Sonata No. 21 in C Major, Op. 53, "Waldstein"


Book Description

Count Ferdinand Ernest Gabriel von Waldstein, to whom the Sonata No. 21 in C Major, Op. 53, is dedicated, was a longtime patron of the composer. Waldstein wrote to Beethoven, "May you receive the spirit of Mozart through the hands of Haydn." The opening theme of repeated chords begins the excitement found throughout this work. Dr. Stewart Gordon's editions of Beethoven's most popular piano sonatas provide the key to a stylistic performance. Thorough research of the earliest available sources has enabled Dr. Gordon to produce the most accurate reflection of the composer's intent. Each sonata contains helpful fingering suggestions and performance recommendations. Other editors' conclusions are noted where performance options are open to interpretation.




32 Sonatas, Vol 2


Book Description

Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.










Sonata No. 21 in C Major, Opus 53 For The Piano


Book Description

Count Ferdinand Ernest Gabriel von Waldstein, to whom the Sonata No. 21 in C Major, Op. 53, is dedicated, was a longtime patron of the composer. Waldstein wrote to Beethoven, Â"May you receive the spirit of Mozart through the hands of Haydn.Â" The opening theme of repeated chords begins the excitement found throughout this work. Dr. Stewart GordonÂ's editions of Beethoven's most popular piano sonatas provide the key to a stylistic performance. Thorough research of the earliest available sources has enabled Dr. Gordon to produce the most accurate reflection of the composerÂ's intent. Each sonata contains helpful fingering suggestions and performance recommendations. Other editorsÂ' conclusions are noted where performance options are open to interpretation.




Beethoven Sonata


Book Description

Count Ferdinand Ernest Gabriel von Waldstein, to whom the Sonata No. 21 in C Major, Op. 53, is dedicated, was a longtime patron of the composer. Waldstein wrote to Beethoven, May you receive the spirit of Mozart through the hands of Haydn. The opening theme of repeated chords begins the excitement found throughout this work. Dr. Stewart Gordons editions of Beethoven's most popular piano sonatas provide the key to a stylistic performance. Thorough research of the earliest available sources has enabled Dr. Gordon to produce the most accurate reflection of the composers intent. Each sonata contains helpful fingering suggestions and performance recommendations. Other editors conclusions are noted where performance options are open to interpretation.




Beethoven - Waldstein Piano Sonata No. 21 in C Major


Book Description

Piano Sonata No. 21, Op.53 by Ludwig van Beethoven. This sonata consists of 3 movements: I. Allegro con brio II. Introduzione: Adagio molto (attacca) III. Rondo. Allegretto moderato - Prestissimo




The Others


Book Description

In 1837, at the height of the Carlist Wars and a time of conflict between the past and future, a young Prussianman crosses the Pyrenees to fight for the 'Order'. Finding himself trapped in the ruins of an abandoned city,his bewilderment at the war and what it means increases. Friendship, family, religion and politics: everythingis distorted, transformed or destroyed. The Others oscillates masterfully between humour and tragedy and is anovel full of music, eccentric characters and extraordinary scenes.




"Waldstein" Piano Sonata No.21 by Ludwig Van Beethoven for Solo Piano (1804) Op.53


Book Description

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.




Beethoven's Piano Sonatas


Book Description

Beethoven’s piano sonatas form one of the most important collections of works in the whole history of music. Spanning several decades of his life as a composer, the sonatas soon came to be seen as the first body of substantial serious works for piano suited to performance in large concert halls seating hundreds of people. In this comprehensive and authoritative guide, Charles Rosen places the works in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire, covering such aspects as sonata form, phrasing, and tempo, as well as the use of pedal and trills. In the second part of his book, he looks at the sonatas individually, from the earliest works of the 1790s through the sonatas of Beethoven’s youthful popularity of the early 1800s, the subsequent years of mastery, the years of stress (1812†“1817), and the last three sonatas of the 1820s. Composed as much for private music-making as public recital, Beethoven’s sonatas have long formed a bridge between the worlds of the salon and the concert hall. For today’s audience, Rosen has written a guide that brings out the gravity, passion, and humor of these works and will enrich the appreciation of a wide range of readers, whether listeners, amateur musicians, or professional pianists. The book includes a CD of Rosen performing extracts from several of the sonatas, illustrating points made in the text.