Philly and Kit


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Philly and Kit


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This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!




Philly and Kit


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The P.I.


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Private investigator-slash-crime writer Kit Angelis is closingup shop when trouble walks in. Blond, as usual—the sexysleuth's favorite flavor. But this damsel really is in distress: covered in blood, she'scarrying a wedding dress, a bagful of cash, a recently firedhandgun and Kit's card. And she can't remember a thing…. Suddenly Kit is embroiled in a deadlymystery—and the key is this sultry stranger. She might be a killer. Or she might be totally innocent. All Kit is sure of is that this woman is going to be the hottestthing that ever happened to him….




Godey's Lady's Book


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The Criterion


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It's Always Sunny in Philadelphia Kit


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The officialIt's Always Sunny in Philadelphia™ Kitis here! A must-have for fans who want to liveSunny-style, this kit includes: Paddy's Pub shot glass Paddy's Pub bottle opener Birds of War and Wildcard magnets 48-page full-color mini book It's Always Sunny in Philadelphia,™ & © 2011 FX Networks, LLC.




The Ladies' Repository


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Woman's Fiction


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This reissue of the pioneering and standard book on antebellum women's domestic novels contains a new introduction situating the book in the context of important recent developments in the study of women's writing. Nina Baym considers 130 novels by 48 women, focusing on the works of a dozen especially productive and successful writers. Woman's Fiction is a major-work in nineteenth-century literature, reexamining changes in the literary canon and the meaning of sentimentalism, while responding to current critical discussions of 'the body' in literary texts. ''Informative and stimulating. . . . Nina Baym has undertaken a systematic analysis of that nineteenth-century American fiction normally dismissed as at best trivially sentimental. . . . Woman's Fiction offers a fresh perspective on a largely forgotten body of literature.'' -- American Literature''Perceives in the fiction of, by, and for women in the period stated a popular genre that made a particular kind of feminist avowal for the times, one that rejected the concept of helplessness and urged the application of intelligence and courage to trying situations. . . . Baym marshals ample supporting evidence from the outpouring of such fiction.'' - ALA Booklist




Potato People


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The book details the adventures of the eldest son of a working-class family from the urban Midwest who enters the army in the late 1960s and is transformed from a naive cowboy idolizer into a devious, larcenous, gun-carrying reprobate. He delves into the world of black market activities, prostitutes, drugs, and race relations and emerges a callous man for whom death is divided into two basic classes: bodies that are sent away and those that are dismissed as the impersonal enemy. Raised in an all-white environment and having had only one long-term exposure to a person of color, during a short period attending a seminary, he was taught to treat others fairly or to ignore them if their behavior warranted it. In the army, he encounters young men from every part of the country. Some require special treatment, while others introduce him to layers of the spectrum of life, which he did not know existed. He receives specialized training and, instead of being sent directly to Vietnam, is dispatched to Germany to participate in the Cold War in a very active manner. While in the army from 1967 to 1970, he wrote over five hundred letters, many to a girl with whom relations ended upon his return from Vietnam. She gave all the letters back, and they stayed on a shelf, waiting to fulfill the promise to someday write a book about the things that happened. His father also returned the letters that were written to him, which described the language used, the abuse suffered, and the status of race and homosexual relations, as well as the horrors of war, in no uncertain terms. The letters remained untouched for nearly fifty years, but he would sometimes recount an incident to friends or family, receiving in return an urging to write the stories for them. His older daughter chronologically organized the letters, while his other daughter edited the manuscript as it was being written. The idea to write this book, as well as its title, struck while joking with fellow GI’s in the barracks about someday telling the world that no one would believe the things they were doing in the name of serving their country. They would develop audacious pranks to outdo one another or minimalize a situation and just be glad to live another day. They often remarked about spending parents’ and grandparents’ tax money on atrocious wastes of effort and material. The military personnel during the late ’60s fit three distinct categories: juicers, heads, and straights. The first included men from every state, since almost everyone drank now and then. The second referred to the use of acid by some, while smokers and dopers fit right in. Lastly, there were some individuals who preferred not to get wasted by any means. Homosexuals and blacks could occupy any of the groups. The story details army life for a middle-class Midwest man who is introduced to conditions and concepts he had never imagined in Europe, then in the States, and finally in Vietnam. The intended audience is adult, mostly because of the language and the portrayal of man’s cruelty to man, while on the other hand, the book is both nostalgic as well as informative.