Piano quartet in E flat major, op. 16
Author : Ludwig Beethoven
Publisher :
Page : pages
File Size : 44,23 MB
Release : 1994
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Author : Ludwig Beethoven
Publisher :
Page : pages
File Size : 44,23 MB
Release : 1994
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Author : Ludwig van Beethoven
Publisher :
Page : pages
File Size : 14,80 MB
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Author : Ludwig van Beethoven
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Page : pages
File Size : 34,62 MB
Release : 197?
Category : Piano quartets
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Publisher : Edition Peters
Page : 84 pages
File Size : 46,72 MB
Release : 2022-05
Category : Music
ISBN :
Author : Ludwig van Beethoven
Publisher :
Page : 116 pages
File Size : 48,80 MB
Release : 1983
Category : Piano quartets
ISBN :
Author : Ludwig Van Beethoven
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Page : pages
File Size : 29,97 MB
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Page : pages
File Size : 21,31 MB
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Author : Ludwig van Beethoven
Publisher :
Page : 54 pages
File Size : 33,97 MB
Release : 1942
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Author : Basil Smallman
Publisher : Oxford University Press
Page : 212 pages
File Size : 36,73 MB
Release : 1996
Category : Language Arts & Disciplines
ISBN : 9780198166405
Within his broad historical narrative Professor Smallman provides descriptive analyses of key works, many with music examples, and also comments perceptively on local trends and developments.
Author : Benedict Taylor
Publisher : Cambridge University Press
Page : 133 pages
File Size : 21,60 MB
Release : 2023-11-30
Category : Music
ISBN : 1009084399
The String Quartet in E flat major (1834) by Fanny Hensel, née Mendelssohn, is one of the most important works by a female composer written in the nineteenth century. Composed at a turning point in her life (as Hensel was not only grappling with her own creative voice but also coming to terms with her identity as a married woman, and the role her family expected of her), the quartet is significant in showing a woman composing in a genre that was then almost exclusively the domain of male artists. Benedict Taylor's illuminating book situates itself within developing scholarly discourse on the music of women composers, going beyond apologetics – or condemnation of those who hindered their development – to examine the strength and qualities of the music and how it responded to the most progressive works of the period.