Photography Off the Scale


Book Description

These essays address the epistemological, aesthetic and political implications of scale in both scholarly and artistic work. From the mass image in vernacular culture to transformations of photography in contexts of big data and artificial intelligence, they explore the massification of photography.




Photography


Book Description




Within the Frame


Book Description

Within the Frame is a book about finding and expressing your photographic vision, specifically where people, places, and cultures are concerned. A personal book full of real-world wisdom and incredible images, author David duChemin (of pixelatedimage.com) shows you both the how and the why of finding, chasing, and expressing your vision with a camera to your eye. Vision leads to passion, and passion is a cornerstone of great photography. With it, photographs draw the eye in and create an emotional experience. Without it, a photograph is often not worth—and can’t capture—a viewer’s attention. Both instructional and inspirational, Within the Frame helps you on your photographic journey to make better images of the places and people you love, whether they are around the world or in your own backyard. duChemin covers how to tell stories, and the technology and tools we have at our disposal in order to tell those narratives. Most importantly, he stresses the crucial theme of vision when it comes to photographing people, places, and cultures—and he helps you cultivate and find your own vision, and then fit it within the frame.










Handbook of Forensic Photography


Book Description

Handbook of Forensic Photography is the most-comprehensive, definitive reference for the use of photography in the capture and presentation of forensic evidence. The intent is to inform the reader about the most complete and up-to-date methods to capture and reproduce images that most accurately represent the evidence. With the rise in importance of forensic science, crime and accident scene documentation has likewise increased in importance—not the least of which has been forensic photography. The need to use accepted practice and protocols to guarantee the authenticity of images for evidence documentation is paramount for using it in court. And as with any discipline, there is an art to the science of forensic photography. Contributing authors from various backgrounds—each experts in their field—have provided numerous case examples, best practices, and recommendations for recognizing, recording, and preserving evidence using cameras and the latest digital image technology, including video and other imaging technologies. Chapters present such topics as videography, drone photography, underwater photography, crime scene photography, autopsy photographs, fire documentation, forensic odontology, and more. The book closes with coverage of courtroom displays, presenting imaging evidence and expert witness testimony in the courtroom. Handbook of Forensic Photography is a must-have reference for experienced crime scene photographers, death and crime scene investigators, police, and forensic professionals—including medical examiners, odontologists, engineers, and forensic anthropologists—who frequently need to capture investigative photographs in the course of investigations.




Platinum and Palladium Photographs


Book Description

The volume presents the results of a four-year inter-institutional, interdisciplinary research initiative led and organized by the National Gallery of Art. Contributions by 47 leading photograph conservators, scientists, and historians provide detailed examinations of the chemical, material, and aesthetic qualities of this important class of rare, beautiful, and technically complex photographs. The volume will help those who care for photograph collections gain a thorough appreciation of the technical and aesthetic characteristics of platinum and palladium prints and scientific basis for their preservation.




American Photography


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The Photography of Nature & The Nature of Photography


Book Description

Fontcuberta's photography is itself about photographys own workings, and with each series he challenges the audience's trust in the veracity of the medium and its function as a system of representation. Confronting our anxieties about that system, Fontcuberta's careful fabrications are laced with clues and inconsistencies - the photographer himself even appears, disguised as Hans von Kubert or Joan Fontana.