Philippine Social Realists


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Protest/revolutionary Art in the Philippines, 1970-1990


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A valuable resource for students of art and art history, this book is the fruit of two decades of research and association with social realists and other protest and in revolutionary artists. Guillermo goes back to the origins of protest art in the 19th century and pursues it to its full flourishing in the Marcos regime and its variations during the Aquino administration. It also projects the trajectory of art into the future as new issues emerge to engage the political artist.




Legaspi


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Realism in Asia


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What is the place of realism in Asian art histories? What is the ‘real’? How do reality and realism relate and differ? The six essays in the present volume explore the manifestations of realism in Asian art, relating this art of description to issues of colonialism, world and civil wars, nation building, religion and contemporary culture in Asia.




Japanese Pan-Asianism and the Philippines from the Late Nineteenth Century to the End of World War II


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In Japanese Pan-Asianism and the Philippines from the Late 19th Century to the End of World War II – Going to the Philippines Is Like Coming Home? Sven Matthiessen examines the development of Japanese Pan-Asianism and the perception of the Philippines within this ideology. Due to the archipelago’s previous colonisation by Spain and the US the Philippines was a special case among the Japanese occupied territories during the war. Matthiessen convincingly proves that the widespread pro-Americanism among the Philippine population made it impossible for Japanese administrators to implement a pan-Asianist ideology that centred on a 'return to Asian values'. The expectation among some Japanese Pan-Asianists that ‘going to the Philippines was like coming home’ was never fulfilled.




Acquiring Eyes


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Acquiring Eyes directs incisive but at the same time admiring attention to H. R. Ocampo, Lino Brocka, Ishmael Bernal, and Emmanuel Garibay--four masters, the original and complex visuality of whose genre-specific efforts to parlay Philippine social dynamics into visual practices of engagement, struggle, and transcendence have produced for each of them a much-deserved and committed local following.




Foundation of Education II


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Laboratory Life


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This highly original work presents laboratory science in a deliberately skeptical way: as an anthropological approach to the culture of the scientist. Drawing on recent work in literary criticism, the authors study how the social world of the laboratory produces papers and other "texts,"' and how the scientific vision of reality becomes that set of statements considered, for the time being, too expensive to change. The book is based on field work done by Bruno Latour in Roger Guillemin's laboratory at the Salk Institute and provides an important link between the sociology of modern sciences and laboratory studies in the history of science.




Creating a Democratic Public


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During America's Progressive Era at the beginning of the twentieth century, democracy was more alive than it is today. Social activists and intellectuals of that era formed institutions where citizens educated themselves about pressing issues and public matters. While these efforts at democratic participation have largely been forgotten, their rediscovery may represent our best hope for resolving the current crisis of democracy in the United States. Mattson explores the work of early activists like Charles Zueblin, who tried to advance adult education at the University of Chicago, and Frederic Howe, whose People's Institute sparked the nationwide forum movement. He then turns to the social centers movement, which began in Rochester, New York, in 1907 with the opening of public schools to adults in the evening as centers for debate over current issues. Mattson tells how this simple program grew into a national phenomenon and cites its achievements and political ideals, and he analyzes the political thought of activists within the movement&—notably Mary Parker Follett and Edward Ward&—to show that these intellectuals had a profound understanding of what was needed to create vigorous democratic practices. Creating a Democratic Public challenges us to reconsider how we think about democracy by bringing us into critical dialogue with the past and exploring the work of yesterday's activists. Combining historical analysis, political theory, and social criticism, Mattson analyzes experiments in grassroots democracy from the Progressive Era and explores how we might foster more public involvement in political deliberation today.