Learned Love


Book Description

Emblem books, which feature combinations of images and text with a moral lesson for the reader, grew out of the Renaissance and were most popular in the Netherlands. Enigmatic, erudite, and often pious, Dutch love emblems synthesized the traditions of European visual and literary arts--and in turn influenced architecture, painting, poetry, and interior design for centuries to come. Learned Love offers an introduction to this enthralling genre and celebrates the completion of Emblem Project Utrecht, an undertaking that digitized twenty-five of the most representative emblem books. This unprecedented volume explores the delicate network of visual motifs and textual mottos that characterize Dutch love emblems. Learned Love demonstrates how emblem books form a web of closely interrelated references, which the contributors liken to the Internet, and traces the cutting-edge digitization project from inception to finish. This book will interest anyone intrigued by the fruitful gray areas between image and text, scholarship and technology.




The Identities of Catherine de' Medici


Book Description

An innovative analysis of the representational strategies that constructed Catherine de’ Medici and sought to explain her behaviour and motivations.













François Hotman: Antitribonian


Book Description

Written c. 1567 (though unpublished until 1603), this is the work of an extraordinary scholar, a radical and polemicist, rival of many of the leading intellectual and political figures of his day. According to François Hotman’s distinguished biographer Donald Kelley the Antitribonian ‘is, or should be, a landmark in the history of social and historical thought’. It is also a landmark in the history of legal thought. The present edition is the first to evaluate Hotman’s text in the context of the history of Roman law from the time of the sixth-century Byzantine Emperor Justinian I to the Germany of the Enlightenment.




Harmony, Counterpoint, Partimento


Book Description

A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.







A History of Six Ideas


Book Description

The history of aesthetics, like the histories of other sciences, may be treated in a two-fold manner: as the history of the men who created the field of study, or as the history of the questions that have been raised and resolved in the course of its pursuit. The earlier History of Aesthetics (3 volumes, 1960-68, English-language edition 1970-74) by the author of the present book was a history of men, of writers and artists who in centuries past have spoken up concerning beauty and art, form and crea tivity. The present book returns to the same subject, but treats it in a different way: as the history of aesthetic questions, concepts, theories. The matter of the two books, the previous and the present, is in part the same; but only in part: for the earlier book ended with the 17th century, while the present one brings the subject up to our own times. And from the 18th century to the 20th much happened in aesthetics; it was only in that period that aesthetics achieved recognition as a separate science, received a name of its own, and produced theories that early scholars and artists had never dreamed of.




Jacob Vernet, Geneva, and the Philosophes


Book Description

Jacob Vernet (1698-1789) was the most important and influential Genevan pastor of his day, successively holding the posts of Professor of Belles-Lettres (1739) and of Theology (1756) at the city's Acad mie. A 'liberal' theologian, he had personal contacts with several of the leading philosophes, all of which turned sour after a time. This book describes Vernet's contacts with Montesquieu, d'Alembert, Voltaire and Rousseau. It also investigates a charge made repeatedly by his enemies, namely that he was a hypocrite who disguised his real beliefs. Vernet's religious and philosophical opinions are thus reviewed as expressed in his major works, Trait de la v rite de la religion chr tienne, Instruction chr tienne and Lettres critiques d'un voyageur anglais. The connection between Vernet's ideas and the social and political situation in his native Geneva is also studied in depth. The pastor's relations with Montesquieu have often been seen as a cause for congratulation, for he edited the first edition of De l'Esprit des lois, but a close reading of Montesquieu's correspondence shows that this episode was far from being an unqualified success. Similarly, Vernet's contacts with Rousseau give pause for thought: the relevant evidence that he was on occasion somewhat devious in his dealings with the great author is reviewed comprehensively. Particular attention is given to Vernet's relations with Voltaire. In 1760 the pastor was vilified in the second of the Dialogues chr tiens, accused of greed and dishonesty. But did Voltaire actually write the second Dialogue? If not, who did? These intriguing questions are discussed in detail, special attention being given to Vernet's own essays of self-justification, the Lettre Monsieur le Premier Sindic(1760) and M moire Mr. le Premier Sindic (1766, both of which are reproduced in appendices. Jacob Vernet's long life and many works give a fascinating insight into the problems and inconsistencies of liberal Protestantism during the various stages of the Enlightenment.