Picasso's Mask


Book Description

"Following Pablo Picasso's death in 1973, Andre Malraux was summoned by Jacqueline Picasso, the artist's widow, to her home at Mougins in the South of France. There, surrounded by Picasso's powerful la"




Picasso's Collection of African & Oceanic Art


Book Description

Although he never set foot in Africa, Picasso had a passion for African art. Throughout the course of his life, he assembled a unique collection of statues and masks. Comprising more than 120 objects, Picasso's private collection can now be found in museums in Paris such as the Louvre, Musee Quai Branly and the Musee Picasso, as well as in the private collections of members of Picasso's family. This beautiful book documents the entire collection and examines it as a whole. It features documentary photographs, a section of stunning colour plates, and detailed ethnographic descriptions of each piece, providing a full account of Picasso's relationship with African and Oceanic art. This important publication sheds new light on the fascination non-Western art held for one of twentieth century's most important artists. Review: '...an illuminating and handsome book, copiously illustrated with fascinating original documents and excellent colour reproductions...''... a convenient and also essential reference tool for anyone interested in this important subject.''... an invaluable and also entertaining guide.''... this book not only investigates Picasso's response to tribal art with unusual thoroughness, but also reopens the larger question of the artist's 'primitivism'.'The Burlington Magazine, June 2007




A Face for Picasso


Book Description

A Schneider Family Book Award Honor Book for Teens "Raw and unflinching . . . A must-read!" --Marieke Nijkamp, #1 New York Times-bestselling author of This Is Where It Ends "[It] cuts to the heart of our bogus ideas of beauty." –Scott Westerfeld, #1 New York Times-bestselling author of Uglies I am ugly. There's a mathematical equation to prove it. At only eight months old, identical twin sisters Ariel and Zan were diagnosed with Crouzon syndrome -- a rare condition where the bones in the head fuse prematurely. They were the first twins known to survive it. Growing up, Ariel and her sister endured numerous appearance-altering procedures. Surgeons would break the bones in their heads and faces to make room for their growing organs. While the physical aspect of their condition was painful, it was nothing compared to the emotional toll of navigating life with a facial disfigurement. Ariel explores beauty and identity in her young-adult memoir about resilience, sisterhood, and the strength it takes to put your life, and yourself, back together time and time again.







Picasso and the Painting That Shocked the World


Book Description

One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.




Picasso's Demoiselles


Book Description

In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.




The Interface


Book Description

"As the jet began its descent at JFK International Airport in the spring of 1997, Jay looked out of the window. It was just after sunset and his heart pounded as he soaked in the dusky silhouette of New York's skyline with a mixture of awe and apprehension. The announcement from the cockpit "We have landed at JFK International Airport- The temperature outside is 42 degrees Fahrenheit..." reverberated like a distant cacophony as 'screen memories' appeared and disappeared in his mind's eye-- in the few minutes while the plane taxied, bits and pieces of his life hitherto, flashed back at the speed of light." In the next two decades, Jay's life would odyssey through his American dream and frightful nightmares as he encounters love, sex, success, trauma, death, rebirth and the paranormal. His undying love for Nina will compel him to explore new horizons of knowledge and venture into the realm of metaphysics and 'life after death', in his quest to communicate with the departed souls, in binary language using the websites of dead persons as the Interface...




The Mirror & the Mask


Book Description

Portraiture is the unexpected survivor of the modern movement. Even as photography took over the role of recording likeness-- and artists questioned the representational basis of art-- almost all the most important artists of the 20th century experimented with portraiture, and many made it a central feature of their work. As the commissioned portrait became more the province of specialists working in conservative styles, avant-garde portraiture became an affair between artists, their friends, and-- with the proliferation of self-portraits-- their own selves. Focusing on avant-garde European paintings and sculpture from the 1890s to the 1980s, The Mirror and the Mask: Portraiture in the Age of Picasso shows the fascinating transformations that portraiture underwent as a flourishing, international phenomenon of the age. Through a spectacular panorama of late 19th- and 20th-century portraits, and using Picasso' s stylistic evolution as a constant point of reference, the book explores how the genre developed in response to artistic movements and great historical events. It features more than 100 paintings and sculptures by artists including Ce zanne, Van Gogh, Picasso, Matisse, Modigliani, Kokoschka, Beckmann, Soutine, Dubuffet, Bacon, and Freud.




Face and Mask


Book Description

A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass media This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation. Belting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavors to capture it inevitably result in masks—hollow signifiers of the humanity they're meant to embody. From creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, Face and Mask takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation.




Masks


Book Description

History.