Pincher Martin


Book Description




Pincher Martin, O.D.


Book Description




Pincher Martin, O.D.: A Story of the Inner Life of the Royal Navy


Book Description

"Pincher Martin, O.D" by H. Taprell Dorling. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.




Pincher Martin


Book Description

Experience a shipwrecked sailor's psychic disintegration into 'a naked madman on a rock' by the radical Nobel Laureate and author of Lord of the Flies. An hour on this rock is a lifetime. Glistening limpets. The claws of a lobster. Wild tangles of seaweed. Slowly, his eyes open. Everywhere, there is sea. Only this jagged peak interrupts the vast expanse of the Atlantic: a tooth in a gaping jaw. But he will survive. Rainwater can be drunk; anemones eaten. He dries his oilskin beneath the screaming gulls, and discovers his papers: Christopher Hadley Martin, TY. Lieut., R.N.V.R. Weathering lightning strikes of memory, he must now reconstruct his fate - piece by terrible piece. 'Devastating ... Violently real ... The unique kind of novel that compels you to reread it.' Marlon James 'Wizardry of the first order.' Observer 'Terrifying . Magnificently original.' Sylvia Plath 'An amazing tour de force ... A blow-by-blow struggle for survival.' Stephen Spender 'Immense ... To read it is to undergo a shattering and memorable experience.' Kingsley Amis 'A master fabulist ... An iconoclast.' John Fowles




The Bookseller


Book Description




The Novels of William Golding


Book Description

Malcolm Bradbury On William Golding Golding Addressed Fundamental Questions Of Good And Evil, Being, Wholeness And Creative Aspiration In A Godless Age. His Stories Were, He Once Said, Not Fables But Myths Fable Being An Invented Thing Out On The Surface Whereas Myth In Something That Comes Out Of The Roots Of Things In The Ancient Sense Of Being A Key To Existence...And Experience As A Whole.Golding S Work Challenges Many Of The Liberal And Humanistic Conventions Of Much British Fiction, And There Is A Certain Timelessness About The Prose Though Not The Technique Which Makes It Stand Monumentally Apart From Much Contemporary Writing. But It Is And Will Surely Remain A Central Contribution To The Modern British Novel.The 1983 Nobel Prize Winner Author, Golding Had The Unique Distinction Of Being Both A Fabulist And A Realist.Golding S Works Will Remain Of Significant Relevance As Long As Man Continues To Careen Madly On The Razor S Edge Of So-Called Civilisation While His Ugly True Self-Barbaric And Greedy Claims His Soul In Mephistophilean Triumph. At Times Golding S Eschatological Views Are Sombre, But He Weaves A Torturous Path Through The Paradoxes Of Good And Evil In His Novels; Pincher Martin, Darkness Visible And The Spire (To Name Only A Few). He Tried To Achieve A Synthesis Of Flesh And Spirit Through An Illuminating Reconciliation. Golding Wished To Salvage The Soul Of Man From The Wreckage Of 20Th Century Godlessness, Entropy And The Malaise Of Whoring After False Gods.How Do You React To The Charge Of Peter Moss And A Number Of Critics That You Are A Pessimist?I Would Call Myself A Universal Pessimist But A Cosmic Optimist. My Novels Examine The Human Condition. Just As A Doctor Diagnoses A Physical Disease I Explore The Spiritual Ills Of Man. I Am Too Old To Go About Preaching On The State Of Man, But One Has To Harbour Hope. The Very Act Of Living Today Is One Of Hope.Golding S Commitment To Truth And Reality Is Undying. He Speaks Through Samuel Mount-Joy In Free Fall: But We Are Neither The Innocent Nor The Wicked. We Are The Guilty. We Fall Down. We Crawl On Hands And Knees. We Weep And Tear Each Other. Or Again: I Am Looking For The Beginning Of Responsibility, The Beginning Of Darkness, The Point Where I Began. Golding Demands From Man A Moral Evolution, A Spiritual Growth Worthy Of His Species. As He Observed, What The World Now Needs Is The Homomoralis The Human Being Who Cannot Kill His Own Kind, Nor Exploit Them Nor Rob Them.







The Moral Symbols of William Golding


Book Description

In contrast to other writers whose concern for evil is tempered with combination of chastened expectation and irony, William Golding treats evil an almost mythical intensity .For example, Lord of the Flies (1954) is probably the most powerful English novel written since World War II. The story told with meticulous realism, and at the same time with a visionary clarity infused with symbolism, tells of children shipwrecked on a desert island, where their isolated environment compels their degeneration into a society based fear, violence and tyranny. Throughout most of Goldings later novels he continually searches for different and more forceful expressions of this kind of tortured moral vision. Golding disregards all novelistic traditions in his bold search for the kind of novel which will contain his own concept of mans nature. Literary criticism is generally directed toward the symbolic implications found in a particular novel, and as a result of this the novelist today is more self-conscious about his symbols than ever before. Golding does not object to mans arrogance or his selfishness , but he insists that there must be certain limits to his freedom; one mans freedom must not interfere with or destroy the freedom of others .For example, in The Inheritors (1955), the more civilized clan fails realize that its freedom and way of life are dependent on the corresponding freedom of the less civilized clan . It is notable that the purgatory of Pincher Marin demonstrates Goldings remarkable skill for presenting the physical sensations of isolated human beings pushed up against the back wall of their existence .In Free Fall (1959), Goldings presentation of evil again deals with fear and disintegration instilled in the human situation, yet in this novel his mythic tendencies are embarrassed by the representation of modern society. While The Pyramid (1967) presents an attractive and understanding study of village life , this modest success involves the sacrifice of mythic presentations . Only in The Spire (1964 ) is there a satisfactory presentation of private vision with a sense of community . Goldings interpretation of life is that it is mans nature to be selfish , but this selfishness must not be allowed to dominate his actions to the extent that the freedom and peace of others is violated.




Towards a Poetics of Literary Biography


Book Description

Drawing upon a wide range of biographies of literary subjects, from Shakespeare and Wordsworth to William Golding and V.S. Naipaul, this book develops a poetics of literary biography based on the triangular relationships of lives, works and times and how narrative operates in holding them together. Biography is seen as a hybrid genre in which historical and fictional elements are imaginatively combined. It considers the roles of story-telling, factual data in the art of life-writing, and the literariness of its language. It includes a case study of the biography of Ellen Terry, discussion of the controversial relationship between a subject's life and works, 'biographical criticism' and, through the issue of gender, the social and cultural changes biographies reflect. It frames a poetics on the basis of its strategy and tactics and demonstrates how the literal truth of verifiable data and the poetic truth of what is narrated are interdependent.




The Dark Box


Book Description

A bestselling journalist exposes the connection between the Catholic Church’s sexual abuse crisis and the practice of confession.