Picture Maker of the Old West, William H. Jackson


Book Description

A collection of more than 400 pictures photographs and sketches... with a running descriptive text. The main object of this book is to portray . . . the Old West from the 1860's to 1893. William H. Jackson, known . . . for his photographs and sketches, contributed to American annals a vast amount of illustrativem7aterial about the unknown West. Huntting Folio volume.




William Henry Jackson


Book Description

This bibliography is a catalog of works relating to William Henry Jackson.




Colorado, 1870-2000, Revisited


Book Description

The companion book you need to learn more about the then-and-now photographs in Colorado 1870-2000! This volume, a collaboration between Colorado's most acclaimed historian and photographer, tells you the stories surrounding the photographic pairs and gives you a behind-the-scenes look at the challenging craft of rephotography. Designed to be used in tandem with Colorado 1870-2000, this book profiles our state's unrivaled character and encourages you to consider its future as you contemplate its past and present.




William Henry Jackson's Lens


Book Description

William Henry Jackson was an explorer, photographer, and artist. He is also one of those most often overlooked figures of the American West. His larger claim to fame involves his repeated forays into the western lands of nineteenth-century America as a photographer. Jackson’s life spanned multiple incarnations of the American West. In a sense, he played a singular role in revealing the West to eastern Americans. While others opened the frontier with the axe and the rifle, Jackson did so with his collection of cameras. He dispelled the geological myths through a lens no one could deny or match. His wet plate collodion prints not only helped to reframe the nation’s image of the West, but they also enticed businessmen, investors, scientists, and even tourists to venture into the western regions of the United States. Prior to Jackson’s widely circulated photographs, the American West was little understood and unmapped—mysterious lands that required a camera and a cameraman to reveal their secrets and, ultimately, provide the first photographic record of such exotic destinations as Yellowstone, Mesa Verde, and the Rocky Mountains. Jackson’s story was long and his life full, as he lived to the enviable age of 99. This biography presents the good, bad, and ugly of Jackson’s life, both personal and professional, through the use primary source materials, including Jackson’s autobiographies, letters, and government reports on the Hayden Surveys.




The Colonial Earth


Book Description

"Using the work of great Australian painters and poets as an entry point, this cultural study counters the popular myth that early colonial settlers were environmentally irresponsible and offers both aesthetic and historical evidence that suggests nature always figured prominently in the Australian national consciousness. Preserving endangered species, protecting forests, maintaining public land rights, and staving off climate change were at issue in the first environmental law of Australia enacted in 1788. Parlimentary debates, personal observations, and artistic renderings explore the texture and dimensions of early Australian environmentalism."




The Painted Sketch


Book Description

"The Painted Sketch is the first volume to focus on the sketches of major American artists of the period. Eleanor Jones Harvey, author and consulting curator of American Art for the Dallas Museum of Art, follows the artists from field to studio, examining the changing perception and growing public appreciation for these small works. Her study is based on much new research as well as on her close analysis of existing resources."--BOOK JACKET.







Harvard Guide to American History


Book Description

Editions for 1954 and 1967 by O. Handlin and others.




Author-title Catalog


Book Description




Criticizing Photographs


Book Description

Emphasizing the understanding of images and their influences on how they affect our attitudes, beliefs, and actions, this fully updated sixth edition offers consequential ways of looking at images from the perspectives of photographers, critics, theoreticians, historians, curators, and editors. It invites informed conversations about meanings and implications of images, providing multiple and sometimes conflicting answers to questions such as: What are photographs? Should they be called art? Are they ethical? What are their implications for self, society, and the world? From showing how critics verbalize what they see in images and how they persuade us to see similarly, to dealing with what different photographs might mean, the book posits that some interpretations are better than others and explains how to deliberate among competing interpretations. It looks at how the worth of photographs is judged aesthetically and socially, offering samples and practical considerations for both studio critiques for artists and professional criticism for public audiences. This book is a clear and accessible guide for students of art history, photography and criticism, as well as anyone interested in carefully looking at and talking about photographs and their effects on the world in which we live.