Piano Quintet in F Sharp Minor, Op. 67
Author : Mrs. H. H. A. Beach
Publisher :
Page : pages
File Size : 31,85 MB
Release : 1974
Category : Piano quintets
ISBN :
Author : Mrs. H. H. A. Beach
Publisher :
Page : pages
File Size : 31,85 MB
Release : 1974
Category : Piano quintets
ISBN :
Author : Yoon Song
Publisher :
Page : 196 pages
File Size : 37,58 MB
Release : 2011
Category :
ISBN :
Author : Frank Bridge
Publisher :
Page : 78 pages
File Size : 18,9 MB
Release : 2002
Category : Piano quartets
ISBN :
Author : Amy Beach
Publisher :
Page : pages
File Size : 25,30 MB
Release : 1995
Category :
ISBN :
Author : Amy Beach
Publisher : Da Capo Press, Incorporated
Page : 72 pages
File Size : 35,4 MB
Release : 1979
Category : Music
ISBN :
Besetzung: Klavierquintett.
Author : Amy Beach
Publisher :
Page : 100 pages
File Size : 49,1 MB
Release : 1909
Category : Piano quintets
ISBN :
Author : Amy Marcy Cheney Beach
Publisher :
Page : 47 pages
File Size : 28,50 MB
Release : 1979
Category :
ISBN :
Author : Johannes Brahms
Publisher :
Page : 166 pages
File Size : 20,60 MB
Release : 1890
Category : Piano quintets
ISBN :
Author : Basil Smallman
Publisher : Oxford University Press
Page : 212 pages
File Size : 38,41 MB
Release : 1996
Category : Language Arts & Disciplines
ISBN : 9780198166405
Within his broad historical narrative Professor Smallman provides descriptive analyses of key works, many with music examples, and also comments perceptively on local trends and developments.
Author : Basil Smallman
Publisher : Oxford University Press, USA
Page : 216 pages
File Size : 46,27 MB
Release : 1994
Category : Music
ISBN :
This book is concerned primarily with the development of the piano quartet and quintet from the mid-eighteenth century to the present day, but refers also to several important works for larger ensembles. Developments during the first four decades of the nineteenth century resulted not only in Schubert's renowned 'Trout' Quintet, but also in virtuoso compositions by Dussek, Hummel, Weber, and others, in which the piano predominates in a concerto-like role. Subsequently, Schumann's epoch-making quintet of 1842 initiated a broadly 'symphonic' style, which was adopted by many later composers, including Brahms, Dvorak, Cesar Frank, Faure, and Elgar. Amongst recent changes to the nature of the genres special consideration is given to works by Schoenberg, Messiaen, Stravinsky, and others, in which 'mixed' media are formed by combining wind instruments with the normal strings-and-piano ensembles. Within his broad historical narrative Professor Smallman provides descriptive analyses of key works, many with music examples, and also comments perceptively on local trends and developments.