Motion Picture Showmen


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The Lone Hand


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Nickelodeon


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American Showman


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Samuel ÒRoxyÓ Rothafel (1882Ð1936) built an influential and prolific career as film exhibitor, stage producer, radio broadcaster, musical arranger, theater manager, war propagandist, and international celebrity. He helped engineer the integration of film, music, and live performance in silent film exhibition; scored early Fox Movietone films such as Sunrise (1927); pioneered the convergence of film, broadcasting, and music publishing and recording in the 1920s; and helped movies and moviegoing become the dominant form of mass entertainment between the world wars. The first book devoted to RothafelÕs multifaceted career, American Showman examines his role as the key purveyor of a new film exhibition aesthetic that appropriated legitimate theater, opera, ballet, and classical music to attract multi-class audiences. Roxy scored motion pictures, produced enormous stage shows, managed many of New YorkÕs most important movie houses, directed and/or edited propaganda films for the American war effort, produced short and feature-length films, exhibited foreign, documentary, independent, and avant-garde motion pictures, and expanded the conception of mainstream, commercial cinema. He was also one of the chief creators of the radio variety program, pioneering radio broadcasting, promotions, and tours. The producers and promoters of distinct themes and styles, showmen like Roxy profoundly remade the moviegoing experience, turning the deluxe motion picture theater into a venue for exhibiting and producing live and recorded entertainment. RoxyÕs interest in media convergence also reflects a larger moment in which the entertainment industry began to create brands and franchises, exploit them through content release Òevents,Ó and give rise to feature films, soundtracks, broadcasts, live performances, and related consumer products. Regularly cited as one of the twelve most important figures in the film and radio industries, Roxy was instrumental to the development of film exhibition and commercial broadcasting, musical accompaniment, and a new, convergent entertainment industry.




Beyond the Border


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The idea that the American Great Plains and the Canadian Prairies are just "fly-over" country is a mistake. In the post-9/11 era, politicians and policy-makers are paying more attention to the region, especially where border enforcement is concerned. Beyond the Border provides interdisciplinary perspectives on the region's increasing importance. Drawing inspiration from Habermas's observation that certain modern phenomena - from ecological degradation and organized crime to increased capital mobility - challenge a state's ability to retain sovereignty over a fixed geographical region, contributors to this book question the ontological status of the Canada-US border. They look at how entertainment media represents the border for their viewers, how Canada and the US enforce the line that separates the two countries, and how the border appears from the viewpoint of Native communities where it was imposed through their traditional lands. Under this scrutiny, the border ceases to appear as self-evident, its status more fragile than otherwise imagined. At a time when the importance of border security is increasingly stressed and the Great Plains and Prairies are becoming more economically and politically prominent, Beyond the Border offers necessary context for understanding decisions by politicians and policy-makers along the forty-ninth parallel. Contributors include Phil Bellfy (Michigan State University), Christopher Cwynar (University of Wisconsin), Brandon Dimmel (Western University), Zalfa Feghali (University of Nottingham), Joshua Miner (University of Iowa), Paul Moore (Toronto Metropolitan University), Michelle Morris (University of Waterloo), Paul Sando (Minnesota State University Moorhead), and Serra Tinic (University of Alberta).




Motion Picture Herald


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