Book Description
This book is intended primarily for those who are active in photography or the photographic industry, who have had very little or no formal training in chemistry, physics, or photographic theory.
Author : George T. Eaton
Publisher :
Page : 128 pages
File Size : 19,18 MB
Release : 1986
Category : Photographic chemistry
ISBN : 9780685102824
This book is intended primarily for those who are active in photography or the photographic industry, who have had very little or no formal training in chemistry, physics, or photographic theory.
Author : George T. Eaton
Publisher :
Page : 136 pages
File Size : 48,38 MB
Release : 1965
Category : Photographic chemistry
ISBN :
Author : Constance McCabe
Publisher : American Institute for Conservation of Historic & Artistic W
Page : 392 pages
File Size : 11,43 MB
Release : 2005
Category : Photography
ISBN :
Author : Richard Benson
Publisher : The Museum of Modern Art
Page : 352 pages
File Size : 10,35 MB
Release : 2008
Category : Art
ISBN : 9780870707216
Relief printing : woodcut, metal type, and wood engraving -- Intaglio and planographic printing : engraving, etching, mezzotint, and lithography -- Color printing : hand coloring and multiple-impression color -- Bits and pieces : modern art prints, oddities, and photographic precursors -- Early photography in silver : daguerreotypes, early silver paper processes and tintypes -- Non-silver processes : carbon, blueprint, platinum, and a couple of others -- Modern photography : developing-out gelatin silver printing -- Color notes : primary colors and neutrality -- Color photography : separation-based processes and chromogenic prints -- Photography in ink : relief and intaglio printing : the letterpress halftone and gravure printing -- Photography in ink : planographic printing : collotype and photo offset lithography -- Digital processes : binary issues, inkjet, dye sublimation, and digital C-prints -- Where do we go from here? : some questions about the future
Author : Bettina Gockel
Publisher : de Gruyter
Page : 152 pages
File Size : 32,53 MB
Release : 2019-08-15
Category : Photography
ISBN : 9783110650280
The Colors of Photography aims to provide a deeper understanding of what color is in the field of photography. Until today, color photography has marked the "here and now," while black and white photographs have been linked to our image of history and have formed our collective memory. However, such general dichotomies start to crumble when considering the aesthetic, cultural, and political complexity of color in photography. With essays by Charlotte Cotton, Bettina Gockel, Tanya Sheehan, Blake Stimson, Kim Timby, Kelley Wilder, Deborah Willis. Photographic contributions by Hans Danuser and Raymond Meier.
Author : Shinsaku Fujita
Publisher : Springer Science & Business Media
Page : 591 pages
File Size : 44,1 MB
Release : 2013-03-09
Category : Photography
ISBN : 3662091305
In conventional color photography, spectral sensitizers cooperate with silver halide as acceptors of light during the exposure process, color developers reduce silver halide grains during the developing process, and finally the resulting oxidized developers react with couplers to form imaging dyes. Instant color photography gives us an alternative way of realizing excellent color reproduction, in which dyes changing their diffusibility play an important role. The aim of this book is to provide researchers and graduate students with a perspective on how such organic compounds work in color photography and how seemingly miraculous techniques based on organic chemistry lead to color images of high quality. The readers will acquire the philosophy and learn from hints on how to develop functionalized organic compounds.
Author : Henry Gilmer Wilhelm
Publisher :
Page : 762 pages
File Size : 11,9 MB
Release : 1993
Category : Photography
ISBN :
Reference source for the care and preservation of photographs and motion picture film. Evaluates the light fading and dark fading/yellowing characteristics of color transparency films, color negative films, and color photographic papers, with recommendations for the longest-lasting products. High-resolution ink jet, dye sublimation, color electrophotographic, and other digital imaging technologies are discussed, as are conservation matting, mount boards, framing, slide pages, negative and print enclosures, storage boxes, densitometric monitoring of black-and-white and color prints in museum and archive collections, the care of color slide collections, the permanent preservation of color motion pictures, the preservation of cellulose nitrate films, and many other topics.
Author : Tim Rudman
Publisher :
Page : 212 pages
File Size : 29,37 MB
Release : 2003
Category : Photography
ISBN :
Covers a wide variety of toning techniques for both amateurs and experienced pros.
Author : Debra Hess Norris
Publisher : Getty Publications
Page : 754 pages
File Size : 45,59 MB
Release : 2010
Category : Art
ISBN : 1606060007
This is an authoritative and insightful survey of the evolving field of photograph conservation. This volume is the first publication to chronicle the emergence and systematic development of photograph conservation as a profession.
Author : Gregg Mitman
Publisher : University of Chicago Press
Page : 292 pages
File Size : 13,52 MB
Release : 2016-12-20
Category : History
ISBN : 022612911X
Imagine the twentieth century without photography and film. Its history would be absent of images that defined historical moments and generations. Today such a history feels insubstantial and imprecise, even unscientific. And yet photographic technology was not always a necessary precondition for the accurate documentation of history. The documentary impulse that emerged in the late nineteenth century combined the power of science and industry with a particularly utopian (and often imperialistic) belief in the capacity of photography and film to capture the world visually, order it, and render it useful for future generations. This book is about the material and social life of photographs and films made in the scientific quest to document the world. It explores their creation and production as well as the collecting practices of librarians, archivists, and corporations. Together, the chapters of Documenting the World call into question the canonical qualities of the authored, the singular, and the valuable image, and transgress the divides separating the still photograph and the moving image, as well as the analogue and the digital. They also definitively overturn the traditional role of photographs and films in historical studies as passive illustrations.