Photography’s Last Century


Book Description

Beginning with Paul Strand’s landmark From the Viaduct in 1916 and continuing through the present day, Photography’s Last Century examines defining moments in the history of the medium. Featuring nearly 100 masterworks from one of the most important private holdings of photography, the book includes works by Diane Arbus, Richard Avedon, Walker Evans, László Moholy-Nagy, Man Ray, and Cindy Sherman, as well as a diverse group of important lesser-known practitioners. A fascinating interview with Ann Tenenbaum provides a personal account of the works, while the main text offers an essential history of photography that addresses the implications of calling this period the medium’s “last” century.




Doctored


Book Description

"Examines the relationship between photography and medicine in American culture. Focuses on the American Civil War and postbellum Philadelphia to explore how medical models and metaphors helped establish the professional legitimacy of commercial photography while promoting belief in the rehabilitative powers of studio portraiture"--Provided by publisher.




Where We Find Ourselves


Book Description

Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.




Pawleys Island


Book Description

The history of Pawleys Island, South Carolina, can be summed up in four words: rice, sea, golf, and hammocks. The rivers threading through coastal South Carolina created an ideal environment for cultivating rice, and by the mid-18th century, vast plantations were producing profitable crops and wealthy landowners. But those plantations also produced malaria-carrying mosquitoes, so the landowners sent their families to the seashore for the summer and built the first houses on Pawleys Island starting in 1822. The end of slavery doomed the rice culture, and the old plantations were sold to rich Northerners for hunting and fishing retreats. By the 1960s, many of the old plantations were turned into golf courses, reviving the economy. But the beating heart of Pawleys Island remains the rhythm of the sea and what one early visitor called "the only beach in the world."




Photography's Orientalism


Book Description

The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe’s distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, nineteenth-century photographers were able to mass-produce images to incite and satisfy the demands of the region’s burgeoning tourist industry and the appetites of armchair travelers in Europe. In this way, the evolution of modern photography fueled an interest in visual contact with the rest of the world. Photography’s Orientalism offers the first in-depth cultural study of the works of European and non- European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.




Gardner's Photographic Sketchbook of the Civil War


Book Description

In presenting the Photographic Sketch Book of the War to the attention of the public, it is designed that it shall speak for itself. The omission, therefore, of any remarks by way of preface might well be justified; and yet, perhaps, a few introductory words may not be amiss. As mementoes of the fearful struggle through which the country has just passed, it is confidently hoped that the following pages will possess an enduring interest. Localities that would scarcely have been known, and probably never remembered, save in their immediate vicinity, have become celebrated, and will ever be held sacred as memorable fields, where thousands of brave men yielded up their lives a willing sacrifice for the cause they had espoused. Verbal representations of such places, or scenes, may or may not have the merit of accuracy; but photographic presentments of them will be accepted by posterity with an undoubting faith. During the four years of the war, almost every point of importance has been photographed, and the collection from which these views have been selected amounts to nearly three thousand.




National Geographic the 21st Century


Book Description

The best photographs of the first 21 years of the 21st century take center stage in this incredible volume of National Geographic's world-famous imagery. In just two short decades of the 21st century, National Geographic has ushered in a new era of visual storytelling excellence, including innovations in digital, drone, and smartphone photography, and reached out to a global audience through one of the world's most popular Instagram accounts, @NatGeo. In these 21 years, photography has transformed from a rarefied discipline to a universal medium of communication, available in the palm of everyone with a mobile phone. Through it all, National Geographic has remained at the forefront, shining a light on the beauty, wonder, and heartbreak of the world. A remarkable collection, The 21st Century culls more than 250 of the very best, most impactful National Geographic images across print, digital, and social media, celebrating: Extraordinary wildlife Unique cultures around the world Beautiful landscapes One-of-a-kind portrait photography And behind-the-shot stories from celebrated National Geographic photographers like Joel Sartore, Nick Nichols, Jodi Cobb, Anand Varma, and Evgenia Arbugaeva. Spanning the remarkable moments year-by-year from 2000 to 2021, The 21st Century is a beautiful, giftable, and important record of our rapidly changing world--a treasury you'll want to keep on the coffee table and turn to again and again. Complete your National Geographic photography collection with best-selling favorites: America the Beautiful: A Story in Photographs Women: The National Geographic Image Collection National Geographic Rarely Seen: Photographs of the Extraordinary National Geographic The Photo Ark: One Man's Quest to Document the World's Animals




William S. Burroughs Cutting Up the Century


Book Description

This definitive book on Burroughs’ decades-long cut-up project and its relevance to the American twentieth century, including previously unpublished works. William S. Burroughs’s Nova Trilogy (The Soft Machine, Nova Express, and The Ticket That Exploded) remains the best-known of his textual cut-up creations, but he committed more than a decade of his life to searching out multimedia for use in works of collage. By cutting up, folding in, and splicing together newspapers, magazines, letters, book reviews, classical literature, audio recordings, photographs, and films, Burroughs created an eclectic and wide-ranging countercultural archive. This collection includes previously unpublished work by Burroughs such as cut-ups of work written by his son, cut-ups of critical responses to his own work, collages on the Vietnam War and the Watergate scandal, excerpts from his dream journals, and some of the few diary entries that Burroughs wrote about his wife, Joan. William S. Burroughs Cutting Up the Century also features original essays, interviews, and discussions by established Burroughs scholars, respected artists, and people who encountered Burroughs. The essays consider Burroughs from a range of perspectives—literary studies, media studies, popular culture, gender studies, post-colonialism, history, and geography. “A landmark in scholarship.” —Choice




Reasoned and Unreasoned Images


Book Description

"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--