Picasso and the Allure of Language


Book Description

A revealing investigation into Picasso's career-long fascination with the written word Throughout his life, Pablo Picasso had close friendships with writers and an abiding interest in the written word. This groundbreaking book, which draws on the collections of Yale University, traces the relationship that Picasso had with literature and writing in his life and work. Beginning with the artist's early associations with such writers as Gertrude Stein, Guillaume Apollinaire, Max Jacob, and Pierre Reverdy, the book continues until the postwar period, by which time Picasso had become a worldwide celebrity. Distinguished authorities in art and literature explore the theme of Picasso and language from historical, linguistic, and visual perspectives and contextualize Picasso's work within a rich literary framework. Presenting fascinating archival materials and written in an accessible style, Picasso and the Allure of Language is essential reading for anyone interested in this great artist and the history of modernism. Published in association with the Yale University Art Gallery Exhibition Schedule: Yale University Art Gallery, New Haven (January 27 - May 24, 2009) Nasher Museum of Art at Duke University, Durham (August 20, 2009 - January 3, 2010)




Picasso and the Painting That Shocked the World


Book Description

One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.




In Defiance of Painting


Book Description

The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.




A Picasso Portfolio


Book Description

Published on the occasion of the exhibition "Picasso: Themes and Variations" held at the Museum of Modern Art, New York, N.Y., Mar. 24-Sept. 6, 2010.




In Montmartre


Book Description

Previously published: London: Fig Tree, [2014].




Picasso in the Metropolitan Museum of Art


Book Description

This publication presents a comprehensive catalogue of the works by Pablo Picasso in the Metropolitan Museum. Comprising 34 paintings, 59 drawings, 12 sculptures and ceramics, and more than 400 prints, the collection reflects the full breadth of the artist's multi-sided genius as it asserted itself over the course of his long career.




Decoding Dylan


Book Description

Taking readers behind Bob Dylan's familiar image as the enigmatic rebel of the 1960s, this book reveals a different view--that of a careful craftsman and student of the art of songwriting. Drawing on revelations from Dylan's memoir Chronicles and a variety of other sources, the author arrives at a radically new interpretation of his body of work, which revolutionized American music and won him the Nobel Prize for Literature in 2016. Dylan's songs are viewed as collages, ingeniously combining themes and images from American popular culture and European high culture.




Essays on Art and Language


Book Description

Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved identity: we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art—questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.




Twilight of the Belle Epoque


Book Description

Mary McAuliffe’s Dawn of the Belle Epoque took the reader from the multiple disasters of 1870–1871 through the extraordinary re-emergence of Paris as the cultural center of the Western world. Now, in Twilight of the Belle Epoque, McAuliffe portrays Paris in full flower at the turn of the twentieth century, where creative dynamos such as Picasso, Matisse, Stravinsky, Debussy, Ravel, Proust, Marie Curie, Gertrude Stein, Jean Cocteau, and Isadora Duncan set their respective circles on fire with a barrage of revolutionary visions and discoveries. Such dramatic breakthroughs were not limited to the arts or sciences, as innovators and entrepreneurs such as Louis Renault, André Citroën, Paul Poiret, François Coty, and so many others—including those magnificent men and women in their flying machines—emphatically demonstrated. But all was not well in this world, remembered in hindsight as a golden age, and wrenching struggles between Church and state as well as between haves and have-nots shadowed these years, underscored by the ever-more-ominous drumbeat of the approaching Great War—a cataclysm that would test the mettle of the City of Light, even as it brutally brought the Belle Epoque to its close. Through rich illustrations and evocative narrative, McAuliffe brings this remarkable era from 1900 through World War I to vibrant life.




Picasso Erotique. Englische Ausgabe.


Book Description

The career of the greatest painter of the twentieth century was played out in the shadow of Eros -- and of Thanatos. At the age of eight Picasso's first drawings already displayed a precocious interest in the female form, and in the days leading up to his death he was still working obsessively on sketches of the female sex. At the turn of the century the young Picasso created drawings and watercolors inspired by the bordellos of Barcelona which he frequented. These works mix desire, fascination, but also comedy and the grotesque alongside the ever-present fear of disease. They would result, seven years later, in his masterpiece, Les Demoiselles d'Avignon. The works in this ground-breaking book include erotic drawings formal and informal, sketches in notebooks hidden in drawers and private collections, and occasionally paintings and sculptures. Through all these works the essays by an international team of scholars, analyse the primeval notion of desire in Picasso's work, as well as his relation to voyeurism and exhibitionism, to artist and model. Whether through playful or hallucinatory forms, Picasso's representation of the desiring and desired body has become a pivotal moment in the history of twentieth-century art. Produced to accompany a major exhibition in Paris, Montreal and Barcelona, Picasso Erotique is a unique examination of the central theme in Picasso's work.