Pierre and Luce


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Reproduction of the original: Pierre and Luce by Romain Rolland




Pierre and Luce


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Pierre and Luce


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Pierre plunged into the subway. A feverish, a brutal crowd. On his feet near the door, closely pressed in a bank of human bodies and sharing the heavy atmosphere passing in and out of their mouths, he stared without seeing them at the black and rumbling vaults over which flickered the shining eyes of the train. The same heavy shadows lay in his mind, the same gleams, hard and tremulous. Suffocating in the raised collar of his overcoat, his arms jammed against his sides and his lips compressed, his forehead damp with perspiration momentarily cooled by a current from outside when the door opened, he tried hard not to see, he tried not to breathe, he tried not to live. The heart of this young fellow of eighteen, still almost a child, was full of a dull despair. Above his head, above the shadows of these long vaulted ways, of this rat-run through which the monster of metal whirled, all swarming with human masks—was Paris, the snow, the cold January darkness, the nightmare of life and of death—the war.




Pierre and Luce


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Marine Lover of Friedrich Nietzsche


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Published in France in 1980, Marine Lover is the first in a trilogy in which Luce Irigaray links the interrogation of the feminine in post-Hegelian philosophy with a pre-Socratic investigation of the elements. Irigaray undertakes to interrogate Nietzche, the grandfather of poststructuralist philosophy, from the point of view of water. According to Irigaray, water is the element Nietzsche fears most. She uses this element in her narrative because for her there is a complex relationship between the feminine and the fluid. Irigaray's method is to engage in an amorous dialogue with the male philosopher. In this dialogue, she ruptures conventional discourse and writes in a lyrical style that defies distinction between theory, fiction, and philosophy.




Report


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Report accompanied by historical documents, calendars, etc.




Through Vegetal Being


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Blossoming from a correspondence between Luce Irigaray and Michael Marder, Through Vegetal Being is an intense personal, philosophical, and political meditation on the significance of the vegetal for our lives, our ways of thinking, and our relations with human and nonhuman beings. The vegetal world has the potential to rescue our planet and our species and offers us a way to abandon past metaphysics without falling into nihilism. Luce Irigaray has argued in her philosophical work that living and coexisting are deficient unless we recognize sexuate difference as a crucial dimension of our existence. Michael Marder believes the same is true for vegetal difference. Irigaray and Marder consider how plants contribute to human development by sustaining our breathing, nourishing our senses, and keeping our bodies and minds alive. They note the importance of returning to ancient Greek tradition and engaging with Eastern teachings to revive a culture closer to nature. As a result, we can reestablish roots when we are displaced and recover the vital energy we need to improve our sensibility and relation to others. This generative discussion points toward a more universal way of becoming human that is embedded in the vegetal world.




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Between East and West


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With this book we see a philosopher well steeped in the Western tradition thinking through ancient Eastern disciplines, meditating on what it means to learn to breathe, and urging us all at the dawn of a new century to rediscover indigenous Asian cultures. Yogic tradition, according to Irigaray, can provide an invaluable means for restoring the vital link between the present and eternity—and for re-envisioning the patriarchal traditions of the West. Western, logocentric rationality tends to abstract the teachings of yoga from its everyday practice—most importantly, from the cultivation of breath. Lacking actual, personal experience with yoga or other Eastern spiritual practices, the Western philosophers who have tried to address Hindu and Buddhist teachings—particularly Schopenhauer—have frequently gone astray. Not so, Luce Irigaray. Incorporating her personal experience with yoga into her provocative philosophical thinking on sexual difference, Irigaray proposes a new way of understanding individuation and community in the contemporary world. She looks toward the indigenous, pre-Aryan cultures of India—which, she argues, have maintained an essentially creative ethic of sexual difference predicated on a respect for life, nature, and the feminine. Irigaray's focus on breath in this book is a natural outgrowth of the attention that she has given in previous books to the elements—air, water, and fire. By returning to fundamental human experiences—breathing and the fact of sexual difference—she finds a way out of the endless sociologizing abstractions of much contemporary thought to rethink questions of race, ethnicity, and globalization.




Pierre and Luce (Classic Reprint)


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Excerpt from Pierre and Luce In every growing youth between sixteen and eighteen there is a bit of the soul of Hamlet. Don't ask him to understand the war! (all right for you men, who have had your fill!) He has all he can do to understand life and forgive its existence. As a rule he digs himself in with his dream and with the arts, until the time comes when he has got used to his incarnation, and the grub has achieved its agonizing passage from larva to winged insect. What a need be has for peace and meditation during these April days so full of the trouble of maturing life! But they come after him to the bot tom Of his burrow, look him up, drag him from the dark while still so tender in his new-made skin. They toss him into the raw air amongst the hard human race whose follies and hatreds he is expected at the very first moment to accept without understanding them and, not understanding, to atone for them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.