Phenomenology, Geometry and Vision


Book Description

The aim of this book is to establish that Merleau Ponty's objections to classical theories of perception, as represented by Descartes and Berkely, are valid and to lend further support to these objections by providing an analysis of the theories themselves using Merleau Ponty's objections as a framework. In so far as the book focuses on Merleau Ponty, it does so by extracting from his phenomenological critique, a series of arguments which, it is contested, succeed in casting serious doubt on the soundness of classical theories of perception. The book is primarily intended to introduce analytic philosophers to phenomenology as an analytical and critical tool in the understanding of perception. The main conclusion of the book is that classical theories of perception cannot account for the phenomenon of perception.




The Geometry of Vision and the Mind Body Problem


Book Description

This book focuses on the philosophy of perception with particular emphasis on the geometry of phenomenal visual space and mind body issues concerning the relationships between that space and neural activity in the brain. The contents include a detailed attack on naive realism and a defense of the causal theory of perception, along with analyses of both the topology and metric structure of visual space. It is shown how a variable curvature geometry for visual space can account for phenomenal visual depth perception, and an extension of that analysis is given to the other sense systems. The final chapter defends the claim that the conscious mind is a spatial entity, but still questions whether a physicalist reduction can be made of it to activity in the brain.




Vision Science


Book Description

This textbook on vision reflects the integrated computational approach of modern research scientists, combining psychological, computational and neuroscientific perspectives.




The Handbook of Visual Culture


Book Description

Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, the Handbook is responsive to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art. The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject.




Interpreting Visual Culture


Book Description

Ranging from an analysis of the role of vision in current critical discourse to discussion of examples taken from the visual arts, ethics and sociology, this collection presents material on the interpretation of the visual in modern culture




Phenomenology, Logic, and the Philosophy of Mathematics


Book Description

In this 2005 book, logic, mathematical knowledge and objects are explored alongside reason and intuition in the exact sciences.




Husserl at the Limits of Phenomenology


Book Description

Combining Maurice Merleau-Ponty's 1960 course notes on Edmund Husserl's "The Origin of Geometry," his course summary, related texts, and critical essays, this collection offers a unique and welcome glimpse into both Merleau-Ponty's nuanced reading of Husserl's famed late writings and his persistent effort to track the very genesis of truth through the incarnate idealization of language.




Elements of Neurogeometry


Book Description

This book describes several mathematical models of the primary visual cortex, referring them to a vast ensemble of experimental data and putting forward an original geometrical model for its functional architecture, that is, the highly specific organization of its neural connections. The book spells out the geometrical algorithms implemented by this functional architecture, or put another way, the “neurogeometry” immanent in visual perception. Focusing on the neural origins of our spatial representations, it demonstrates three things: firstly, the way the visual neurons filter the optical signal is closely related to a wavelet analysis; secondly, the contact structure of the 1-jets of the curves in the plane (the retinal plane here) is implemented by the cortical functional architecture; and lastly, the visual algorithms for integrating contours from what may be rather incomplete sensory data can be modelled by the sub-Riemannian geometry associated with this contact structure. As such, it provides readers with the first systematic interpretation of a number of important neurophysiological observations in a well-defined mathematical framework. The book’s neuromathematical exploration appeals to graduate students and researchers in integrative-functional-cognitive neuroscience with a good mathematical background, as well as those in applied mathematics with an interest in neurophysiology.




Neuromathematics of Vision


Book Description

This book is devoted to the study of the functional architecture of the visual cortex. Its geometrical structure is the differential geometry of the connectivity between neural cells. This connectivity is building and shaping the hidden brain structures underlying visual perception. The story of the problem runs over the last 30 years, since the discovery of Hubel and Wiesel of the modular structure of the primary visual cortex, and slowly cams towards a theoretical understanding of the experimental data on what we now know as functional architecture of the primary visual cortex. Experimental data comes from several domains: neurophysiology, phenomenology of perception and neurocognitive imaging. Imaging techniques like functional MRI and diffusion tensor MRI allow to deepen the study of cortical structures. Due to this variety of experimental data, neuromathematematics deals with modelling both cortical structures and perceptual spaces. From the mathematical point of view, neuromathematical call for new instruments of pure mathematics: sub-Riemannian geometry models horizontal connectivity, harmonic analysis in non commutative groups allows to understand pinwheels structure, as well as non-linear dimensionality reduction is at the base of many neural morphologies and possibly of the emergence of perceptual units. But at the center of the neurogeometry is the problem of harmonizing contemporary mathematical instruments with neurophysiological findings and phenomenological experiments in an unitary science of vision. The contributions to this book come from the very founders of the discipline.




Claes Oldenburg's Theater of Vision


Book Description

In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg’s poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg’s art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961–62), effectively setting in place a reexamination of Oldenburg’s pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory.