The Architecture of British Seaside Piers


Book Description

Of all the architectural delights of British seaside resorts, the most astonishing and idiosyncratic is the seaside pier. Remarkable visual spectacles, piers are architecturally extraordinary in concept and at times outrageous in execution. They brought together the Victorian genius for technological and material innovation, architectural ambition and engineering ingenuity in the search for new designs for leisure (as well as profit) over the sea. This superbly illustrated book explores the history of the design processes leading to the architectural and engineering innovations that have allowed people to walk on water in such diverse and delightful ways. Coverage includes the development of piers into the crowning architectural glory of British seaside resorts; the key people, materials, inventions and technologies in the field, particularly the work of Eugenius Birch, the greatest pier designer; the remarkable diversity of piers ranging from the earliest simple landing stages, through staid promenade piers and the glories of fully-fledged pleasure piers, to the boisterous joys of funfair and amusement piers; the rich variety of architectural styles, including exotic 'Orientalism' and streamlined Modernism and, finally, today's contemporary prospects for renewal and reinvention.




Piers and Other Seaside Architecture


Book Description

Originally constructed as landing stages for trippers by boat in the nineteenth century, piers later developed into attractions in themselves, with ornate pavilions, delicate ironwork and exotic lighting. Lynn F. Pearson, an architectural historian, outlines the fascinating history of pier and pavilion construction, using colour illustrations and photographs to show the development of these attractions from simple wooden structures to complex entertainment venues. This book explores the allure of seaside developments from the Victorian charm of Weston-super-Mare's grand pier to the seaside developments of the twenty-first century, such as Ilfracombe's Landmark Theatre, which continues to impress and entertain to this day.




Seaside Architecture


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Seaside Piers


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"Iron, Ornament and Architecture in Victorian Britain "


Book Description

Vilified by leading architectural modernists and Victorian critics alike, mass-produced architectural ornament in iron has received little sustained study since the 1960s; yet it proliferated in Britain in the half century after the building of the Crystal Palace in 1851 - a time when some architects, engineers, manufacturers, and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. Comprehensively illustrated and richly researched, Iron, Ornament and Architecture in Victorian Britain presents the most sustained study to date of the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation by architects, critics and engineers, and the contexts in which it flourished, including industrial buildings, retail and seaside architecture, railway stations, buildings for export and exhibition, and street furniture. Appealing to architects, conservationists, historians and students of nineteenth-century visual culture and the built environment, this book offers new ways of understanding the notion of modernity in Victorian architecture by questioning and re-evaluating both Victorian and modernist understandings of the ideological split between historicism and functionalism, and ornament and structure.




Designing the Seaside


Book Description

"In Designing the Seaside Fred Gray provides a history of seaside architecture from the 18th century to the present day, investigating leisure, entertainment, taste, fashion and gender, and shows how the seaside even became a hotbed for moral and sexual issues - from the early use of bathing machines to twentieth-century beauty pageants and naturist groups. He relates the evolution of resort architecture to sweeping changes in how seaside nature was experienced and used by holidaymakers. The book also traces the history of the coastal resort, with examples ranging from Regency Sidmouth to Victorian Scarborough and early 20th-century Morecambe, as well as assessing seaside developments in the USA and Continental Europe, from Coney Island and Santa Barbara to Nice and Trouville." "Featuring many colourful, informative and often entertaining photographs, drawings, guidebook illustrations, postcards and publicity posters from resorts around the world, Designing the Seaside is a thoroughly readables as well as a visually fascinating account of changing attitudes to holidaymaking and its setting."--BOOK JACKET.




Conservation of Architectural Ironwork


Book Description

The peak of architectural ironwork in the 19th Century saw the spread of ornate decorative ironwork across the world. In recent years there has been a significant increase in conservation and restoration projects aiming to protect the artistry of traditional ironwork for future generations. Conservation of Architectural Ironwork is the first book to provide a complete guide to the conservation and maintenance of traditional architectural ironwork. First introducing the contextual history and key material features of architectural ironwork, the book goes on to guide readers through the management and delivery of conservation projects from start to finish, explaining the very latest in conservation technology. At its peak, architectural ironwork was used on a vast global scale in buildings, bridges, street furniture and ornamental structures. With international case studies and detailed illustrations, this book will be an essential reference for heritage professionals and students of architectural conservation around the world.




Art and Identity at the Water's Edge


Book Description

The water's edge, whether shore or riverbank, is a marginal territory that becomes invested with layers of meaning. The essays in this collection present intriguing perspectives on how the water's edge has been imagined and represented in different places at various times and how this process contributed to the formation of social identities. Art and Identity at the Water's Edge focuses upon national coastlines and maritime heritage; on rivers and seashore as regions of liminality and sites of conflicting identities; and on the edge as a tourist setting. Such themes are related to diverse forms of art, including painting, architecture, maps, photography, and film. Topics range from the South African seaside resort of Durban to the French Riviera. The essays explore successive ideological mappings of the Jordan River, and how Czech cubist architecture and painting shaped a new nationalist reading of the Vltava riverbanks. They examine post-Hurricane Katrina New Orleans as a filmic spectacle that questions assumptions about American identity, and the coast depicted as a site of patriotism in nineteenth-century British painting. The collection demonstrates how waterside structures such as maritime museums and lighthouses, and visual images of the water's edge, have contributed to the construction of cultural and national identities.




Redondo Beach Pier


Book Description

Piers have always drawn people to the mysterious wonder of the ocean. The ability to seemingly walk on water with the construction of a pier has created for humans a sense of temporary mastery of the majestic and merciless sea. The Southern California shoreline has always attracted tourists from near and far to experience the natural beauty of the coastline. Capitalizing on the natural and man-made appeal of the ocean and the pleasure pier, Henry Huntington created in Redondo Beach a fantasyland of wonder and excitement for beachgoers in the early 20th century. As one of the major rivals to the pleasure piers of Santa Monica, Ocean Park, and Venice to the north, the Endless Pier and later the adjacent Monstad Pier in Redondo Beach drew in thousands of tourists a day. Pleasure-seekers can still fish, enjoy dinner and music, shop, or simply take a nighttime stroll over the water on todays Municipal Pierremnants from the heyday of Redondo Beachs pleasure pier of the early 20th century.




Lancashire's Seaside Piers


Book Description

In this work, Martin Easdown turns his expert attention westward to the Lancashire coast. His highly illustrated survey of the piers constructed at famous resorts like Blackpool, Morecambe, Southport and St Annes-on-Sea celebrates structures that are among the most exuberant and evocative of the Victorian age.