is understood in the West as knowledge is tied to and intimately interwoven with how the Greeks understood technology, the art of making things: A skilful power, the know-how, acts upon material to produce an effect. Technology is effective! This is seemingly a trivial observation hardly worth mentioning. But what seems trivial is the hallmark of philosophical questions that open up abysses for the mind to fathom. What lies hidden behind the idea of effective knowledge is the unbounded will to power over every conceivable kind of movement and change. Is the cyberworld that is today increasingly encroaching upon and becoming a surrogate for the physical world in countless ways the consummation of this absolute, effective will to power over movement? Are the algorithms the digital encoding of an understanding of one sort of movement that is outsourced from our mind to the cyberworld to produce effects, to steer movements, for better or for worse? Are the algorithms the digitization of our logical understanding in which the logos itself has been encoded as a digital bit-string and now operates autonomously out there in the cyberworld, only seemingly still under our control?




Digital Phenomenology


Book Description

Digital Phenomenology is a report on the philosophical theory of everything. From the first principle, digital philosophy and post-Keynesian economics are proved. The report is technical and aimed toward philosophers, mathematicians, computer scientists, physicists, economists, and political scientists.




The Oxford Handbook of Phenomenologies and Organization Studies


Book Description

Phenomenological approaches to Management and Organization Studies offer a means to problematize 'appearances' in the field, allowing us to 'see' things in a different light and uncover what is hidden from our consideration by our theoretical or ideological assumptions. This handbook aims at showing the unexpected richness and diversity of phenomenological and post-phenomenological thinkers such as Husserl, Heidegger, Merleau-Ponty, Arendt, or Scheler, as well as others belonging to the French new phenomenology (Marion, Henry) or the German neo-phenomenology (Schmitz). It also details the contributions of thinkers like Bachelard, Deleuze, or Foucault whose inscription and departures from phenomenology are illuminated. In this process, phenomenologies are historically, critically, and openly discussed by leading scholars while highlighting the interweaving between phenomenologies and other streams such as process studies or critical perspectives. Beyond a theoretical description, the chapters also show how phenomenologies and post-phenomenologies can help management and organization scholars and students to understand a huge variety of contemporary phenomena such as distributed collective activity, artificial intelligence, digitalization of organizational processes, remote work, financial markets and financial instruments, entrepreneurial events, cinematographic organizing of social media, issues of place and emplacement, commons and communalization processes and questions of embodiment and disembodiment at work.




Folk Phenomenology


Book Description

Folk is an analog foundation in a digital world. Phenomenology is a big word about a small, impossible task: trying to imagine the real. This book describes this task in relation to its foundation. Most of all, Folk Phenomenology is a defense of the integrity and sufficiency of art--thinking, feeling, living, dying. In short, being in love. .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }




French Philosophy of Technology


Book Description

Offering an overall insight into the French tradition of philosophy of technology, this volume is meant to make French-speaking contributions more accessible to the international philosophical community. The first section, “Negotiating a Cultural Heritage,” presents a number of leading 20th century philosophical figures (from Bergson and Canguilhem to Simondon, Dagognet or Ellul) and intellectual movements (from Personalism to French Cybernetics and political ecology) that help shape philosophy of technology in the Francophone area, and feed into contemporary debates (ecology of technology, politics of technology, game studies). The second section, “Coining and Reconfiguring Technoscience,” traces the genealogy of this controversial concept and discusses its meanings and relevance. A third section, “Revisiting Anthropological Categories,” focuses on the relationships of technology with the natural and the human worlds from various perspectives that include anthropotechnology, Anthropocene, technological and vital norms and temporalities. The final section, “Innovating in Ethics, Design and Aesthetics,” brings together contributions that draw on various French traditions to afford fresh insights on ethics of technology, philosophy of design, techno-aesthetics and digital studies. The contributions in this volume are vivid and rich in original approaches that can spur exchanges and debates with other philosophical traditions.




Toward a Phenomenology of Terrorism


Book Description

This book examines the socio-psychological dynamics and drivers of terrorism from a humanistic perspective. Most interpret terrorism as meaningless, asocial violence but this book argues that it's not just a case of seeing 'who is killing whom' but that defining and understanding terrorism is configured by historical context and immediate experience. The author argues that these acts of terrorist violence can be interpreted as the external expression of repressed feelings and impulses that have been tabooized by mainstream society. Upon release, these terrorists gain a new 'nomos' which generates a sense of meaning and significance for them. This book draws on psycho-analytical theories of repression, Heideggerian existentialism, Berger’s anthropological concept of culture as ‘nomos’, and Roger Griffin’s analysis of terrorist fanaticism, adding to the understanding terrorism and criminality from a new perspective and beyond the usual literature situated in political science, security/war and peace studies. This book seeks to provide: a definition of terrorism, an account of the psychological theory, an explanation of the nomic dimension of terroristic violence, an exploration of the relevance of the new approach to understanding: Salafi jihadism, Al-Qaeda, Islamic State, the Taliban, White Supremacism, the rise of the Radical Right, and reflections on this for combating terrorism. It appeals to those interested in terrorism, conflict, terrorist radicalization and motivation, international relations, politics and religious politics, and to counter-terrorism agencies.




The Phenomenology of Real and Virtual Places


Book Description

This collection of essays explores the history, implications, and usefulness of phenomenology for the study of real and virtual places. While the influence of phenomenology on architecture and urban design has been widely acknowledged, its effect on the design of virtual places and environments has yet to be exposed to critical reflection. These essays from philosophers, cultural geographers, designers, architects, and archaeologists advance the connection between phenomenology and the study of place. The book features historical interpretations on this topic, as well as context-specific and place-centric applications that will appeal to a wide range of scholars across disciplinary boundaries. The ultimate aim of this book is to provide more helpful and precise definitions of phenomenology that shed light on its growth as a philosophical framework and on its development in other disciplines concerned with the experience of place.




Phenomenology, Modernism and Beyond


Book Description

From the first stirrings of modernism to contemporary poetics, the modernist aesthetic project could be described as a form of phenomenological reduction that attempts to return to the invisible and unsayable foundations of human perception and expression, prior to objective points of view and scientific notions. It is this aspect of modernism that this book brings to the fore. The essays presented here bring into focus the contemporary face of ongoing debates about phenomenology and modernism. The contributors forcefully underline the intertwining of modernism and phenomenology and the extent to which the latter offers a clue to the former. The book presents the viewpoints of a range of internationally distinguished critics and scholars, with diverse but closely related essays covering a wide range of fields, including literature, architecture, philosophy and musicology. The collection addresses critical questions regarding the relationship between phenomenology and modernism, with reference to thinkers such as Edmund Husserl, Maurice Merleau-Ponty, Martin Heidegger, Michel Henry and Paul Ricoeur. By examining the contemporary philosophical debates, this cross-disciplinary body of research reveals the pervasive and far-reaching influence of phenomenology, which emerges as a heuristic method to articulate modernist aesthetic concerns.