Historic Photos of Cincinnati


Book Description

Historic Photos of Cincinnati captures the history of The Queen City in still photography from various collections held at the Cincinnati Museum Center. The book follows life, government, educations and events spanning two centuries. It captures unique and rare scenes through the original lens of hundreds of historic photographs. Published in a large format with multiple links on heavy art paper, these images portray the building of a unique and prosperous city.




Senate documents


Book Description




Catalog of Copyright Entries. Third Series


Book Description

Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals




Lost Cincinnati


Book Description

Portions of the text appeared previously in the Cincinnati Enquirer.




Cataloging and Classification


Book Description

Cataloging and Classification, Third Edition, is a text for beginning students and a tool for practicing cataloging personnel. All chapters have been rewritten in this latest edition to incorporate recent developments, particularly the tremendous impact metadata and the Web have had on cataloging and classification.




Kentucky Illustrated


Book Description

Kentucky Illustrated brings together a substantial portion of the pictorial scenes published during Kentucky's first century, many of them rare prints reproduced here for the first time since their original publication. From the frontier days of Daniel and Squire Boone to the rise of the railroads that opened the state to visitors who toured its landmarks and bathed in its springs, more than two hundred views offer a picture of Kentucky's growth and civilization. Until the 1890s, Kentucky was sketched in the words of adventurers, travelers, and journalists, but all most Americans knew of the face of Kentucky was the occasional engraving that appeared in popular publications such as Harper's Weekly and Scribner's Monthly. The camera was not widely used and photographs could not yet be reproduced for mass distribution, so each illustration was captured by an artist and translated by an engraver before it reached the imagination of the viewer. Readers will enjoy chapters on the frontier, the Civil War, education and religion, urban and rural life, making a living, the natural world, and roads, rivers, and rails. State historian James C. Klotter provides an overview of Kentucky history that enhances the illustrations, and Joe Nickell's description of early print methods allows readers to appreciate fully the art form as it was practiced in the nineteenth century. Captions include both historical background and information on artists, lithographers, and printers. This handsome collection of rare early views will delight all Kentuckians as well as historians, teachers, librarians, and students.







Bibliotheca Americana, 1893


Book Description







Remember Me to Miss Louisa


Book Description

It is generally recognized that antebellum interracial relationships were "notorious" at the neighborhood level. But we have yet to fully uncover the complexities of such relationships, especially from freedwomen's and children's points of view. While it is known that Cincinnati had the largest per capita population of mixed race people outside the South during the antebellum period, historians have yet to explore how geography played a central role in this outcome. The Mississippi and Ohio Rivers made it possible for Southern white men to ferry women and children of color for whom they had some measure of concern to free soil with relative ease. Some of the women in question appear to have been "fancy girls," enslaved women sold for use as prostitutes or "mistresses." Green focuses on women who appear to have been the latter, recognizing the problems with the term "mistress," given its shifting meaning even during the antebellum period. Remember Me to Miss Louisa, among other things, moves the life of the fancy girl from New Orleans, where it is typically situated, to the Midwest. The manumission of these women and their children—and other enslaved women never sold under this brand—occurred as America's frontiers pushed westward, and urban life followed in their wake. Indeed, Green's research examines the tensions between the urban Midwest and the rising Cotton Kingdom. It does so by relying on surviving letters, among them those from an ex-slave mistress who sent her "love" to her former master. This relationship forms the crux of the first of three case studies. The other two concern a New Orleans young woman who was the mistress of an aging white man, and ten Alabama children who received from a white planter a $200,000 inheritance (worth roughly $5.1 million in today's currency). In each case, those freed people faced the challenges characteristic of black life in a largely hostile America. While the frequency with which Southern white men freed enslaved women and their children is now generally known, less is known about these men's financial and emotional investments in them. Before the Civil War, a white Southern man's pending marriage, aging body, or looming death often compelled him to free an African American woman and their children. And as difficult as it may be for the modern mind to comprehend, some kind of connection sometimes existed between these individuals. This study argues that such men—though they hardly stand excused for their ongoing claims to privilege—were hidden actors in freedwomen's and children's attempts to survive the rigors and challenges of life as African Americans in the years surrounding the Civil War. Green examines many facets of this phenomenon in the hope of revealing new insights about the era of slavery. Historians, students, and general readers of US history, African American studies, black urban history, and antebellum history will find much of interest in this fascinating study.