Photographic


Book Description

This young adult graphic biography follows the life of one of Mexico’s greatest living photographers, Graciela Iturbide, as she makes her way from Mexico City to the Sonoran Desert, Los Angeles, India, and beyond. The kaleidoscopic narrative offers deep insight into the path of a young photographer from an early tragedy to great fame. Renowned Mexican photographer Graciela Iturbide was born in Mexico City in 1942, the oldest of thirteen children. When tragedy strikes Graciela as a young mother, she turns to photography for solace and understanding. From then on Graciela embarks on a photographic journey that takes her throughout her native Mexico, from the Sonora Desert to Juchitán to Frida Kahlo’s bathroom, and then to the United States, India, and beyond. Photographic is a symbolic, poetic, and deeply personal graphic biography of this iconic photographer. Graciela’s journey will excite young adults and budding photographers, who will be inspired by her resolve, talent, and curiosity. Ages twelve and up




Photo-textualities


Book Description

"This anthology investigates books that juxtapose photographs and written language (photo-texts), considering a variety of examples from America, Britain, Canada, and France. Ranging from Nathaniel Hawthorne's The Marble Faun to Michael Ondaatje's postmodern novel Coming Through Slaughter and Edward Said's postdocumentary After the Last Sky, the contributors' analyses address photo-textuality's implications for representation and its cultural contexts. A truly interdisciplinary collection, Photo-Textualities features contributors who work in literary studies (English, romance languages), as well as contributors who work in media studies (film, graphic arts)." "Photo-Textualities invigorates critical inquiry with its range of literary and photographic genres, including photo-texts that elude genre classification. Besides documentary and biography, nonfiction literary genres include autobiography and travelogue. The range of photographic genres extends to landscapes, portraiture, documentary, tourist snapshots, and media images, as well as to the standard photo-textual forms of published album and photo-essay."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved







Literature & Photography Interactions, 1840-1990


Book Description

This remarkable book traces comprehensively for the first time the give and take between these sister arts by gathering writings about photography and photographs by and of writers from England, Europe, and the United States over the last century and a half.




Coatings on Photographs


Book Description




Touching Photographs


Book Description

Photography does more than simply represent the world. It acts in the world, connecting people to form relationships and shaping relationships to create communities. In this beautiful book, Margaret Olin explores photography’s ability to “touch” us through a series of essays that shed new light on photography’s role in the world. Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee’s Harlem funeral portraits, dusts off Roland Barthes’s family album, takes us into Walker Evans and James Agee’s photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history.




Good Pictures


Book Description

A picture-rich field guide to American photography, from daguerreotype to digital. We are all photographers now, with camera phones in hand and social media accounts at the ready. And we know which pictures we like. But what makes a "good picture"? And how could anyone think those old styles were actually good? Soft-focus yearbook photos from the '80s are now hopelessly—and happily—outdated, as are the low-angle portraits fashionable in the 1940s or the blank stares of the 1840s. From portraits to products, landscapes to food pics, Good Pictures proves that the history of photography is a history of changing styles. In a series of short, engaging essays, Kim Beil uncovers the origins of fifty photographic trends and investigates their original appeal, their decline, and sometimes their reuse by later generations of photographers. Drawing on a wealth of visual material, from vintage how-to manuals to magazine articles for working photographers, this full-color book illustrates the evolution of trends with hundreds of pictures made by amateurs, artists, and commercial photographers alike. Whether for selfies or sepia tones, the rules for good pictures are always shifting, reflecting new ways of thinking about ourselves and our place in the visual world.




On Photography


Book Description




Latinx Photography in the United States


Book Description

Whether at UFW picket lines in California’s Central Valley or capturing summertime street life in East Harlem Latinx photographers have documented fights for dignity and justice as well as the daily lives of ordinary people. Their powerful, innovative photographic art touches on family, identity, protest, borders, and other themes, including the experiences of immigration and marginalization common to many of their communities. Yet the work of these artists has largely been excluded from the documented history of photography in the United States. Through individual profiles of more than eighty photographers from the early history of the photographic medium to the present, Elizabeth Ferrer introduces readers to Latinx portraitists, photojournalists, and documentarians and their legacies. She traces the rise of a Latinx consciousness in photography in the 1960s and '70s and the growth of identity-based approaches in the 1980s and '90s. Ferrer argues that in many cases a shared sense of struggle has motivated photographers to work purposefully, driven by a deep sense of resistance, social and political commitments, and cultural affirmation, and she highlights the significance of family photos to their approaches and outlooks. Works range from documentary and street photography to narrative series to conceptual projects. Latinx Photography in the United States is the first book to offer a parallel history of photography, one that no longer lies at the margins but rather plays a crucial role in imagining and creating a broader, more inclusive American visual history.




Belgian Photographic Literature of the 19th Century. L’édition photographique belge au 19e siècle.


Book Description

First comprehensive and richly illustrated overview of historical Belgian photographic literature The development of photography from its roots in 19th-century science gradually transformed book illustration and the dissemination of images. This fully bilingual reference work presents a first comprehensive survey of Belgian photographic literature of the 19th century, both of illustrated books and of technical publications. It makes a major contribution to academic study in the field, with a corpus composed of 681 entries and, for each title, indicates locations of surviving copies in institutional collections in Belgium and elsewhere. An introductory essay plots the development of photographic publishing in Belgium, making full use of primary and secondary sources. An album of over eighty images draws on the rich iconography of early Belgian photographic literature, most reprinted here for the first time. Premier bilan complet et illustré de l’édition photographique belge au 19e siècle L’évolution de la photographie depuis ses origines dans les sciences du 19e siècle a transformé progressivement l’illustration du livre et la diffusion des images. Le présent ouvrage de référence, entièrement bilingue, a pour but de dresser un premier bilan complet de l’édition photographique belge au 19e siècle, tant iconographique que scientifique. Il constitue une importante contribution aux connaissances historiques dans le domaine et se compose d’un corpus de 681 notices, assorties chacune d’un recensement d’exemplaires localisés dans les collections publiques en Belgique comme ailleurs. Une introduction trace l’évolution de l’édition photographique belge, exploitant pleinement des sources primaires et secondaires. Un album de plus de quatre-vingts illustrations puise dans la riche iconographie des débuts de l’édition photographique belge ; la plupart sont reproduites ici pour la première fois.