Library of Congress Catalog


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A cumulative list of works represented by Library of Congress printed cards.







National Union Catalog


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Includes entries for maps and atlases.










The New York Glee Book


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Naaman-Zwillingsbrüder


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Civilising the Colonies


Book Description

The history of opera in Australia is often considered to date from the arrival of the impresario W. S. Lyster in 1861 yet, as Alison Gyger shows in this book, regular opera performances in Australia began much earlier. Starting in the 1830s, Gyger takes us through the full range of performances showing how each of the early decades had its own distinctive character. In the 1830s, English operas predominated, while the following decade saw the arrival of some Italian operas which were performed in English. It was not until the 1850s that, with the arrival of overseas stars, Italian operas were sung in Italian in Australian theatres. In the second half of the book, Gyger also looks in detail at the period from Lyster's arrival in 1861 through to the 1880s. The detailed wealth of information which the author has assembled from the major newspapers of the day, challenges the conventional picture of the beginnings of opera in Australia.




Gustav Mahler--Richard Strauss


Book Description

Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911—the year of the first performance of Der Rosenkavalier—they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting. This first publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies. The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf. "Unfailingly absorbing. . . . An indispensable addition to the literature on these composers."—Norman Del Mar, Times Literary Supplement